{"title":"Oh, Mr Hitchens!","authors":"Laura Kipnis","doi":"10.1111/criq.12758","DOIUrl":"10.1111/criq.12758","url":null,"abstract":"<p>In 2010, when a book I'd written called <i>How to Become a Scandal</i> was going to press, my editor contacted Christopher to ask for a blurb. He sent back three choices, the first of which read, ‘Laura Kipnis promised me a blowjob if I endorsed her latest triumph, which I hereby warmly and devotedly do.’ I'm sure it says nothing good about me that I found this funny, especially since using it would have so perfectly – and devilishly – enacted the premise of the book. Though generally no prig, sadly my editor insisted we go with the more conventional third option (the second was a double entendre about a now mostly forgotten Republican senator caught in a clumsy men's room encounter). She did forward me their subsequent correspondence: ‘Christopher – you are a scream!’ she'd written back, to which he responded, ‘Yeah? Well a lot depends on which one she picks.’</p><p>I can be as humourless as the next leftwing feminist but for some reason Christopher's, what to call it – lasciviousness? antiquarianism? – amused more than offended me, though his public anti-abortion stance was noxious and, one suspects, hypocritical. Colour me surprised if that particular edict was upheld in practice. In any case, I never thought of him as someone you'd go to for instruction on feminism, and increasingly not on any political question, yet it was perplexingly hard to hold his bad politics against him. Mocking him on gender could even be fun, as at least there, unlike elsewhere, the positions seemed lightly held. When he published his notorious ‘Why Women Aren't Funny’ piece in <i>Vanity Fair</i>, I responded (I hope a teensy bit funnily) in <i>Slate</i>, where he also frequently wrote, that though it was a fascinating portrait of female nature and relations between the sexes, it was unclear to which decade it applied – it had the slightly musty air of 1960s-ish Kingsley Amis, wrapped in nostalgia ‘for the merry days when sexual conquest required an arsenal of tactics deployed by bon-vivantish cads on girdled, girlish sexual holdouts. “Oh Mr. Hitchens!” you imagine one of the potential conquests squealing at an errant hand on nylon-clad knee.’</p><p>My problem with Christopher, hardly mine alone, was (to state the obvious) simply that he was one of the more charming men on the planet and mixed with liquor, this is a dangerous combination. Like most people who knew him at all, a few of the drunkest nights of my life were spent in his company. Conversations were funny, flirtatious, frank. Yet the rightward turn and increasing political rigidity also made him seem ridiculous: eruditely shrill.</p><p>Oh man, the rigidity. On one occasion, Christopher was speaking at Northwestern, outside Chicago, where I was teaching – I believe he was to talk on Kissinger, so it must have been before 9/11 and the endless chest-thumping about Islamofascism. The talk was arranged by one of his devoted local lieutenants, Danny Postel. I knew Danny slightly, in part because his uncle Bo","PeriodicalId":44341,"journal":{"name":"CRITICAL QUARTERLY","volume":"66 1","pages":"80-84"},"PeriodicalIF":0.2,"publicationDate":"2023-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/criq.12758","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138826120","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Terrorist","authors":"Peter Womack","doi":"10.1111/criq.12755","DOIUrl":"10.1111/criq.12755","url":null,"abstract":"<p>A few days after the massacre of civilians in southern Israel on 7 October 2023, the BBC was criticised by Jewish groups, Conservative newspapers, and a chorus of MPs, including the leaders of both main political parties, for not referring to the perpetrators as ‘terrorists’. It is surprising that the political nation should respond to a terrible atrocity by conducting an argument about the use of a word. And within that argument, it is perhaps even more surprising that anger should focus not, as usually happens, on something that was offensively said, but exactly on what was not said. The protestors had a specific, favoured term, and were outraged when they did not hear it. This suggests a sort of super-censorship, a regime which, not content with telling broadcasters what they mustn't say, seeks positively to dictate what they must say. Indeed, the point was pressed in just that form when Isaac Herzog, the Israeli President, told the world's press that they ‘must declare and call Hamas a terrorist organization without ifs and buts, without explanation’.<sup>1</sup> On what basis does the head of a democratic state issue instructions to independent journalists about their detailed lexical choices? And why this particular word?</p><p>Obviously the word itself is contested ground. In a despairing <i>tour de force</i> Alex P. Schmid, a leading academic in the field, compiled 250 different definitions of ‘terrorism’, the great majority of them formulated between 1970 and 2010.