{"title":"詹姆斯·鲍德温的读者:白色的纯真与对“来自我心中某个地区的信”的接受","authors":"Ben Fried","doi":"10.1353/afa.2022.0004","DOIUrl":null,"url":null,"abstract":"Abstract:In 1962, James Baldwin became the second Black contributor to The New Yorker, appearing at a crossroads in his career and the magazine’s history. This article reconstructs the editorial development and critical afterlife of “Letter from a Region in My Mind,” arguing that the essay’s reception by white readers is already present in its gestation. A conversion tale, “Letter” attempts to extricate its audience from the American tradition of willful white innocence. Baldwin’s readers, from William Shawn to the author’s recent revival, set in motion the essay’s machinery of reciprocal reflection—its chiasmus of style and substance—with imperfect but enduring results.","PeriodicalId":44779,"journal":{"name":"AFRICAN AMERICAN REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"17","resultStr":"{\"title\":\"James Baldwin’s Readers: White Innocence and the Reception of “Letter from a Region in My Mind”\",\"authors\":\"Ben Fried\",\"doi\":\"10.1353/afa.2022.0004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:In 1962, James Baldwin became the second Black contributor to The New Yorker, appearing at a crossroads in his career and the magazine’s history. This article reconstructs the editorial development and critical afterlife of “Letter from a Region in My Mind,” arguing that the essay’s reception by white readers is already present in its gestation. A conversion tale, “Letter” attempts to extricate its audience from the American tradition of willful white innocence. Baldwin’s readers, from William Shawn to the author’s recent revival, set in motion the essay’s machinery of reciprocal reflection—its chiasmus of style and substance—with imperfect but enduring results.\",\"PeriodicalId\":44779,\"journal\":{\"name\":\"AFRICAN AMERICAN REVIEW\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"17\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"AFRICAN AMERICAN REVIEW\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/afa.2022.0004\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, AMERICAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"AFRICAN AMERICAN REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/afa.2022.0004","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, AMERICAN","Score":null,"Total":0}
James Baldwin’s Readers: White Innocence and the Reception of “Letter from a Region in My Mind”
Abstract:In 1962, James Baldwin became the second Black contributor to The New Yorker, appearing at a crossroads in his career and the magazine’s history. This article reconstructs the editorial development and critical afterlife of “Letter from a Region in My Mind,” arguing that the essay’s reception by white readers is already present in its gestation. A conversion tale, “Letter” attempts to extricate its audience from the American tradition of willful white innocence. Baldwin’s readers, from William Shawn to the author’s recent revival, set in motion the essay’s machinery of reciprocal reflection—its chiasmus of style and substance—with imperfect but enduring results.
期刊介绍:
As the official publication of the Division on Black American Literature and Culture of the Modern Language Association, the quarterly journal African American Review promotes a lively exchange among writers and scholars in the arts, humanities, and social sciences who hold diverse perspectives on African American literature and culture. Between 1967 and 1976, the journal appeared under the title Negro American Literature Forum and for the next fifteen years was titled Black American Literature Forum. In 1992, African American Review changed its name for a third time and expanded its mission to include the study of a broader array of cultural formations.