AFRICAN AMERICAN REVIEW最新文献

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Navigating the Fiction of Ernest J. Gaines: A Roadmap for Readers by Keith Clark (review) 基思·克拉克的《欧内斯特·J·盖恩斯小说导航:读者路线图》(评论)
IF 0.2 3区 文学
AFRICAN AMERICAN REVIEW Pub Date : 2022-03-01 DOI: 10.1353/afa.2022.0012
W. Nash
{"title":"Navigating the Fiction of Ernest J. Gaines: A Roadmap for Readers by Keith Clark (review)","authors":"W. Nash","doi":"10.1353/afa.2022.0012","DOIUrl":"https://doi.org/10.1353/afa.2022.0012","url":null,"abstract":"Keith Clark has written an excellent study of a writer that Americans need to be reading now. This beautifully written book could not be more timely; like Gaines’s fiction, however, it is not bound entirely by the moment in which it appears. Students, teachers, and fellow scholars will be using this text for years to come as they plumb the depths of Gaines’s often underappreciated corpus, gleaning from it lessons about who Americans have been and who we are becoming as we struggle with the entirely vexed and vexing questions of systemic racism and Black freedom. Gaines’s enduring national reputation rests primarily on the publication of two novels, The Autobiography of Miss Jane Pittman (1971) and A Lesson Before Dying (1993). Strikingly, both proved prescient in bringing what would become trending issues before the public. Although scholars and activists were noting the problems associated with mass incarceration before Gaines’s novel appeared, A Lesson Before Dying shone a beautiful and horrifying light on these issues that spread awareness throughout a broader readership. In the wake of Michelle Alexander’s The New Jim Crow, Lesson has become even more prominent and powerful as a commentary on our broken criminal injustice system. Pairing it with selections from Alexander and Colson Whitehead’s The Nickel Boys (2019), I have seen how Gaines’s novel shakes contemporary students to their cores. With Clark’s book, I and other teachers of the novel will have a beautiful explication of the text and a meticulous description of Gaines’s research process in hand to elevate those discussions to even greater heights. Miss Jane Pittman appeared five years before Alex Haley published Roots; the landmark adaptation of Gaines’s novel, starring Cicely Tyson, appeared on CBS in 1974, three years before Roots came to television. Clark emphasizes the “pioneering achievement” of Gaines’s “dramatization of slavery,” noting the author’s role in preparing the way for writers like Toni Morrison and Colson Whitehead (99). He subsequently weaves this topic, Gaines’s exploration of the impact of enslavement on “the peasants” whom his novels and stories commemorate and celebrate, through his assessment of Gaines’s corpus, from Gaines’s first published novel, Catherine Carmier (1964), to his last novella, The Tragedy of Brady Sims (2017). Illuminating Gaines’s overt and more subtle work to “retrieve and re-examine our still-to-be unraveled dark racial past,” Clark ably demonstrates why readers should look beyond the author’s two best-known novels and what they can gain from a sustained exploration of his fiction. Gaines’s treatment of the history of enslavement and oppression is but one of the recurrent motifs Clark explores. Weaving together significant threads of discourse and contestation that have beset critics for the past several decades, Clark repeatedly demonstrates Gaines’s centrality to both the creation and study of twentieth-century Black literature. Citing A","PeriodicalId":44779,"journal":{"name":"AFRICAN AMERICAN REVIEW","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45266259","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
James Baldwin’s Readers: White Innocence and the Reception of “Letter from a Region in My Mind” 詹姆斯·鲍德温的读者:白色的纯真与对“来自我心中某个地区的信”的接受
IF 0.2 3区 文学
AFRICAN AMERICAN REVIEW Pub Date : 2022-03-01 DOI: 10.1353/afa.2022.0004
Ben Fried
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引用次数: 17
Black Butterfly 黑蝴蝶
IF 0.2 3区 文学
