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Aisthesis. Pratiche, linguaggi e saperi dell’estetico最新文献

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Being There or Non-being There: Memory of Experience in Virtual Space 存在或不存在:虚拟空间中的经验记忆
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2023-02-06 DOI: 10.36253/aisthesis-13861
Zeliha Bayrakçı
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引用次数: 0
The constant forms: a ubiquitous and pragmatic ontogony 不变的形式:一个无处不在的和实用的本体
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2023-02-06 DOI: 10.36253/aisthesis-13905
I. Rieusset-Lemarié
{"title":"The constant forms: a ubiquitous and pragmatic ontogony","authors":"I. Rieusset-Lemarié","doi":"10.36253/aisthesis-13905","DOIUrl":"https://doi.org/10.36253/aisthesis-13905","url":null,"abstract":"According to Etienne Souriau, ontology must be grasped in light of an ontogonic perspective in which future is to be rebuilt permanently as an act. We show that “constant forms” support Souriau’s aim that ontogony must be both ubiquitous and pragmatic. Firstly, the “constant forms” support Souriau’s ubiquitous ontogony which aims to escape the reification due to the “law of localization”. Secondly, as far as they are considered as “action template”, the “constant forms” support Souriau’s pragmatic ontogony according to which “existence is an act”. Thirdly, Souriau characterizes as “constant forms” the morphems on which is based his synaptic vision (as opposed to the ontic vision) which values the dynamical role of transitions in order to create a future as an act, as it is required by the criteria of pragmatic ontogony.","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130111041","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
About a Fruitful Misunderstanding: From Souriau’s Modes of Existence to Latour’s Ecologizing Inquiries 关于一个富有成效的误解:从苏里奥的存在方式到拉图尔的生态探究
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2023-02-06 DOI: 10.36253/aisthesis-13970
Aline Wiame
{"title":"About a Fruitful Misunderstanding: From Souriau’s Modes of Existence to Latour’s Ecologizing Inquiries","authors":"Aline Wiame","doi":"10.36253/aisthesis-13970","DOIUrl":"https://doi.org/10.36253/aisthesis-13970","url":null,"abstract":"This article examines the particular way Souriau’s concepts of instauration and modes of existence have been inherited by Bruno Latour in his Inquiry into Modes of Existence. It suggests that Bruno Latour has hacked some key-aspects of Souriau’s general ontology in order to regionalize it and, by doing so, to give the Moderns an accurate depiction of the plurality of beings they hold dear. It then shows how Souriau’s concept of instauration is crucial to Latour’s project of rethinking and repopulating modern institutions, in a gesture aimed at making metaphysics a vital practice that has the power to make the world worth of worrying and caring for.","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131919033","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Melancholy of the «Redskin». Aesthetics and moral in French anthropology in the second half of the 19th century 《印第安人的忧郁》。19世纪下半叶法国人类学中的美学与道德
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2022-08-02 DOI: 10.36253/aisthesis-13286
Aldo Trucchio
{"title":"The Melancholy of the «Redskin». Aesthetics and moral in French anthropology in the second half of the 19th century","authors":"Aldo Trucchio","doi":"10.36253/aisthesis-13286","DOIUrl":"https://doi.org/10.36253/aisthesis-13286","url":null,"abstract":"Based on the theoretical and methodological indications provided by the Geneva critic and historian Jean Starobinski in his analysis of melancholic figures in the 19th century, this study focuses on the presence of the figure of the «Redskin» or «Savage» of North America in French anthropology of the same period. Starting from the observation of its melancholic character, the origins of this figure and its attributes will be reconstructed, and its moral and epistemological function in physical anthropology, in the emerging palaeoanthropology and in colonial ideological discourse, will be analysed. This path will be an opportunity to question the complex relationships between scientific and aesthetic languages in European modernity.","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129062686","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Public art as meditation on public time 公共艺术是对公共时间的沉思
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2022-08-02 DOI: 10.36253/aisthesis-13447
Tereza Hadravová, Sabrina Muchová
