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A Beast to Be Slain: The Tiger and the Unquenched Desire of Man 一只待杀的野兽:老虎与人类不灭的欲望
3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2023-06-01 DOI: 10.2979/jml.2023.a908977
Sina Movaghati
{"title":"A Beast to Be Slain: The Tiger and the Unquenched Desire of Man","authors":"Sina Movaghati","doi":"10.2979/jml.2023.a908977","DOIUrl":"https://doi.org/10.2979/jml.2023.a908977","url":null,"abstract":"Abstract: Ever since the British colonists blessed tiger hunting as the cardinal \"royal\" sport of the Haut monde , a surge of interest took place among the leisure class to travel to the British Raj in order to re-practice their ancestral fox hunting on foreign hunting grounds—this time with a more fearsome quarry. Since tigers were considered exotic and fierce creatures, overpowering these beasts secured a certain cachet for the victor, signifying his virility and manliness. As a result, the encounter between man and the tiger—both in the metaphoric and non-metaphoric sense—provided a literary trope for the twentieth-century writers who associated the animal with the erotic hunger of the male protagonists. By studying the traditional beliefs surrounding these mystical creatures, the present article reads some of the notable literary fictions of the twentieth century that use the tiger as a central animal motif— The Beast in the Jungle (1903), Death in Venice (1912), and The Remains of the Day (1989)—in light of each other.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135146060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"I Look Straight into His Eyes … For the Last Time": Intimacy and Indifference in Jean Rhys's Good Morning, Midnight “我最后一次直视他的眼睛”:简·里斯的《早安，午夜》中的亲密与冷漠
3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2023-06-01 DOI: 10.2979/jml.2023.a908980
Celiese Lypka
{"title":"\"I Look Straight into His Eyes … For the Last Time\": Intimacy and Indifference in Jean Rhys's Good Morning, Midnight","authors":"Celiese Lypka","doi":"10.2979/jml.2023.a908980","DOIUrl":"https://doi.org/10.2979/jml.2023.a908980","url":null,"abstract":"Abstract: There are many unsettling encounters within Jean Rhys's novels, but perhaps the most difficult for readers is Sasha Jansen's final intimate act in Good Morning, Midnight . The novel depicts Sasha's lost subjectivity through moments of sexual intimacy, ultimately demonstrating how she cultivates a sense of indifference to prescriptive femininity by rebelling against the stratified anxiousness that has haunted her position as a precarious woman in society. The final scene between Sasha and her neighbour, the \"commis voyager,\" is often read as a dark mimicking of James Joyce's Molly Bloom in Ulysses , with Sasha's intimate affirmation of \"yes—yes—yes …\" as a mode of self-annihilation. Missing from these readings is a consideration of Sasha's encounter with herself, as she stares \"straight into [the commis's] eyes\" to see a vision of herself reflected there, one that recuperates her split subjectivity and solidifies her indifference to normative rhythms of life.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135146063","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hauntingly Beautiful: Embodied Reading, Virginia Woolf, and Woolf Works 《令人难以忘怀的美丽:体现的阅读》、《弗吉尼亚·伍尔夫》和《伍尔夫作品》
3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2023-06-01 DOI: 10.2979/jml.2023.a908972
Patty Argyrides
{"title":"Hauntingly Beautiful: Embodied Reading, Virginia Woolf, and Woolf Works","authors":"Patty Argyrides","doi":"10.2979/jml.2023.a908972","DOIUrl":"https://doi.org/10.2979/jml.2023.a908972","url":null,"abstract":"Abstract: As the last two decades have seen a steady increase of contemporary choreographers drawing on modernist literature, interdisciplinary modernist studies must create new and additional lines of communication not only across disciplines, but also including the public arts sector. In 2017, I attended the Royal Ballet's revival of Woolf Works , a ballet based on the life and works of Virginia Woolf and interviewed choreographer Wayne McGregor and dramaturg Uzma Hameed. I draw on my background as a former dancer to explore how we can use McGregor's choreographic and Hameed's dramaturgic approach to analyze the ballet and the embodied aspects of Woolf's writing. By focusing on the first section of Woolf Works (\"I now, I then\"), and Woolf's novel Mrs. Dalloway , I consider the ways in which the characters of Clarissa and Septimus embody predominant themes in the novel: memory, trauma versus peace, support, and time.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135146071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Biography of a Face: Virginia Woolf's Orlando 一张脸的传记:弗吉尼亚·伍尔夫的奥兰多
3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2023-06-01 DOI: 10.2979/jmodelite.46.4.01
