Journal of Spanish Cultural Studies最新文献_第6页

Brecha ecológica, segregación de clases y distopía alegórica de la labor industrial durante el tardofranquismo en L’enquesta del canal 4 de Avel·lí Artís-Gener

IF 0.3 4区社会学

Journal of Spanish Cultural Studies Pub Date : 2023-07-03 DOI: 10.1080/14636204.2023.2244654

Rafael Andúgar

{"title":"Brecha ecológica, segregación de clases y distopía alegórica de la labor industrial durante el tardofranquismo en L’enquesta del canal 4 de Avel·lí Artís-Gener","authors":"Rafael Andúgar","doi":"10.1080/14636204.2023.2244654","DOIUrl":"https://doi.org/10.1080/14636204.2023.2244654","url":null,"abstract":"RESUMEN En este artículo se argumentará cómo, alrededor de la década de 1970, ante el contexto político de los últimos años de represión del franquismo, el gran éxodo rural que se produjo hacia ciudades como Barcelona y el surgimiento de un movimiento ecologista desorganizado en España, el campo literario catalán respondió con una proliferación de distopías y ficciones contra la dictadura y el control social. En particular, se analizará la novela L’enquesta del canal 4 (1972) de Avel·lí Artís-Gener (Tísner), que presenta la lucha revolucionaria de unos trabajadores dentro de una torre de comunicaciones televisiva que jerarquiza a sus empleados por niveles y los obliga a vivir en condiciones precarias y aislados del mundo exterior. Se mostrará cómo se crea una distopía ficticia para denunciar el trabajo industrial, dramatizar problemas de conciencia de clase y criticar la alienación de los trabajadores en las ciudades y las industrias, una alienación del trabajador y la naturaleza que Karl Marx denominó brecha metabólica (o ecológica). El propósito de este artículo es realizar una lectura ecocrítica de las alegorías socioespaciales de la narración y situar esta ficción dentro del contexto de lucha de clases y ecologista del tardofranquismo (1959–1975).","PeriodicalId":44289,"journal":{"name":"Journal of Spanish Cultural Studies","volume":"24 1","pages":"359 - 373"},"PeriodicalIF":0.3,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41893589","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Propuestas para (re)construir una nación: el teatro de Emilia Pardo Bazán (重新)建设一个国家的建议:Emilia Pardo剧院bazan

IF 0.3 4区社会学

Journal of Spanish Cultural Studies Pub Date : 2023-07-03 DOI: 10.1080/14636204.2023.2242194

Carmen Pereira-Muro

引用次数: 0

Spain’s African colonial legacies: Morocco and Equatorial Guinea compared 西班牙的非洲殖民遗产：摩洛哥和赤道几内亚的比较

IF 0.3 4区社会学

Journal of Spanish Cultural Studies Pub Date : 2023-07-03 DOI: 10.1080/14636204.2023.2242182

Eric Calderwood

引用次数: 0

Exhuming Franco: Spain’s second transition 法国的崛起：西班牙的第二次转型

IF 0.3 4区社会学

Journal of Spanish Cultural Studies Pub Date : 2023-07-03 DOI: 10.1080/14636204.2023.2242186

Carsten Humlebæk

引用次数: 0

Basura: cultures of waste in contemporary Spain 巴苏拉:当代西班牙的废物文化

IF 0.3 4区社会学

Journal of Spanish Cultural Studies Pub Date : 2023-07-03 DOI: 10.1080/14636204.2023.2240156

Luis I. Prádanos (Iñaki)

引用次数: 0

Social justice in Spanish Golden Age theatre 西班牙黄金时代戏剧中的社会正义

4区社会学

Journal of Spanish Cultural Studies Pub Date : 2023-04-17 DOI: 10.1080/14636204.2023.2172876

Hilaire Kallendorf

引用次数: 0

Geographies of urban female labor and nationhood in Spanish culture, 1880–1975 1880-1975年西班牙文化中的城市女性劳动地理与国家地位

IF 0.3 4区社会学

Journal of Spanish Cultural Studies Pub Date : 2023-04-03 DOI: 10.1080/14636204.2023.2207994

M. Versteeg

引用次数: 0

New music and democratic imaginary in post-Francoist Spain 后佛朗哥时代西班牙的新音乐与民主想象

IF 0.3 4区社会学

Journal of Spanish Cultural Studies Pub Date : 2023-04-03 DOI: 10.1080/14636204.2023.2213684

