Victorian Periodicals Review最新文献

{"title":"Endnotes","authors":"","doi":"10.1353/vpr.2023.a937161","DOIUrl":"https://doi.org/10.1353/vpr.2023.a937161","url":null,"abstract":"<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span>\u0000<p> <ul> <li><!-- html_title --> Endnotes <!-- /html_title --></li> </ul> <h2>2024 RSVP Prizes and Award Winners</h2> <p>The Research Society for Victorian Periodicals is delighted to announce the following prizes and awards. We offer our congratulations to all winners, we thank all who applied, and we offer our deepest gratitude to all who served on the award committees, including: Alison Chapman, Julie Codell, David Finkelstein, Jennifer Hayward, Melisa Klimaszewski, Klaudia Hiu Yen Lee, Michael de Nie, Christopher Pittard, Michelle Smith, Clare Stainthorp, Richard Scully, Fariha Shaikh, Margaret D. Stetz, Caroline Sumpter, Marianne Van Remoortel, Minna Vuohelainen, Candace Ward, and Russ Wyland.</p> <h2>Colby Book Prize</h2> <p>The Colby Prize is intended to honor original book-length scholarship about Victorian periodicals and newspapers, of the kind that Robert and Vineta Colby themselves produced during their careers. The annual prize is awarded to a book published during the preceding year that most advances our understanding of the nineteenth-century British press.</p> <p>This year's Colby Book Prize winner is W. Hamish Fraser for <em>The Edinburgh History of Scottish Newspapers, 1850–1950</em> (Edinburgh University Press, 2023). The award committee noted that the book was \"comprehensive, meticulously researched and argued, and impressively wide in scope.\"</p> <p>In addition, the award committee singled out Graham Law's <em>The Periodical Press Revolution: E. S. Dallas and the Nineteenth-Century British Media</em> (Routledge, 2023) for honorable mention. <strong>[End Page 692]</strong></p> <h2>Mitchell Dissertation Prize</h2> <p>The Sally Mitchell Dissertation Prize was established in 2020 to honor Sally Mitchell, a longstanding and highly valued member of RSVP who served on the organization's board and its senior advisory committee. The prize is awarded annually to the best PhD dissertation, defended in the previous calendar year, that explores the nineteenth-century British periodical press (including magazines, newspapers, and serial publications of all kinds) as an object of study in its own right, not as a source of material for other historical topics.</p> <p>The winner of the 2024 Mitchell Dissertation Prize is Ellen Packham for her dissertation, \"Literary Constructions: British Engineers and their Journals, c. 1760–c. 1860.\"</p> <p>The committee also singled out Charlotte Lauder's dissertation, \"Popular Scottish Magazine Culture, 1870–1920: Press, Print, Nation,\" for honorable mention.</p> <h2>Leary Field Development Grant</h2> <p>The Patrick Leary Field Development Grant is named for long-time RSVP supporter, board member, and former president Patrick Leary. Created with funds from a generous bequest to RSVP by the late Eileen Curran, pioneering researcher and Emerita Professor of English at Colby College, the grant is intended to support a ","PeriodicalId":44337,"journal":{"name":"Victorian Periodicals Review","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142183412","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Reporting on \"Torturing a Negro\": Challenging Prison Violence and Frameworks of Transnational White Supremacy in the Tocsin","authors":"Caroline Bressey","doi":"10.1353/vpr.2023.a937151","DOIUrl":"https://doi.org/10.1353/vpr.2023.a937151","url":null,"abstract":"<p><p>Abstract:</p><p>This essay examines reports of racialised violence endured by William King, an African American man who migrated to Australia and became ensnared in the Victoria prison system. His experiences of mistreatment at the hands of prison staff were made public in 1899 through a series of reports in the <i>Toscin</i>, a paper produced by a progressive collective in Melbourne. This article examines the textual tactics the <i>Tocsin</i> used to analyse King's case as well as the limits of its political writings. Though the <i>Tocsin</i> employed a range of geographical scales in its analysis of King's case, drawing together international campaigns into local conversations, the paper remained embedded in the logics of white supremacy. Its writers were thus unable to reimagine the structures of white supremacy from which they wrote to condemn the injustices King faced.