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JOURNAL OF MODERN LITERATURE最新文献

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Modernism's World Drama: Joyce, Wagner, and the Anti-Systemic Stirrings of a Global Artwork 现代主义的世界戏剧:乔伊斯、瓦格纳与全球艺术的反体制激荡
3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2023-03-01 DOI: 10.2979/jmodelite.46.3.01
Madigan Haley
{"title":"Modernism's World Drama: Joyce, Wagner, and the Anti-Systemic Stirrings of a Global Artwork","authors":"Madigan Haley","doi":"10.2979/jmodelite.46.3.01","DOIUrl":"https://doi.org/10.2979/jmodelite.46.3.01","url":null,"abstract":"Abstract: Two of James Joyce's earliest essays identify a kind of artwork that would remain a model for his fiction: the world drama. Joyce's notion of the world drama built upon an aspect of Richard Wagner's theoretical writing that has been largely forgotten: the program for a revolutionary, nonnational artwork. Joyce reimagined this program within the conditions of colonial Ireland and an increasingly international print culture, conceiving of a work that is oriented toward the world at large and meant to articulate a revolutionary consciousness for its audience. Joyce's works of fiction can be understood, in these terms, as world dramas, which is one of the reasons for their influence. The history of the world drama reveals how the effort to create a revolutionary world-oriented artwork spanned international modernism, evolving as it passed from Wagner to Joyce and then later to artists such as Sergei Eisenstein and Mulk Raj Anand.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135533349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Proposal for a Modest Modernism: A Review of Eliot and Beckett's Low Modernism by Rick de Villiers 一个适度现代主义的提议:艾略特和贝克特的低现代主义述评
3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2023-03-01 DOI: 10.2979/jml.2023.a901940
Jean-Michel Rabaté
{"title":"A Proposal for a Modest Modernism: A Review of Eliot and Beckett's Low Modernism by Rick de Villiers","authors":"Jean-Michel Rabaté","doi":"10.2979/jml.2023.a901940","DOIUrl":"https://doi.org/10.2979/jml.2023.a901940","url":null,"abstract":"Abstract: Rick de Villiers combines close textual readings and theoretical contextualization to argue that T.S. Eliot and Samuel Beckett replace \"high modernism\" with a \"low modernism\" predicated on the dialectics of humility and humiliation. Moving between theological issues like Christ's kenosis, and the philosophy of self-effacement found in Arnold Geulincx, this subtle and informed book proves that the two writers gain by being read together, while modifying our sense of modernism as a whole.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135532799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Painful Productions: A Review of Hannah Simpson's Samuel Beckett and the Theatre of the Witness 痛苦的制作:汉娜·辛普森的《塞缪尔·贝克特》和《证人剧场》的评论
3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2023-03-01 DOI: 10.2979/jml.2023.a901941
Trask Roberts
{"title":"Painful Productions: A Review of Hannah Simpson's Samuel Beckett and the Theatre of the Witness","authors":"Trask Roberts","doi":"10.2979/jml.2023.a901941","DOIUrl":"https://doi.org/10.2979/jml.2023.a901941","url":null,"abstract":"Abstract: In Samuel Beckett and the Theatre of the Witness , Hannah Simpson orients our attention to the multiplicities of pain found in and disappeared from the postwar theatrical productions of Samuel Beckett. She demonstrates how the central themes of Beckett's oeuvre—corporeal (dis)functioning, the impotence of language, the (im)possibility for intersubjective understanding—are illuminated through the manner in which Beckett writes and stages pain. Simpson contrasts Beckett's treatment and representation of pain with those of some contemporaries; plays by Camus, Picasso, Ionesco, and Duras figure in respective chapters. Simpson's methodologies are varied, ranging from medical approaches to pain management and diagnoses to theories of trauma and witnessing.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135533009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Painful Productions: A Review of Hannah Simpson's Samuel Beckett and the Theatre of the Witness 痛苦的制作:汉娜·辛普森的《塞缪尔·贝克特》和《证人剧场》的评论
3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2023-03-01 DOI: 10.2979/jmodelite.46.3.14
Trask Roberts
