《地方感:爱丽丝·柴尔德里斯的结婚戒指中的黑人社区》

IF 0.1 3区 文学 0 LITERATURE
Yi-chin Shih
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引用次数: 0

摘要

摘要:《爱丽丝·蔡尔德里斯的婚礼乐队》(1966)以1918年南卡罗来纳州一个无名黑人社区为背景,讲述了朱莉娅因种族间的爱情而产生的孤独,而该州的法律禁止种族通婚。茱莉亚对越界的焦虑促使她渴望属于一个以黑人女性文化和她们的地方感为特征的社区。她对社会地位的追求凸显了种族隔离社区对黑人专属空间的需求。《婚礼乐队》通过处理地方的概念使压迫的连锁系统复杂化也证明了黑人女性在对待周围环境时不是被动的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Senses of Place: The Black Community in Alice Childress's Wedding Band
Abstract: Alice Childress's Wedding Band (1966), set in an unnamed Black South Carolina community in 1918, dwells upon Julia's loneliness, caused by her interracial love, which is forbidden by the state's law against miscegenation. Julia's anxiety about being transgressive fosters her desire to belong to a community characterized by Black women's culture and their sense of place. Her quest for a place in society highlights the segregated community's need for a specifically Black space. Wedding Band complicates the interlocking system of oppression by addressing the notion of place and also demonstrates that Black women are not passive in respect to their surroundings.
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