</p></p>","PeriodicalId":44337,"journal":{"name":"Victorian Periodicals Review","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142183395","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Introduction: On Not Mastering Race and Transnationalism in Victorian Periodical Studies","authors":"Lars Atkin, Matt Poland","doi":"10.1353/vpr.2023.a937149","DOIUrl":"https://doi.org/10.1353/vpr.2023.a937149","url":null,"abstract":"<p><p>Abstract:</p><p>This essay argues for transnational methodologies to redress the racial aphasia of Victorian periodical studies. Discourses about race and Indigeneity abound in nineteenth-century anglophone periodicals but have been seldom acknowledged. Building upon calls to undiscipline nineteenth-century literary studies, this essay and the special issue it introduces advocate for expansive approaches to race and transnationality. We consider why widening periodical studies' geographical reach beyond the Global North necessitates new methodologies to complement the lively engagement with Black studies currently reshaping Romantic and Victorian scholarship. We invite periodicals scholars to disentangle the essential organizational work of bibliographical analysis and attribution research from the subject position of \"mastery\" and to recommit ourselves to solidarity with and justice for marginalized communities whose voices can be located within periodical archives.</p></p>","PeriodicalId":44337,"journal":{"name":"Victorian Periodicals Review","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142183393","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Biographies","authors":"","doi":"10.1353/vpr.2023.a937160","DOIUrl":"https://doi.org/10.1353/vpr.2023.a937160","url":null,"abstract":"&lt;span&gt;&lt;span&gt;In lieu of&lt;/span&gt; an abstract, here is a brief excerpt of the content:&lt;/span&gt;\u0000&lt;p&gt; &lt;ul&gt; &lt;li&gt;&lt;!-- html_title --&gt; Biographies &lt;!-- /html_title --&gt;&lt;/li&gt; &lt;/ul&gt; &lt;p&gt;&lt;strong&gt;Lars Atkin&lt;/strong&gt; is a Lecturer in Victorian Literature at the University of Kent. They are codirector of the Centre for Indigenous and Settler Colonial Studies and coeditor of the Curran Index. Their most recent monograph, &lt;em&gt;Writing the South African San: Colonial Ethnographic Discourses&lt;/em&gt; (Palgrave, 2021) examined the entanglement between literature and ethnography in nineteenth-century representations of South African Indigenous people. They are coinvestigator on the AHRC-funded \"Victorian Diversities\" network.&lt;/p&gt; &lt;p&gt;&lt;strong&gt;Stephen Basdeo&lt;/strong&gt;, Senior Lecturer in History at the Elizabeth School, London, wrote the first biography of G. W. M. Reynolds, &lt;em&gt;Victorian England's Best-Selling Author: The Revolutionary Life of G. W. M. Reynolds&lt;/em&gt; (2022), as well as biographies of Joseph Ritson and Wat Tyler. His current project, &lt;em&gt;Mysteries of the People, Mysteries of the World&lt;/em&gt;, examines nineteenth-century \"mysteries\" from Europe, the Americas, and Australia.&lt;/p&gt; &lt;p&gt;&lt;strong&gt;Caroline Bressey&lt;/strong&gt; is Professor of Historical Geography in the Department of Geography, University College London. Her research focuses upon the Black presence in Victorian England, especially London, alongside Victorian anti-racism communities and the links between contemporary identities and the diverse histories of London as represented in heritage sites and museums. She won the Colby Scholarly Book Prize for her first monograph, &lt;em&gt;Empire, Race and the Politics of Anti-Caste&lt;/em&gt; (2013), which examined the anti-racist reading community established by Catherine Impey and Celestine Edwards. Her current research project maps the everyday of multiethnic working-class communities of Victorian England.&lt;/p&gt; &lt;p&gt;&lt;strong&gt;Porscha Fermanis&lt;/strong&gt; is Professor of Romantic Literature at University College Dublin. Her latest books are &lt;em&gt;Romantic Pasts: History, Fiction and Feeling in Britain, 1790–1850&lt;/em&gt; (2022) and &lt;em&gt;Worlding the South: Nineteenth-Century Literary Culture and the Southern Settler Colonies&lt;/em&gt; (coedited with Sarah Comyn, 2021). She is currently completing a monograph entitled &lt;em&gt;Southern Settler Fiction and the Transcolonial Imaginary, 1820–1890&lt;/em&gt;.