Anca Parvulescu
{"title":"The Biography of a Face: Virginia Woolf's Orlando","authors":"Anca Parvulescu","doi":"10.2979/jmodelite.46.4.01","DOIUrl":"https://doi.org/10.2979/jmodelite.46.4.01","url":null,"abstract":"Abstract: Virginia Woolf's novel Orlando: A Biography can best be described as a literary portrait. Woolf draws a portrait of the titular character—a composite of literary and visual artworks—as perpetually youthful. Through this portrait, the novel traces a change in the history of the physiognomic face in modernity—from Orlando's memorable face-to-face with Queen Elizabeth to her search for meaning in the faces around her in London in 1928. The face of Orlando, which Woolf forcefully inserts into the history of the portrait, is sketched in a formal relation to absent faces in the history of portraiture—women's faces and racialized faces. An engagement with Paul Mpagi Sepuya's recent photographic reflections on Orlando reveals the version of modernist queerness dramatized by the novel to be mediated by racial difference.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135146073","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Invisible Flesh: Mimesis in Jean Genet's The Maids 看不见的肉体:让·热内《女仆》中的模仿
3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2023-06-01 DOI: 10.2979/jml.2023.a908975
Farah Ali
{"title":"The Invisible Flesh: Mimesis in Jean Genet's The Maids","authors":"Farah Ali","doi":"10.2979/jml.2023.a908975","DOIUrl":"https://doi.org/10.2979/jml.2023.a908975","url":null,"abstract":"Abstract: Luce Irigaray's mimesis theory is here pushed further by expanding her concept of phallocentric culture, which leads us to consider various figures of authority represented in Jean Genet's play The Maids (1947). In The Maids , characters step into the skin of their victimizers to display their invisible occluded emotions on one hand, and on the other, the hegemonic discourse of their oppressors, or what I call \"phallocentric cultures.\" The two main characters, Claire and Solange, show why their constructed images impersonating their Madame fail to fulfill their dreams of stepping out of their own milieu. I analyze their subjectivity in connection with Genet's desire to undermine the ruling social system.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":"174 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135146065","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Black Cosmofeminism: Commodity, Sexuality, and the Transnational Mixed-Race Subject in Nella Larsen's Quicksand 黑人世界女性主义:内拉·拉森《流沙》中的商品、性与跨国混血主题
3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2023-06-01 DOI: 10.2979/jml.2023.a908979
Hsiao-Wen Chen
{"title":"Black Cosmofeminism: Commodity, Sexuality, and the Transnational Mixed-Race Subject in Nella Larsen's Quicksand","authors":"Hsiao-Wen Chen","doi":"10.2979/jml.2023.a908979","DOIUrl":"https://doi.org/10.2979/jml.2023.a908979","url":null,"abstract":"Abstract: Nella Larsen's Quicksand (1928) demonstrates a situated form of Black cosmofeminism to capture the difficult process through which a deviant mixed-race heroine negotiates her place in the Black community. At core, Black cosmofeminism interrogates oppressive racial and sexual politics enacted in domestic, local, and national spheres to envision a more inclusive cosmopolitan US Black community open to sexually, racially, and nationally \"impure\" subjects. However, far from advocating the erasure of local identities, such a reimagining of the domestic Black community as cosmofeminist instead foregrounds group identification and communal bonding developed in response to transnational displacement and discrimination. Working in tandem with consumer cosmopolitanism, Black cosmofeminism places the African American woman consumer center stage and traces how her desire, body, and identity are not only constructed alongside globally circulated commodities but also made localized and resistant to the global commodification and sexualization of Black and mixed-raced women.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135146068","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Biography of a Face: Virginia Woolf's Orlando 一张脸的传记:弗吉尼亚·伍尔夫的奥兰多
3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2023-06-01 DOI: 10.2979/jml.2023.a908971
Anca Parvulescu