{"title":"Painful Productions: A Review of Hannah Simpson's Samuel Beckett and the Theatre of the Witness","authors":"Trask Roberts","doi":"10.2979/jmodelite.46.3.14","DOIUrl":"https://doi.org/10.2979/jmodelite.46.3.14","url":null,"abstract":"Abstract: In Samuel Beckett and the Theatre of the Witness , Hannah Simpson orients our attention to the multiplicities of pain found in and disappeared from the postwar theatrical productions of Samuel Beckett. She demonstrates how the central themes of Beckett's oeuvre—corporeal (dis)functioning, the impotence of language, the (im)possibility for intersubjective understanding—are illuminated through the manner in which Beckett writes and stages pain. Simpson contrasts Beckett's treatment and representation of pain with those of some contemporaries; plays by Camus, Picasso, Ionesco, and Duras figure in respective chapters. Simpson's methodologies are varied, ranging from medical approaches to pain management and diagnoses to theories of trauma and witnessing.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135533353","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Quietism and Literary Creation 静寂主义与文学创作
3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2023-03-01 DOI: 10.2979/jmodelite.46.3.11
Llewellyn Brown
{"title":"Quietism and Literary Creation","authors":"Llewellyn Brown","doi":"10.2979/jmodelite.46.3.11","DOIUrl":"https://doi.org/10.2979/jmodelite.46.3.11","url":null,"abstract":"Abstract: In Still: Samuel Beckett's Quietism , Andy Wimbush examines Quietism, considered both as a practice and a perennial standpoint in religion and philosophy, showing it to have nourished Samuel Beckett's creation. It favored detachment from set models, and the acceptance of contradiction and incoherency. Thus, rather than leading to a search for solutions or solipsism, Wimbush argues, Beckett's mode of Quietism was turned toward maintaining the problematic nature of his literary constructions, highlighting tension and the absence of any solution. Quietism also offered Beckett the means to confront his own personal problems, including his bodily symptoms, in his aim to transform them into creation.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135533523","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Joyce, Nussbaum, and the Value of Disgust 乔伊斯，努斯鲍姆，和厌恶的价值
3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2023-03-01 DOI: 10.2979/jml.2023.a901930
Patrick Eichholz
{"title":"Joyce, Nussbaum, and the Value of Disgust","authors":"Patrick Eichholz","doi":"10.2979/jml.2023.a901930","DOIUrl":"https://doi.org/10.2979/jml.2023.a901930","url":null,"abstract":"Abstract: James Joyce's Ulysses is a famously obscene novel. What is the purpose and emotional effect of the novel's obscenity? In court, Morris Ernst defended Ulysses as an emotionally static work of high art that was only to be accessed intellectually. After the legal battle had been won, critics became more forthright about the novel's broader emotional appeal. Martha Nussbaum ends Upheavals of Thought (2001) celebrating Ulysses as the apotheosis of an aesthetic tradition progressing toward the frank acknowledgment of all our everyday emotions—all except for disgust. A central tenet of Nussbaum's theory of the emotions is that disgust is per se morally suspect. Joyce, however, admitted that he had disgusted himself writing Ulysses , a novel that demonstrates the hidden value of our most irrational emotion.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135533014","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reflex Modernism 反射现代主义
3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2023-03-01 DOI: 10.2979/jmodelite.46.3.15
Andrew Gaedtke
{"title":"Reflex Modernism","authors":"Andrew Gaedtke","doi":"10.2979/jmodelite.46.3.15","DOIUrl":"https://doi.org/10.2979/jmodelite.46.3.15","url":null,"abstract":"Abstract: In Automatic: Literary Modernism and the Politics of Reflex , Timothy Wientzen explores an influential turn toward reflex in modernist literature and culture. Tracing early research on unconscious human behavior through the fields of experimental psychology, propaganda, advertising, and political theory, the book argues that a new politics of reflex emerged in the early decades of the twentieth century. Wientzen shows how this politicization of unthinking behavior shaped the form and content of work by several modernist writers and constitutes an instructive genealogy of our current political and cultural environment.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135533348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