&lt;/p&gt; &lt;p&gt;&lt;strong&gt;Ryan D. Fong&lt;/strong&gt; is an Associate Professor of English at Kalamazoo College. He is completing his first monograph, &lt;em&gt;Unsettling: Indigenous Literatures and the Work of Victorian Studies&lt;/em&gt;, which is under contract with SUNY Press. Ryan has published essays in &lt;em&gt;Victorian Studies, Victorian Literature and Culture&lt;/em&gt;, and &lt;em&gt;Nineteenth Century Gender Studies&lt;/em&gt; and is one of the founding organizers of the digital humanities project Undisciplining the Victorian Classroom.&lt;/p&gt; &lt;p&gt;&lt;strong&gt;Jennifer Hayward&lt;/strong&gt; is Professor of Literature at the Universidad Adolfo Ibáñez (Chile) and Vir","PeriodicalId":44337,"journal":{"name":"Victorian Periodicals Review","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142183302","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A History of Press Graphics, 1819–1921: The Golden Age of Graphic Journalism by Alexander Roob (review)","authors":"Brian Maidment","doi":"10.1353/vpr.2023.a937157","DOIUrl":"https://doi.org/10.1353/vpr.2023.a937157","url":null,"abstract":"&lt;span&gt;&lt;span&gt;In lieu of&lt;/span&gt; an abstract, here is a brief excerpt of the content:&lt;/span&gt;\u0000&lt;p&gt; &lt;span&gt;Reviewed by:&lt;/span&gt; &lt;ul&gt; &lt;li&gt;&lt;!-- html_title --&gt; &lt;em&gt;A History of Press Graphics, 1819–1921: The Golden Age of Graphic Journalism&lt;/em&gt; by Alexander Roob &lt;!-- /html_title --&gt;&lt;/li&gt; &lt;li&gt; Brian Maidment (bio) &lt;/li&gt; &lt;/ul&gt; Alexander Roob, &lt;em&gt;A History of Press Graphics, 1819–1921: The Golden Age of Graphic Journalism&lt;/em&gt; ( Cologne: Taschen, 2023), pp. 605, $80/ £60 cloth. &lt;p&gt;In his shrewd introduction to the bravely titled &lt;em&gt;History of Press Graphics, 1819–1921&lt;/em&gt;, Alexander Roob notes the topicality and diversity of the visual content of magazines but also gives a daunting list of the reasons why nineteenth-century periodical illustration has so far resisted anything approaching a broad multinational survey. Roob argues that the essentially ephemeral graphic content of magazines has endured the contempt of traditional art-historical interest and been marginalised by comics studies scholars and photographic historians. Anxiety over the extent to which magazine illustration has been implicated in structuring and sustaining various imperial and nationalistic projects has further hampered scholarly attention. However, studying nineteenth-century magazine illustration illuminates contemporary concerns such as the nature of press censorship and the ways in which racial and national stereotypes are developed through everyday images. &lt;strong&gt;[End Page 678]&lt;/strong&gt;&lt;/p&gt; &lt;p&gt;Despite its title, this book might at first seem less an ambitious history of press graphics than a commercially oriented anthology that, by using the spectacular reprographic resources for which Taschen is well known, brings together and exploits visually attractive source material. Like many Taschen volumes, this one is preposterously large and glamorous. It gives off a wondrous sheen that will be entirely unfamiliar to those scholars who sit day by day in library reading rooms studying volumes of faded and often browning periodicals. Never intended to be a simulacrum of the huge range of European and American magazines that it displays, the book reengineers a mass of nineteenth-century periodicals into a postmodern artifact of often startling, even visceral, visual appeal. It reproduces a wondrous mass of rare material for a wide and multinational readership of book lovers and the intellectually curious, and it gives shape to that mass through an interesting and well-considered sequence of chapters that map simultaneous developments across Europe and the United States. Roob's book joins the even more wide-ranging Bloomsbury &lt;em&gt;History of Illustration&lt;/em&gt; (2019) in providing a visually arresting overview of the images that formed a staple element in mass-circulation cheap print during the nineteenth century, images that speak of and to their own cultural moment as well as our own.