异化的美国人:早期黑人社交媒体中的笔名和性别政治

IF 0.3 3区文学 0 LITERATURE, AMERICAN

AFRICAN AMERICAN REVIEW Pub Date : 2022-03-01 DOI:10.1353/afa.2022.0002

Derrick R. Spires

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引用次数: 0

摘要

摘要:本文通过詹姆斯·麦库恩·史密斯对《被异化的美国人》(1853-55)编辑威廉·霍华德·戴的简短抨击，部分还原了《被异化的美国人》的历史，并对黑人期刊中的性别和笔名问题进行了思考。这一时刻是审美游戏和不成文的社会经验准则的更大图景的一个入口，21世纪的读者可能会觉得这让人想起现代社交媒体。

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Aliened Americans: Pseudonymity and Gender Politics in Early Black Social Media

Abstract:This essay uses a brief attack from James McCune Smith on William Howard Day, editor of The Aliened American (1853–55), to recover, partially, The Aliened’s history and to meditate on questions of gender and pseudonymity in Black periodicals. The moment serves as an entrée into a larger printscape of aesthetic play and unwritten codes of social experiences that twenty-first-century readers might find reminiscent of modern social media.

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来源期刊

AFRICAN AMERICAN REVIEW LITERATURE, AMERICAN-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： As the official publication of the Division on Black American Literature and Culture of the Modern Language Association, the quarterly journal African American Review promotes a lively exchange among writers and scholars in the arts, humanities, and social sciences who hold diverse perspectives on African American literature and culture. Between 1967 and 1976, the journal appeared under the title Negro American Literature Forum and for the next fifteen years was titled Black American Literature Forum. In 1992, African American Review changed its name for a third time and expanded its mission to include the study of a broader array of cultural formations.