New Reading: Notes on a Critical Phenomenology of Reading with Finnegans Wake 新阅读:芬尼根的《守灵夜》阅读的批判现象学注释
3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2023-03-01 DOI: 10.2979/jmodelite.46.3.07
Shantam Goyal
{"title":"New Reading: Notes on a Critical Phenomenology of Reading with Finnegans Wake","authors":"Shantam Goyal","doi":"10.2979/jmodelite.46.3.07","DOIUrl":"https://doi.org/10.2979/jmodelite.46.3.07","url":null,"abstract":"Abstract: In reading James Joyce's Finnegans Wake , two of the many shapes that phenomenology as a method has taken during and since the twentieth century come to light. The first is its use in constructing phenomenologies of reading; the second, its use as a critique of its own methods in the form of critical phenomenology. Bringing these two strands together and using the Wake as an illustration can help us imagine what a critical phenomenology of reading might look like. The three sections following the introduction respectively \"pilot\" three forms of critiques of reading: the phenomenological, which is often purely descriptive and does not change our ways of reading; the critical-phenomenological, which can fall into absolute skepticism and ennui toward the text; and the one provisionally termed \"new,\" which can be imaginative yet impossible as an academic exercise. Together, they speculate upon possibilities for new ways of bringing phenomenology into literary critique.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135533528","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
James Joyce's Liebestod : Fascism as Civil War 詹姆斯·乔伊斯的《死亡:内战中的法西斯主义》
3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2023-03-01 DOI: 10.2979/jml.2023.a901929
Michele Chinitz
{"title":"James Joyce's Liebestod : Fascism as Civil War","authors":"Michele Chinitz","doi":"10.2979/jml.2023.a901929","DOIUrl":"https://doi.org/10.2979/jml.2023.a901929","url":null,"abstract":"Abstract: The ending of James Joyce's novel Finnegans Wake rewrites the Liebestod , or love-death aria, at the end of Richard Wagner's opera Tristan und Isolde . Joyce's parody of the Liebestod replaces the fascist myth of national redemption with endless cycles of love and suffering in history. The novel's circularity thereby forms a riposte to the redemption narrative in fascist politics. Joyce's composition and revision of Finnegans Wake from 1922, during the Irish Civil War, to 1939, when he left Paris ahead of the Nazi occupation, illustrate how he understood racial, sexual, and bourgeois desires in nationalism through an artistic trope like the Liebestod , and how he used it to narratively resist the seemingly teleological ascent of fascism in Europe. Further, civil war provides a model for parodying the ideology of racial supremacy by casting it as an attack on one's countrymen and kin.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135533024","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
James Joyce's Liebestod : Fascism as Civil War 詹姆斯·乔伊斯的《死亡:内战中的法西斯主义》
3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2023-03-01 DOI: 10.2979/jmodelite.46.3.02
Michele Chinitz
{"title":"James Joyce's Liebestod : Fascism as Civil War","authors":"Michele Chinitz","doi":"10.2979/jmodelite.46.3.02","DOIUrl":"https://doi.org/10.2979/jmodelite.46.3.02","url":null,"abstract":"Abstract: The ending of James Joyce's novel Finnegans Wake rewrites the Liebestod , or love-death aria, at the end of Richard Wagner's opera Tristan und Isolde . Joyce's parody of the Liebestod replaces the fascist myth of national redemption with endless cycles of love and suffering in history. The novel's circularity thereby forms a riposte to the redemption narrative in fascist politics. Joyce's composition and revision of Finnegans Wake from 1922, during the Irish Civil War, to 1939, when he left Paris ahead of the Nazi occupation, illustrate how he understood racial, sexual, and bourgeois desires in nationalism through an artistic trope like the Liebestod , and how he used it to narratively resist the seemingly teleological ascent of fascism in Europe. Further, civil war provides a model for parodying the ideology of racial supremacy by casting it as an attack on one's countrymen and kin.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135533338","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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