AFRICAN AMERICAN REVIEW Pub Date : 2022-03-01 DOI: 10.1353/afa.2022.0006
Gabriel Ratcliffe
{"title":"Black Butterfly","authors":"Gabriel Ratcliffe","doi":"10.1353/afa.2022.0006","DOIUrl":"https://doi.org/10.1353/afa.2022.0006","url":null,"abstract":"{ } It’s a butterfly trapped in the library The window’s face beaten by butterfly wings Black wing clipped on right-hand side Black wing ripped by unnamed culprit Black Butterfly equipped with innocence Nobody there helped that butterfly But my feelings linked with Butterfly Black Butterfly caged by unasked fate I have Black Butterfly cupped in my gentle palms And my palms beaten by Black Butterfly’s wings Presumed it couldn’t fly but it busted straight out my hands","PeriodicalId":44779,"journal":{"name":"AFRICAN AMERICAN REVIEW","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45567488","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Aliened Americans: Pseudonymity and Gender Politics in Early Black Social Media 异化的美国人:早期黑人社交媒体中的笔名和性别政治
IF 0.2 3区 文学
AFRICAN AMERICAN REVIEW Pub Date : 2022-03-01 DOI: 10.1353/afa.2022.0002
Derrick R. Spires
{"title":"Aliened Americans: Pseudonymity and Gender Politics in Early Black Social Media","authors":"Derrick R. Spires","doi":"10.1353/afa.2022.0002","DOIUrl":"https://doi.org/10.1353/afa.2022.0002","url":null,"abstract":"Abstract:This essay uses a brief attack from James McCune Smith on William Howard Day, editor of The Aliened American (1853–55), to recover, partially, The Aliened’s history and to meditate on questions of gender and pseudonymity in Black periodicals. The moment serves as an entrée into a larger printscape of aesthetic play and unwritten codes of social experiences that twenty-first-century readers might find reminiscent of modern social media.","PeriodicalId":44779,"journal":{"name":"AFRICAN AMERICAN REVIEW","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41260283","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Radical Black Theatre in the New Deal by Kate Dossett (review) 《新政中的激进黑人戏剧》凯特·多塞特著(书评)
IF 0.2 3区 文学
AFRICAN AMERICAN REVIEW Pub Date : 2022-03-01 DOI: 10.1353/afa.2022.0011
S. Rutkowski
{"title":"Radical Black Theatre in the New Deal by Kate Dossett (review)","authors":"S. Rutkowski","doi":"10.1353/afa.2022.0011","DOIUrl":"https://doi.org/10.1353/afa.2022.0011","url":null,"abstract":"experimental jazz “reimaginings” informed from the beginning by Baraka’s Marxist Black poetics. Among this book’s many fascinating discussions are those about Amina Baraka’s contributions to her husband’s mapping of Black Newark. She not only worked practically on behalf of the Newark-based political and cultural organizations with which he was identified (e.g., Spirit House, the Committee for a Unified Newark, and the Congress of African People) but also introduced him to a “Black Arts Newark that was resolutely proletarian and firmly rooted in the city” (44). Equally interesting are Smethurst’s discussions of Black Newark speech. Drawing on a variety of sources, he puts Baraka and his Southern-born parents in a conversation about the sounds of this speech and about its historical origins. In these sections and others, Brick City Vanguard equips readers to take seriously, at long last, the entire career of a major writer-activist, one whose abiding concerns remain before us today.","PeriodicalId":44779,"journal":{"name":"AFRICAN AMERICAN REVIEW","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44568995","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Disalienating Realism of William Attaway’s Blood on the Forge: Rethinking Black Chicago Renaissance Aesthetics 威廉·阿塔威《铁匠铺上的血》的异化现实主义:对芝加哥黑人文艺复兴美学的再思考
IF 0.2 3区 文学
AFRICAN AMERICAN REVIEW Pub Date : 2022-03-01 DOI: 10.1353/afa.2022.0003
Juan J. Rodriguez Barrera