&lt;/p&gt; &lt;p&gt;The multilanguage text—English, German, and French—unsurprisingly concentrates on British, French","PeriodicalId":44337,"journal":{"name":"Victorian Periodicals Review","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142183411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Contested Boundaries: Visual Representations of Travel to Colonial Regions within Europe, 1860–1900","authors":"Sophie van Os","doi":"10.1353/vpr.2023.a937153","DOIUrl":"https://doi.org/10.1353/vpr.2023.a937153","url":null,"abstract":"<p><p>Abstract:</p><p>This article examines the ethnographic portrayal of the Sámi in the nineteenth-century European illustrated press, focusing on travel reports about Sápmi (Norway) from 1860 to 1900. It analyses how touristic depictions of Indigenous peoples reflected popular interest and prevalent racial discourses of the time. Often disguised as objective narratives of scientific observation and exploration, these representations, produced and circulated by esteemed explorers, photographers, and publishers, served to reinforce Western colonial structures and imperialist ideologies. Inviting a turn inwards, this essay draws attention to the existence of domestic colonies within Europe and underlines how the same rhetoric was redeployed to justify these internal colonies.</p></p>","PeriodicalId":44337,"journal":{"name":"Victorian Periodicals Review","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142183407","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Scientific Periodicals, Numerical Inscriptions, and Indigenous Lifeworlds in Nineteenth-Century Southeast Asia","authors":"Porscha Fermanis","doi":"10.1353/vpr.2023.a937150","DOIUrl":"https://doi.org/10.1353/vpr.2023.a937150","url":null,"abstract":"<p><p>Abstract:</p><p>Focusing on scientific periodicals produced in nineteenth-century Southeast Asia, this article considers the representational significance of numerical inscriptions in ethnographic accounts of the Orang Asli of Malaysia: first, in fostering comparative analyses of Indigenous peoples across various transcolonial sites; second, in schematizing raw data into diagrams, tables, and other immutable mobiles that could move between regional and metropolitan centres; and third, in shaping a bifurcation between modern subjects inhabiting meaningful lifeworlds and premodern subjects who could be objectified, abstracted, or reduced to numerical demonstration. In each case, the article considers the important intermedial role of periodicals in circulating numerical inscriptions and, thus, enabling a turn from context-driven accounts of Indigenous peoples to an emphasis on numerical stand-ins detached from particular locations and material conditions.</p></p>","PeriodicalId":44337,"journal":{"name":"Victorian Periodicals Review","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142183394","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Victorian Women Writers and the Other Germany: Cross-Cultural Freedoms and Female Opportunity by Linda K. Hughes (review)","authors":"Joanne Shattock","doi":"10.1353/vpr.2023.a937156","DOIUrl":"https://doi.org/10.1353/vpr.2023.a937156","url":null,"abstract":"&lt;span&gt;&lt;span&gt;In lieu of&lt;/span&gt; an abstract, here is a brief excerpt of the content:&lt;/span&gt;\u0000&lt;p&gt; &lt;span&gt;Reviewed by:&lt;/span&gt; &lt;ul&gt; &lt;li&gt;&lt;!-- html_title --&gt; &lt;em&gt;Victorian Women Writers and the Other Germany: Cross-Cultural Freedoms and Female Opportunity&lt;/em&gt; by Linda K. Hughes &lt;!-- /html_title --&gt;&lt;/li&gt; &lt;li&gt; Joanne Shattock (bio) &lt;/li&gt; &lt;/ul&gt; Linda K. Hughes, &lt;em&gt;Victorian Women Writers and the Other Germany: Cross-Cultural Freedoms and Female Opportunity&lt;/em&gt; ( Cambridge: Cambridge University Press, 2022), pp. xiv + 282, $99.99/ £75.00 hardcover. &lt;p&gt;Returning from a trip to Germany in 1841, Elizabeth Gaskell recalled her surprise and delight in meeting Mary Howitt in Heidelberg, not least because the Quaker author was dressed in colourful satin and sported a leghorn bonnet with drooping white feathers. More than a decade later, Marian Evans—in Weimar on what was, in effect, her honeymoon with George Henry Lewes—observed with interest that women attended the theatre unaccompanied, something unimaginable in London at that time. A country that permitted such personal freedom, whether sartorial or more substantial, proved attractive to successive Englishwomen, Linda K. Hughes argues in her wide-ranging and impressively