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Utopia and Uneven Space in Wole Soyinka's The Bacchae of Euripides 索因卡《欧里庇得斯的酒神》中的乌托邦与不均匀空间

IF 0.1 3区历史学

ARETHUSA Pub Date : 2018-08-10 DOI: 10.1353/ARE.2018.0007

K. Gabriel

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引用次数: 0

The Silence of the Muse 缪斯的沉默

IF 0.1 3区历史学

ARETHUSA Pub Date : 2018-08-10 DOI: 10.1353/ARE.2018.0004

Yukai Li

{"title":"The Silence of the Muse","authors":"Yukai Li","doi":"10.1353/ARE.2018.0004","DOIUrl":"https://doi.org/10.1353/ARE.2018.0004","url":null,"abstract":"Homeric scholarship has tended to take the Muse at her word—she who is the daughter of Memory, the all-knowing, the keeper of tradition—or rather, more correctly, specifically not at her word, since she never speaks. But the Homeric Muse must speak: she must bring the words and knowledge of the epic past to the singer at the moment of performance and thus underwrite the relationship between the Homeric poet and the Homeric tradition. In the wake of Milman Parry, the general consensus that the Homeric poems are the product of a long performance tradition and yet are also to be read as literary texts has only made the Muse all the more important in her role as the mediator between the individual poem and its tradition. In what follows, I propose to examine the connection between the figure of the Muse and the presuppositions of Homeric scholarship. How is the way in which we understand the voice and the silence of the Muse linked to the ways in which we think about Homer and the Homeric tradition? Next to the voice and the silence of the Muse, which serves as an image of or an emblem for questions of origin, continuity, and authority in the Homeric tradition, the core of my argument is the concept of kleos, meaning “fame, glory, or rumour.” If kleos is what, in important ways, holds the Homeric tradition together—since kleos is what the hero wants and what the Homeric poet celebrates—then how we understand kleos is intimately connected with how we understand the Muse. It is possible, although I do not think anyone does this, to bring together Muse and kleos in a very literal configuration and say that the Muse conveys the kleos of the hero to the poet who celebrates him, thus guaranteeing the continuity and authority of the Homeric tradition with the Muse as its origin. Against this configuration of Muse, kleos, and tradition, we might raise the most basic and most trivial objection: “Sing of the wrath,” says the poet of the","PeriodicalId":44750,"journal":{"name":"ARETHUSA","volume":"51 1","pages":"115 - 91"},"PeriodicalIF":0.1,"publicationDate":"2018-08-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ARE.2018.0004","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41805176","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

"One, Two, Three": Narrative Circles in Plato's Timaeus “一、二、三”：柏拉图《提摩太》中的叙事圈

IF 0.1 3区历史学

ARETHUSA Pub Date : 2018-05-04 DOI: 10.1353/ARE.2018.0002

Bess R. H. Myers

引用次数: 3

Olfactory Theater: Tracking Scents in Aeschylus's Oresteia 嗅觉剧场:在埃斯库罗斯的《俄瑞斯忒亚》中追踪气味

IF 0.1 3区历史学

ARETHUSA Pub Date : 2018-05-04 DOI: 10.1353/ARE.2018.0001

A. Lather

引用次数: 0

The Clinical Odyssey: Odysseus's Apologoi and Narrative Therapy 临床奥德赛：奥德修斯的道歉与叙事治疗