{"title":"The Biography of a Face: Virginia Woolf's Orlando","authors":"Anca Parvulescu","doi":"10.2979/jml.2023.a908971","DOIUrl":"https://doi.org/10.2979/jml.2023.a908971","url":null,"abstract":"Abstract: Virginia Woolf's novel Orlando: A Biography can best be described as a literary portrait. Woolf draws a portrait of the titular character—a composite of literary and visual artworks—as perpetually youthful. Through this portrait, the novel traces a change in the history of the physiognomic face in modernity—from Orlando's memorable face-to-face with Queen Elizabeth to her search for meaning in the faces around her in London in 1928. The face of Orlando, which Woolf forcefully inserts into the history of the portrait, is sketched in a formal relation to absent faces in the history of portraiture—women's faces and racialized faces. An engagement with Paul Mpagi Sepuya's recent photographic reflections on Orlando reveals the version of modernist queerness dramatized by the novel to be mediated by racial difference.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135146061","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Imagining Justice for Sentient Lives 为有知觉的生命想象正义
3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2023-06-01 DOI: 10.2979/jml.2023.a908981
{"title":"Imagining Justice for Sentient Lives","authors":"","doi":"10.2979/jml.2023.a908981","DOIUrl":"https://doi.org/10.2979/jml.2023.a908981","url":null,"abstract":"Abstract: In Literary Bioethics: Animality, Disability, and the Human , Maren Tova Linett posits literary fiction as uniquely valuable terrain for bioethical inquiry. By depicting phenomena like animality, disability, and aging in richly imagined worlds, she argues, literary narratives can promote more nuanced engagement with bioethical questions than do the sparse and decontextualized thought experiments commonly employed in philosophical bioethics. Linett reads several novels written across the long twentieth century as literary-philosophical laboratories for testing bioethical claims about the value of different kinds of lives, demonstrating the importance of literary ways of knowing for bioethics. In doing so, she also makes a compelling case for allying animal studies and disability studies, fields that have historically found themselves at odds but that together have much to say about how we can achieve justice for sentient lives of all kinds.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":"126 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135146064","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"Everyone chooses their love after their own fashion": The Waves as a Modernist Symposium “每个人都以自己的方式选择自己的爱情”:作为现代主义者的波涛
3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2023-06-01 DOI: 10.2979/jmodelite.46.4.03
Patricia Morgne Cramer
{"title":"\"Everyone chooses their love after their own fashion\": The Waves as a Modernist Symposium","authors":"Patricia Morgne Cramer","doi":"10.2979/jmodelite.46.4.03","DOIUrl":"https://doi.org/10.2979/jmodelite.46.4.03","url":null,"abstract":"Abstract: In A Room of One's Own , when Virginia Woolf urges women writers to expose the \"dark spots\" in men's psychology, she signals her own intentions for The Waves . In The Waves , Woolf targets men's masculinity, elite educations, brutalized boyhoods (at public schools), and their too-easy belonging to literary traditions as causes of male writers' truncated creativity. Louis, Bernard, and Neville exhibit the writerly disabilities Woolf associates with virility in Room . They are also linked to T.S. Eliot, Desmond MacCarthy, and Lytton Strachey, and to modernist experimentalism, realism, and homosexual Hellenism, respectively. In The Waves , Woolf differentiates her aesthetics not only from the \"materialists\"—H.G. Wells, John Galsworthy, and Arnold Bennett—but her Georgian \"allies\" as well—Eliot, MacCarthy, and Strachey prominent among them.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135146074","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Senses of Place: The Black Community in Alice Childress's Wedding Band 《地方感:爱丽丝·柴尔德里斯的结婚戒指中的黑人社区》
3区 文学
JOURNAL OF MODERN LITERATURE Pub Date : 2023-06-01 DOI: 10.2979/jmodelite.46.4.08
Yi-chin Shih
{"title":"Senses of Place: The Black Community in Alice Childress's Wedding Band","authors":"Yi-chin Shih","doi":"10.2979/jmodelite.46.4.08","DOIUrl":"https://doi.org/10.2979/jmodelite.46.4.08","url":null,"abstract":"Abstract: Alice Childress's Wedding Band (1966), set in an unnamed Black South Carolina community in 1918, dwells upon Julia's loneliness, caused by her interracial love, which is forbidden by the state's law against miscegenation. Julia's anxiety about being transgressive fosters her desire to belong to a community characterized by Black women's culture and their sense of place. Her quest for a place in society highlights the segregated community's need for a specifically Black space. Wedding Band complicates the interlocking system of oppression by addressing the notion of place and also demonstrates that Black women are not passive in respect to their surroundings.","PeriodicalId":44453,"journal":{"name":"JOURNAL OF MODERN LITERATURE","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135145981","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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