{"title":"The Disalienating Realism of William Attaway’s Blood on the Forge: Rethinking Black Chicago Renaissance Aesthetics","authors":"Juan J. Rodriguez Barrera","doi":"10.1353/afa.2022.0003","DOIUrl":"https://doi.org/10.1353/afa.2022.0003","url":null,"abstract":"Abstract:Aiming to reopen discussions about what constituted literary realism in the Black Chicago Renaissance, this essay argues that William Attaway’s novel Blood on the Forge (1941) engages what Robert Young calls “disalienation,” a theoretical practice that “interpellates and then alienates the reader to produce new subjectivities.” I examine the theoretical relationship between sociological methodology and Marxist analysis within the movement: a relationship that, in Attaway’s case, did not produce a documentary work anchored in simple reflection, but rather served as the basis for a dialectical-materialist (or “disalienating”) realism that united both the concrete and abstract aspects of social experience.","PeriodicalId":44779,"journal":{"name":"AFRICAN AMERICAN REVIEW","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46887064","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
For Derek Walcott, and: On Nights Like This, and: New Land 德里克·沃尔科特,《像这样的夜晚》和《新大陆
IF 0.2 3区 文学
AFRICAN AMERICAN REVIEW Pub Date : 2022-03-01 DOI: 10.1353/afa.2022.0005
Rasaq Malik
{"title":"For Derek Walcott, and: On Nights Like This, and: New Land","authors":"Rasaq Malik","doi":"10.1353/afa.2022.0005","DOIUrl":"https://doi.org/10.1353/afa.2022.0005","url":null,"abstract":"","PeriodicalId":44779,"journal":{"name":"AFRICAN AMERICAN REVIEW","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66774840","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The New Era’s More Civil War: How Big a Tent? 新时代更多的内战:帐篷有多大?
IF 0.2 3区 文学
AFRICAN AMERICAN REVIEW Pub Date : 2022-03-01 DOI: 10.1353/afa.2022.0001
K. Diffley
{"title":"The New Era’s More Civil War: How Big a Tent?","authors":"K. Diffley","doi":"10.1353/afa.2022.0001","DOIUrl":"https://doi.org/10.1353/afa.2022.0001","url":null,"abstract":"Abstract:First issued on January 13, 1870, the New Era appeared in Washington, DC, as the Fifteenth Amendment was about to assure voting rights to Black men. At the height of Radical Reconstruction, J. Sella Martin and Frederick Douglass addressed their efforts to “the Colored People of the United States” and detailed the liberating days of the African American community’s greatest hopes, while reprinting two stories about the Civil War and its immediate aftermath. The article examines their sharp differences as the weekly cast the postwar nation hovering between founding promise and a new birth of freedom.","PeriodicalId":44779,"journal":{"name":"AFRICAN AMERICAN REVIEW","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47284396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Brick City Vanguard: Amiri Baraka, Black Music, Black Modernity by James Smethurst (review) 砖城先锋:阿米里·巴拉卡,黑人音乐,黑人现代性,作者:詹姆斯·斯梅瑟斯特
IF 0.2 3区 文学
AFRICAN AMERICAN REVIEW Pub Date : 2022-03-01 DOI: 10.1353/afa.2022.0010
M. Calihman
{"title":"Brick City Vanguard: Amiri Baraka, Black Music, Black Modernity by James Smethurst (review)","authors":"M. Calihman","doi":"10.1353/afa.2022.0010","DOIUrl":"https://doi.org/10.1353/afa.2022.0010","url":null,"abstract":"","PeriodicalId":44779,"journal":{"name":"AFRICAN AMERICAN REVIEW","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44977350","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
"You Just Never Can Know What's Up the Road": An Interview with Cecil Brown “你永远都不知道未来会发生什么”——塞西尔·布朗访谈录
IF 0.2 3区 文学
AFRICAN AMERICAN REVIEW Pub Date : 2022-01-14 DOI: 10.1353/afa.2021.0032
Zachary Manditch-Prottas, C. Brown
{"title":"\"You Just Never Can Know What's Up the Road\": An Interview with Cecil Brown","authors":"Zachary Manditch-Prottas, C. Brown","doi":"10.1353/afa.2021.0032","DOIUrl":"https://doi.org/10.1353/afa.2021.0032","url":null,"abstract":"","PeriodicalId":44779,"journal":{"name":"AFRICAN AMERICAN REVIEW","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-01-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48378562","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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