外表可能是骗人的:阿普雷厄斯的《变形记》中的服装和身份，佛罗里达和道歉

IF 0.2 3区历史学 0 CLASSICS

ARETHUSA Pub Date : 2017-09-28 DOI:10.1353/ARE.2017.0012

Ashli J. E. Baker

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引用次数: 0

摘要

在阿普列乌斯的《变形记》第11卷中，赤身裸体的卢修斯从伊希斯的一位牧师手中吃了规定的玫瑰后，逐渐出现在原来只有他那愚蠢形象的地方几乎是在同一时间，一名伊萨克游行队伍的成员走上前来，给这个赤身裸体的男人穿上了他自己背上的亚麻束腰外衣:小说最后一个主要变形的第一个物理标志，从人到牧师(11.14)。这个阿普列夫的时刻可以与《俄诺斯》中同样的转变场景相比较，很可能是阿普列夫的希腊原文的缩影，其中卢基奥斯在圆形剧场中央吃了玫瑰后，回到了他的人形与《变形记》中的卢修斯不同，在《奥诺斯》中，卢基奥斯在乞求省长饶他一命时保持裸体，他的“重新穿衣”没有被提及

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Appearances Can Be Deceiving: Costume and Identity in Apuleius's Metamorphoses, Florida, and Apology

In Book 11 of Apuleius’s Metamorphoses, a stark naked Lucius, having eaten the prescribed roses from the hands of a priest of Isis, gradually appears where before there had only been his asinine form.1 Almost immediately, a member of the Isiac procession steps forward, clothing the naked man in the linen tunic off of his own back: the first physical mark of the last major metamorphosis of the novel, that of man to priest (11.14). This Apuleian moment can be compared to the same scene of transformation in the Onos, in all likelihood an epitome of Apuleius’s Greek source text, in which Loukios, after eating roses in the middle of the amphitheater, returns to his human form.2 Unlike Lucius in the Metamorphoses, in the Onos, Loukios remains naked as he begs the provincial governor for his life and his “re-clothing” goes unmentioned.3

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来源期刊

ARETHUSA CLASSICS-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Arethusa is known for publishing original literary and cultural studies of the ancient world and of the field of classics that combine contemporary theoretical perspectives with more traditional approaches to literary and material evidence. Interdisciplinary in nature, this distinguished journal often features special thematic issues.