{"title":"Public art as meditation on public time","authors":"Tereza Hadravová, Sabrina Muchová","doi":"10.36253/aisthesis-13447","DOIUrl":"https://doi.org/10.36253/aisthesis-13447","url":null,"abstract":"In this paper, we draw attention to temporal aspects of works of art displayed, performed, or held in public spaces, generally designated as public art. We argue that the debate on public art has been biased towards discussing the spatial. We focus on the “temporariness” of public art, the primary temporal feature that has been under scrutiny in recent philosophical literature on public art. We explore arguments it has been woven into. In particular, we discuss and reject using temporariness as the mark dissecting the realm of public art into two different artforms and argue that it is just one of many temporal properties public artworks have and can use to bear meanings. We outline other ways works of public art bear temporal features and interact with temporal properties of spaces they occupy, and argue that those too are, potentially, aesthetically significant. We illustrate some of these with an example of a particular public artistic site, the open-air art gallery «ArtWall» located in Prague, the Czech Republic. ","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"93 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125115253","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The spatiality of sounds. From sound-source localization to musical spaces 声音的空间性。从声源定位到音乐空间
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2022-08-02 DOI: 10.36253/aisthesis-13617
Nicola Di Stefano
{"title":"The spatiality of sounds. From sound-source localization to musical spaces","authors":"Nicola Di Stefano","doi":"10.36253/aisthesis-13617","DOIUrl":"https://doi.org/10.36253/aisthesis-13617","url":null,"abstract":"The proliferation of and interest in concepts of musical space make the question of why composers, philosophers, and musicologists have used spatial concepts for music – which is typically considered a temporal and ephemeral art form – a relevant issue in the multidisciplinary research on music. In this paper, I suggest distinguishing between a literal and a metaphorical meaning of the term “space” when applied to music and sounds. Thereafter, I investigate the reasons that might have lain behind the metaphorical use of spatial concepts for music, focusing on the concept of movement in music and examining relevant studies in the field of audiovisual correspondences which show that listeners consistently match certain acoustic features to spatial features. Finally, I claim that both the metaphorical and the literal uses of spatial concepts for describing music are rooted in the way people perceive the dynamic change of acoustic features in terms of a (pseudo)spatial phenomenology. ","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"76 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132516303","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Image, (con)text and technological performativity. Joan Jonas, Krzysztof Wodiczko and Antoni Muntadas 图像，(非)文本和技术表演。Joan Jonas, krzysztoof Wodiczko和Antoni Muntadas
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2022-08-02 DOI: 10.36253/aisthesis-13327
M. Di Paola
{"title":"Image, (con)text and technological performativity. Joan Jonas, Krzysztof Wodiczko and Antoni Muntadas","authors":"M. Di Paola","doi":"10.36253/aisthesis-13327","DOIUrl":"https://doi.org/10.36253/aisthesis-13327","url":null,"abstract":"The main theme exposed in this article is articulated on the centrality that the new media have assumed in the academic research of contemporary art theory. The case studies analyzed derive from a direct knowledge of the experiments conducted at the Comparative Media Studies, the Media Lab and the Program in Art, Culture, and Technology (ACT) of the Massachusetts Institute of Technology (MIT), one of the state-of-the-art institutions on contemporary debate that sees new media and artistic creativity relating in a single field of research. Some of the visual artists examined here were members of the MIT community, contributing not only to the prestige of the institution, but also to a paradigm shift in the method by which a work of art is created, designed and perceived. Joan Jonas, New York artist and lecturer emeritus at ACT, has conducted avant-garde visual experiments aimed at combining the relationship between language and image, always using new performatic and digital aesthetics with which to narrate her personal visions. The artists Krzysztof Wodiczko and Antoni Muntadas, for over forty years at ACT have dedicated part of their research to the analysis of the interrelation between technology, artistic languages ​​and social communication. Their artistic production stems from the use of new technologies that make it possible to overlap between literary and visual codes, thus proposing an alternative to the long tradition that separates the arts relegating them to autonomous practices.","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"95 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125799893","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Public Art in (Local) Communities: Multiple Publics and the Dynamic Between Them (地方)社区的公共艺术:多元公众及其之间的动态