Igor Contreras Zubillaga

{"title":"New music and democratic imaginary in post-Francoist Spain","authors":"Igor Contreras Zubillaga","doi":"10.1080/14636204.2023.2213684","DOIUrl":"https://doi.org/10.1080/14636204.2023.2213684","url":null,"abstract":"ABSTRACT The period following Franco’s death witnessed significant cultural experiments in the fields of literature, the plastic arts, cinema, and popular music. However, scholars have paid little attention to “new music” (i.e., contemporary classical music), despite its historical and theoretical relevance. This is a remarkable omission considering the long-standing perception that the artistic avant-garde represents social progress and the widespread present-day interest in the relationship between musical practice and social justice. This paper addresses this research gap by examining how new music was used in 1970s and 1980s Spain to imagine an alternative to the controlled parliamentary democracy that was being built by Franco’s institutional successors. First, I analyze the critical examination of the previous musical stage, brought about by the new context of the transition to democracy, and the creation of new associations that were aimed at dynamizing Spain’s cultural life – such as the Asociación de Compositores Sinfónicos Españoles (ACSE), a sort of “trade union” for orchestral composers. I continue with the study of one of the most illustrative musical exercises aimed at experimenting with the idea of democracy: the ensemble Actum, created in 1973 on the initiative of the composer Llorenç Barber, which enacted a range of experimental creative ventures, based on improvisation and musical theatre, as meeting points for professional and amateur artists. Building upon previous studies on the participation of artistic cultures in the wider social struggle to define freedom and equality in the post-Francoist period, this article contributes to the ongoing reassessments of Spain’s democratic transition.","PeriodicalId":44289,"journal":{"name":"Journal of Spanish Cultural Studies","volume":"24 1","pages":"253 - 265"},"PeriodicalIF":0.3,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46270325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Democracy on the walls: the portrayal of the common people in post-dictatorship Iberian murals 墙上的民主:后独裁时期伊比利亚壁画中普通人的写照

IF 0.3 4区社会学

Journal of Spanish Cultural Studies Pub Date : 2023-04-03 DOI: 10.1080/14636204.2023.2211794

G. Quaggio

{"title":"Democracy on the walls: the portrayal of the common people in post-dictatorship Iberian murals","authors":"G. Quaggio","doi":"10.1080/14636204.2023.2211794","DOIUrl":"https://doi.org/10.1080/14636204.2023.2211794","url":null,"abstract":"ABSTRACT After the fall of the right-wing Estado Novo in Portugal in 1974 and the death of the military dictator Francisco Franco in Spain in 1975, many protest murals appeared in both countries on the walls of abandoned buildings and in marginalized urban spaces. These ephemeral grassroots artworks celebrated the collective liberation of the Iberian people from the cultural constraints of Western Europe’s two most enduring dictatorships. Murals constituted a striking visual response to the sociopolitical changes occurring in two countries that were experiencing the transition to democracy in very different ways. In this article, I argue that collectively painted murals, often overlooked in scholarship, are a valuable visual source to analyze contrasting ways of conceiving democracy from below and the appropriation of public spaces following the demise of two long-standing ultra-Catholic dictatorships. By acknowledging the multilayered power of images in murals and drawing on a rich body of research in visual studies, this contribution will address common people’s iconography in Iberian murals and the collective actions of those who sought to secure democratic rights. I will place particular emphasis not only on the visual representational framework of the relationship between the masses and individuals but also on the depiction of gender relations as an intrinsic part of the democratization process in both countries.","PeriodicalId":44289,"journal":{"name":"Journal of Spanish Cultural Studies","volume":"24 1","pages":"281 - 301"},"PeriodicalIF":0.3,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44458865","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Del salvaje siglo XIX al inestable siglo XX en las letras transatlánticas: una mirada retrospectiva a través de hispanistas 从狂野的19世纪到不稳定的20世纪的跨大西洋文学:通过西班牙学者的回顾

IF 0.3 4区社会学

Journal of Spanish Cultural Studies Pub Date : 2023-04-03 DOI: 10.1080/14636204.2023.2207991

Benita Sampedro Vizcaya

{"title":"Del salvaje siglo XIX al inestable siglo XX en las letras transatlánticas: una mirada retrospectiva a través de hispanistas","authors":"Benita Sampedro Vizcaya","doi":"10.1080/14636204.2023.2207991","DOIUrl":"https://doi.org/10.1080/14636204.2023.2207991","url":null,"abstract":"This book, From the Wild Nineteenth century to the Unstable Twentieth century Through Transatlantic Letters: a Retrospective Look At Hispanists, is meant to present a multidisciplinary approach to research of Nineteenth and Twentieth century Spanish literature on three thematic axes. One thread that connects all of the sixteen chapters of this book is that they share a critical and methodological orientation linked to Transatlantic Studies and Hispanicism. The first section is entitled “Round Trips,” which explores the fluid routes between the European and American shores of the Atlantic, which facilitated the movement of people and the exchange of knowledge, since the Nineteenth century and continues to this day. In the opening section we highlight women and men who undertook these transatlantic trips, such as the scientist Inés de Echevarría, the philologist Rafael Lapesa, and the writers Rosa Montero and Paloma Díaz-Mas. In this book we also consider those who took one-way trips across the Atlantic, like the writer Mercedes Pinto, and the poet Eugénio de Castro. In every case, the scholars look beyond their horizons for answers to","PeriodicalId":44289,"journal":{"name":"Journal of Spanish Cultural Studies","volume":"24 1","pages":"305 - 307"},"PeriodicalIF":0.3,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42734921","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0