{"title":"The War of Words: Language as an Instrument of Palestinian National Struggle","authors":"Loubna Qutami, Omar Zahzah","doi":"10.13169/arabstudquar.42.1-2.0066","DOIUrl":"https://doi.org/10.13169/arabstudquar.42.1-2.0066","url":null,"abstract":"This critical set of reflections addresses how the increasing visibility of the Palestinian struggle and the growing attention to Palestine in the (US) academy coincides with altered and depleted meanings for terms and concepts once central to a Palestinian liberation framework. The authors challenge the de-familiarization of the Palestinian political lexicon by ruminating on past, present and potential future meanings for words whose currency, they argue, has assumed a deceptively simple valuation. What are the unforeseen political consequences of visibility, of “incorporation,” and how might these be resisted within the arena of meaning and through the process of reviving language as an instrument of national liberation struggle? Revisiting old definitions of terms and contributing thoughts to the value of words such as Zionism, peace process and negotiations, statehood and violence, the authors contest the boundaries of disciplinary research in service of Palestinian liberation. Part I: The War and its Many Battles","PeriodicalId":44343,"journal":{"name":"Arab Studies Quarterly","volume":"1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66269886","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Rifts, Ruptures, and Fractures: The (Ir)relevance of Postmodern Conceptual Frames from the Point of View of Palestine's Poet Mahmoud Darwish","authors":"Daragmeh, Qabaha","doi":"10.13169/arabstudquar.42.3.0151","DOIUrl":"https://doi.org/10.13169/arabstudquar.42.3.0151","url":null,"abstract":"This article responds to the relative neglect of reading Mahmoud Darwish from a postmodern perspective. Inspired by postmodern theory, we suggest that Darwish after Oslo agreements in 1993 seeks to have a displaced and dialectical encoun ter with the collective identity; he utilizes a transition from being into becoming, from filiation into affiliation, knowing that this transition mirrors rifts, ruptures, and fractures in the Palestinian historical and geopolitical conditions in the post-Oslo era. By looking at poems written after the Oslo Accords, which were described by Bashir Abu-Manneh as “the root cause of the disintegration and liquidation of Palestinian agency,” we argue that Darwish’s persona manifests the postmodern intellectual who is tempted to leave the collective and expatriate himself to hone an independent self and thought that provides a fresh perspective and a new understanding of Palestinian collectivity. While Darwish’s pre-Oslo poetry expressed a collective voice, identification, and commitment to the national narrative, after Oslo, he gets more personal and, perhaps, detached from and critical of the nationalist political entities and narratives. Building on theoretical insights from both postcolonial and postmodern intellectuals, we also articulate ways in which the dialectical relation between postcolonialism and postmodernism appears in Darwish’s poetry. We find that the persona at times combines, and at other times, fluctuates between, singularity and multiplicity, certainty and suspicion, the collective and the personal, place and space, tradition and innovation, while seeking revision, transition, contingency, dynamism, fluidity in the contemporary,","PeriodicalId":44343,"journal":{"name":"Arab Studies Quarterly","volume":"1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66269964","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Book review","authors":"A. Pepper","doi":"10.13169/arabstudquar.42.3.0242","DOIUrl":"https://doi.org/10.13169/arabstudquar.42.3.0242","url":null,"abstract":"A Sewer is the Best Medicine","PeriodicalId":44343,"journal":{"name":"Arab Studies Quarterly","volume":"1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42921320","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Chinese Model: The US Nightmare","authors":"Siklawi","doi":"10.13169/arabstudquar.42.1-2.0127","DOIUrl":"https://doi.org/10.13169/arabstudquar.42.1-2.0127","url":null,"abstract":"","PeriodicalId":44343,"journal":{"name":"Arab Studies Quarterly","volume":"42 1","pages":"127"},"PeriodicalIF":0.3,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66269945","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mirroring Hybridity: The use of Arab Folk Tradition in Laila Halaby's\u0000 Once in a Promised Land and Alia Yunis's The Night\u0000 Counter","authors":"Reem M. Hilal","doi":"10.13169/arabstudquar.42.4.0251","DOIUrl":"https://doi.org/10.13169/arabstudquar.42.4.0251","url":null,"abstract":": This article explores the way in which Laila Halaby in Once in a Promised Land and Alia Yunis in The Night Counter utilize the Arab folk tradition in novels on Arab and Muslim American experience to counter the dominant narrative that simultaneously erases their extensive history in the United States and juxtaposes it with a forced visibility that is marked by Otherness, threat, and distrust. The article argues that by using folkloric figures and storytelling structures, Halaby and Yunis reverse the positionality of these communities by marking the multiple cultural signifiers that inform their stories in order to construct a palimpsest that reinscribes Arab and Muslim American experiences within narratives that perceive them as problems. As such, the Arab folk tradition emerges as a significant mode in the cultural memory of Arab and Muslim Americans, and the American literary fabric more broadly, and takes on a new meaning in this context.","PeriodicalId":44343,"journal":{"name":"Arab Studies Quarterly","volume":"1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66270088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}