<sup>2</sup> It is not surprising that such a heavily debated term should prove to be a flash point at a moment of crisis. On the other hand, it is puzzling that its use is so passionately required (or resisted) when there is such a spectacular lack of certainty about what it actually means. Its clarity seems to be of a different kind, a definiteness that is independent of definition. The people who use it, or who insist on its use, may not be sure of its meaning, but they know very well what they mean by using it. As Schmid notes at the head of his article, the British ambassador to the UN, speaking shortly after 9/11, brushed aside the whole business of defining one's terms: ‘What looks, smells and kills like terrorism is terrorism’.<sup>3</sup> This is to ground the meaning of the word in a gut feeling; it expresses an encounter with the concept which is not intellectual and analytic, but sensory and immediate. It thus goes some way to explain the heat of the debate. The belief that this is the right word to use is visceral.</p><p>It is a coherent position, but the trouble with it is that it treats the word as if it were <i>only</i> emotive, and therefore fails to acknowledge that it does also, despite everything, have definite referential content. A glance at those 250 definitions is enough to see that, for all their differences, they converge on a substantive if approximate object. For example, the US State Department's working definition from 2006 is that terrorism is ","PeriodicalId":44341,"journal":{"name":"CRITICAL QUARTERLY","volume":"65 4","pages":"124-129"},"PeriodicalIF":0.2,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/criq.12755","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138495771","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Intelligence","authors":"Holly Yanacek","doi":"10.1111/criq.12756","DOIUrl":"10.1111/criq.12756","url":null,"abstract":"<p><i>Intellectual</i>, not <i>intelligence</i>, was the headword in Raymond Williams's <i>Keywords</i> (1976, 1983).<sup>1</sup> In the early twenty-first century, despite discussions of the rise of anti-intellectualism in the United States and in other places around the world, <i>intelligence</i> is the more complex and contested term. The meaning of the word <i>intelligence</i> has changed over the past six centuries in response to social, political, scientific and technological shifts. Since its introduction into English, <i>intelligence</i> has undergone a process of semantic broadening, becoming at once more generalised while also gaining specialised meanings in a variety of contexts from psychology and education to international security and computer science.</p><p>The origins of the noun <i>intelligence</i> can be traced to French <i>intelligence</i> and Latin <i>intellegentia</i>. Its earliest sense in English, ‘Faculty of understanding; intellect’, dates to the late fourteenth century and remains active today. The synonym <i>intellect</i>, a borrowing from Latin <i>intellectus</i>, was also first attested in the late fourteenth century. According to the <i>OED</i>, <i>intellect</i> is defined as ‘That faculty, or sum of faculties, of the mind or soul by which a person knows and reasons; power of thought; understanding’, and it is often distinguished from sensation, imagination and will.</p><p>In addition to denoting the mental faculty of an individual, <i>intelligence</i> also encompassed ‘The action or fact of mentally apprehending something; understanding, knowledge, comprehension (<i>of</i> something)’ from the mid-fifteenth century onwards. This expanded meaning enabled the word to describe the acquisition of knowledge across various fields of study, as well as the capacities of non-human entities.</p><p>Already around the time of the word's borrowing into English in the late fourteenth century, <i>intelligence</i> referred to an intelligent or rational spiritual being outside the human realm, such as an angel, a spirit or extraterrestrial life. This sense of <i>intelligence</i> recalls the 1816 coinage <i>intelligent design</i>, which describes deliberate design in the natural world attributed to an intelligent entity often identified as God. More recently, confusion has arisen over the distinction between the theory of Intelligent Design (ID), whose proponents claim is based on empirical evidence, and creationism, which is based on religious texts and teachings, particularly in the context of discussions about whether evolution and intelligent design should be taught in state-funded schools.