researched new book, &lt;em&gt;Victorian Women Writers and the Other Germany: Cross-Cultural Freedoms and Female Opportunity&lt;/em&gt;. Hughes selects ten women writers whose travels in Germany from the 1830s through the first decade of the twentieth century engendered a sense of freedom, both personal and intellectual, and created opportunities that were not available at home. Some, like Gaskell, Howitt, and the future George Eliot, travelled with partners and children. Others, like Anna Jameson, Jessie Fothergill, Michael Field (the pen name of Katherine Bradley and her niece Edith Cooper), and Amy Levy, travelled on their own. At the end of the century, Elizabeth von Arnim and Vernon Lee encountered Germany as expatriates, bringing a transnational perspective to the experience.&lt;/p&gt; &lt;p&gt;The \"other\" Germany of Hughes's title is the Germany of talented, independent women and their circles, from whom each generation of English-women &lt;strong&gt;[End Page 676]&lt;/strong&gt; directly or indirectly benefited. The first chapter, on Anna Jameson, Ottilie Von Goethe, and their \"women's network,\" describes the impact of Goethe's gifted daughter-in-law on Jameson. Theirs was one of the great women's friendships of the nineteenth century, as Hughes recounts. Her research reveals a passionate Jameson, in love with Ottilie, devotedly caring for the latter's illegitimate child, and writing &lt;em&gt;Social Life in Germany&lt;/em&gt; (1840) in collaboration with her. Mary Howitt spent three years in Germany with her husband William, making contacts that would later prove useful in &lt;em&gt;Howitt's Journal&lt;/em&gt; (1847–48). Their daughter Anna Mary Howitt was an art student in Munich, taking private tuition from a professor at the university because women were not permitted to register. Installme","PeriodicalId":44337,"journal":{"name":"Victorian Periodicals Review","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142183410","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Entangled History of Ale-Quillén: Imagining the Indigenous Woman in Nineteenth-Century Chile","authors":"Michelle Prain-Brice, Jennifer Hayward","doi":"10.1353/vpr.2023.a937152","DOIUrl":"https://doi.org/10.1353/vpr.2023.a937152","url":null,"abstract":"<p><p>Abstract:</p><p>This essay examines the cultural transfer of the Ale-Quillén myth through nineteenth-century Chilean and Anglo-Chilean print culture, illuminating the shifting narratives surrounding Chile's Indigenous Mapuche people. Originating as a tragic romance justifying Chilean military expansion, the myth was reimagined by the Anglo-Chilean newspaper the <i>Star of Chile</i> as a New Woman bildungsroman that omitted the original tale's settler-colonial context. These variant accounts expose Chile's internal conflicts over Indigenous representation, as well as broader Anglo-Chilean perspectives on settler colonialism. Through the lens of entangled history, the essay argues that these narratives ultimately erase Mapuche Indigeneity by appropriating and romanticizing Indigenous voices.</p></p>","PeriodicalId":44337,"journal":{"name":"Victorian Periodicals Review","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142183396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Stringing Verse-Wampum: E. Pauline Johnson, Haudenosaunee Knowledge, and Colonial Print Culture","authors":"Ryan D. Fong","doi":"10.1353/vpr.2023.a937154","DOIUrl":"https://doi.org/10.1353/vpr.2023.a937154","url":null,"abstract":"<p><p>Abstract:</p><p>This article analyzes the work of E. Pauline Johnson / Tekahionwake and her engagements with the print culture of colonial Canada at the end of the nineteenth century. It argues that Johnson used this print space to cannily negotiate the demands of a settler culture that was forcibly and violently working to assimilate First Nations peoples across the continent. By combining research by Haudenosaunee scholars on their wampum practices and traditions with scholarship on Victorian periodical and print culture, Fong shows how Johnson's early poetry and prose on paddling from the Toronto-based periodical <i>Saturday Night</i> engaged Mohawk political and aesthetic practices.</p></p>","PeriodicalId":44337,"journal":{"name":"Victorian Periodicals Review","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142183408","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}