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2022-08-02 DOI: 10.36253/aisthesis-13456
A. Andrzejewski, M. Maliszewska
{"title":"Public Art in (Local) Communities: Multiple Publics and the Dynamic Between Them","authors":"A. Andrzejewski, M. Maliszewska","doi":"10.36253/aisthesis-13456","DOIUrl":"https://doi.org/10.36253/aisthesis-13456","url":null,"abstract":"The paper’s goal is to investigate the question of the type of public, which serves as a recipient of a particular work of public art. That is, the paper researches the process of how the public is attracted by a given artwork, how this process influences a local community, and what is the actual nature of these publics. As a result, it is argued that some public artworks are intended to have more than one public or, to put it in stronger terms, their task is to bring into play the inner dynamic between numerous publics. Moreover, the possibility of conceptualizing public art not only as a means responsible for facilitating peace but also as revealing the hidden conflicts among the members of the community, to which it is introduced and by whom it is analyzed.","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125442892","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Art Is in the Air. The Public Dimension in Allan Kaprow’s Utopian Un-Artistic Theory 艺术在空气中。卡普罗乌托邦式非艺术理论中的公共维度
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2022-08-02 DOI: 10.36253/aisthesis-13712
Marcello Sessa
{"title":"Art Is in the Air. The Public Dimension in Allan Kaprow’s Utopian Un-Artistic Theory","authors":"Marcello Sessa","doi":"10.36253/aisthesis-13712","DOIUrl":"https://doi.org/10.36253/aisthesis-13712","url":null,"abstract":"In the present essay, I want to suggest that the public dimension is a crucial issue in Kaprow’s un-artistic art theory, and that this shift from art to “nonart” literally occurs as a transition from private to public: from private contemplation of “complete” paintings to artistic experience publicly performed and shared. Primarily, I will focus on his troubled relationship with painting. Then, I will concentrate on his ground-breaking reflections on framing and unframing. After that, I will analyse his most relevant theoretical achievements, environment and happening, emphasizing the active role of publicity in his personal idea of performance art. Finally, I will discuss his distinctive interpretation of “nonart”, by comparing it with other substantial variations on the “post-art” theme, offered by different authors, either modernist or post-modernist. In the end, the Kaprowian un-artistic theory will emerge re-configured as a singular, and someway “aerial”, utopian proposal for public art.","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"322 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123914146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Secularization of Political Authority. On the Political Content of Theology in Benjamin’s Theory of Trauerspiel 政治权威的世俗化。论本雅明《特拉华诗》理论中神学的政治内容
Aisthesis. Pratiche, linguaggi e saperi dell’estetico Pub Date : 2022-08-02 DOI: 10.36253/aisthesis-13419
Nikolaos Tzanakis Papadakis
{"title":"Secularization of Political Authority. On the Political Content of Theology in Benjamin’s Theory of Trauerspiel","authors":"Nikolaos Tzanakis Papadakis","doi":"10.36253/aisthesis-13419","DOIUrl":"https://doi.org/10.36253/aisthesis-13419","url":null,"abstract":"This article investigates the relationship between secular politics and theology in Walter Benjamin’s The Origin of German Trauerspiel. It explores that question by starting from how the Weimar legal theory conceived the relationship between modern, secular law and the theological tradition. Focusing on Carl Schmitt’s concept of secularization, it investigates the analogy model in term of which the legal discourse understood the named relationship as well as its political consequences. The article suggests that Benjamin’s theory of the Trauerspiel elaborates a different, dialectical model which deploys, on the contrary, the crisis of any analogy between theology and modern politics.","PeriodicalId":447022,"journal":{"name":"Aisthesis. Pratiche, linguaggi e saperi dell’estetico","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132103250","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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