</p><p><i>Intelligence</i> took on a measurable aspect from the mid-fifteenth century, denoting ‘Understanding as a quality admitting of degree; <i>spec</i>. quickness or superiority of understanding, sagacity’. This idea that <i>intelligence</i> can be quantified and compared in terms of scope, depth or speed of understanding is most evident i","PeriodicalId":44341,"journal":{"name":"CRITICAL QUARTERLY","volume":"66 3","pages":"101-105"},"PeriodicalIF":0.2,"publicationDate":"2023-11-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/criq.12756","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138495770","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Revolution of the Screw: Peripheralising Europe","authors":"Peter Boxall","doi":"10.1111/criq.12751","DOIUrl":"10.1111/criq.12751","url":null,"abstract":"<p>Can the documents of the west, Walter Benjamin's famous ‘documents of civilization’, help us to understand and articulate the peripheralisation, the provincialisation, of the west?<sup>1</sup> If we are at a moment, as Hamid Dabashi has recently put it, at which ‘“Europe” […] has exhausted its epistemic possibilities and has now positively imploded into itself’, can a European literary and cultural tradition shed any light on this implosion, or look to a refigured global scene that emerges from it?<sup>2</sup></p><p>I will address this question here by attending to a faint echo that can be heard, passing between two of Henry James's later novels, <i>The Ambassadors</i> (1903) and <i>The Golden Bowl</i> (1904), an echo that reaches to our own time, and to the contemporary moment at which we are required to assess, again, the relation between barbarism and civilisation.</p><p>This is a glancing reference to Keats's sonnet, but its significance deepens, as Adrian Poole, Bart Eeckhout, and Gert Buelens have noted, when this moment in <i>The Ambassadors</i> finds an echo in a related moment in <i>The Golden Bowl</i>.<sup>10</sup> Keats's sonnet stirs in <i>The Ambassadors</i> at the critical moment of Strether's discovery, and it is at a similarly significant turning point in <i>The Golden Bowl</i> that the sonnet appears again, this time much more forcibly. <i>The Golden Bowl</i>, like <i>The Ambassadors</i>, is concerned, above all, with the relation between America and Europe, and with the means by which an emerging American culture draws on and reconstitutes a European aesthetic, political, and intellectual history. Strether is the figure, in <i>The Ambassadors</i>, for this hinge or fulcrum between two cultural powers – dominance passing from the Old World to the New, as westward the course of empire makes its way. As Adrian Poole has pointed out, Strether's name suggests his predicament, his being stretched between one structure of knowing and the other – a stretching which, as Clare Pettitt has suggested, runs against the opposite experience of tethering which is also carried in Strether's name.<sup>11</sup> In <i>The Golden Bowl</i>, the figure for this transfer of cultural power is the unimaginably wealthy art collector Adam Verver, whose name suggests not stretching or tethering but veering (with perhaps a distant echo of Melville's Captain Vere, another veerer).<sup>12</sup> The adultery plot around which the novel turns – Adam Verver and his daughter Maggie are each married to rarefied specimens (the beautiful American Charlotte Stant and the Italian nobleman Prince Amerigo respectively), who, we are led to understand, are having an affair with each other – is orchestrated by Verver through his activities as a collector of European art. Verver purchases Prince Amerigo for his daughter, as a kind of gift, as he purchases Charlotte as a gift for himself. He regards them both as what he calls ‘human acquisitions’, and consistently describe","PeriodicalId":44341,"journal":{"name":"CRITICAL QUARTERLY","volume":"65 4","pages":"59-76"},"PeriodicalIF":0.2,"publicationDate":"2023-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/criq.12751","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135036930","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Shut Your Eyes and See’: Time, Ekphrasis and Enargeia in James Joyce's Ulysses","authors":"Francis Haran","doi":"10.1111/criq.12750","DOIUrl":"10.1111/criq.12750","url":null,"abstract":"","PeriodicalId":44341,"journal":{"name":"CRITICAL QUARTERLY","volume":"66 2","pages":"51-120"},"PeriodicalIF":0.2,"publicationDate":"2023-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136159034","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Rescue Plot: Maritime Encounter and the Borders of Europe","authors":"Chloe Howe Haralambous","doi":"10.1111/criq.12743","DOIUrl":"10.1111/criq.12743","url":null,"abstract":"","PeriodicalId":44341,"journal":{"name":"CRITICAL QUARTERLY","volume":"65 4","pages":"90-101"},"PeriodicalIF":0.2,"publicationDate":"2023-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136261733","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"An Irish Childhood in the City of London","authors":"Colin MacCabe","doi":"10.1111/criq.12742","DOIUrl":"https://doi.org/10.1111/criq.12742","url":null,"abstract":"","PeriodicalId":44341,"journal":{"name":"CRITICAL QUARTERLY","volume":"65 3","pages":"78-116"},"PeriodicalIF":0.2,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134814538","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}