Journal of Spanish Cultural Studies最新文献_第10页

Entre la M-30 y los escombros: La urbanización desurbanizada en Colegas (Eloy de la Iglesia, 1982) 在M-30和瓦砾之间：同事中的非城市化（Eloy de la Iglesia，1982年）

IF 0.3 4区社会学

Journal of Spanish Cultural Studies Pub Date : 2022-10-02 DOI: 10.1080/14636204.2022.2142018

Caglar Erteber

引用次数: 0

Eugeni d’Ors’s politics of aesthetics: a revision of his authoritarianism 欧金尼·达尔斯的美学政治:对其威权主义的修正

IF 0.3 4区社会学

Journal of Spanish Cultural Studies Pub Date : 2022-10-02 DOI: 10.1080/14636204.2022.2141997

J. Krauel

引用次数: 0

Rethinking democratisation in Spain, Greece and Portugal 重新思考西班牙、希腊和葡萄牙的民主化

IF 0.3 4区社会学

Journal of Spanish Cultural Studies Pub Date : 2022-10-02 DOI: 10.1080/14636204.2022.2140943

Nikolaos Papadogiannis

{"title":"Rethinking democratisation in Spain, Greece and Portugal","authors":"Nikolaos Papadogiannis","doi":"10.1080/14636204.2022.2140943","DOIUrl":"https://doi.org/10.1080/14636204.2022.2140943","url":null,"abstract":"The monograph entitled Rethinking Democratisation in Spain, Greece and Portugal examines the dialectics between the present and the past, namely, regarding the transitions from dictatorship to democracy in Spain, Greece and Portugal from the 1970s to the era of crisis that emerged in 2008. In so doing, the volume ’ s various chapters primarily address how the 2008 crisis a ﬀ ected the memories of democratization and Europeanization. Moreover, several chapters explore the signi ﬁ cance of the political cultures that emerged during these transitions for political debates in subsequent decades. In investigating those topics, the volume is divided into three parts. Part One explores con ﬂ -icting memories of transition, as a ﬀ ected by the crisis since 2008. Carmina Gustrán and Alejan-dro Quiroga argue that a “ benevolent ” reading of the transition from dictatorship to democracy remains hegemonic in Spain. However, the recession era saw the emergence of a growing popular narrative in this country that spanned academic, political and cultural realms and highlighted gaps in the nation ’ s process of democratization. Similarly, in analysing both Spain and Greece, Kostis Kornetis shows that the crisis “ produced a cognitive shock ” , which facilitated reconsiderations of the past, including the transition from dictatorship to democracy. Filipa Raimundo and Claudia Generoso de Almeida trace the importance of di ﬀ erent moments of the Portuguese Revolution that shaped ideological divisions in the nation even up to the 2010s. In this vein, these authors depict some political parties as “ April-warriors ” , namely, those that praise the collapse of the authoritarian regime","PeriodicalId":44289,"journal":{"name":"Journal of Spanish Cultural Studies","volume":"23 1","pages":"539 - 540"},"PeriodicalIF":0.3,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44784598","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Arms and letters: military life writing in early modern Spain 武器与信件：现代西班牙早期的军事生活书写

IF 0.3 4区社会学

Journal of Spanish Cultural Studies Pub Date : 2022-10-02 DOI: 10.1080/14636204.2022.2140935

Manuel Olmedo Gobante

引用次数: 0

Damnatio memoriae en la Cruz de O Castro: memoria en piedra del franquismo 卡斯特罗十字架上的诅咒纪念:佛朗哥主义的石头纪念

IF 0.3 4区社会学

Journal of Spanish Cultural Studies Pub Date : 2022-10-02 DOI: 10.1080/14636204.2022.2142010

David Casado-Neira

引用次数: 0

Doubled brothers: misfitted male bodies and minoritized Basque culture in Handia (2017) 双胞胎兄弟：韩迪亚不合群的男性身体和少数民族化的巴斯克文化（2017）

IF 0.3 4区社会学

Journal of Spanish Cultural Studies Pub Date : 2022-10-02 DOI: 10.1080/14636204.2022.2142188

Stephanie A. Mueller

{"title":"Doubled brothers: misfitted male bodies and minoritized Basque culture in Handia (2017)","authors":"Stephanie A. Mueller","doi":"10.1080/14636204.2022.2142188","DOIUrl":"https://doi.org/10.1080/14636204.2022.2142188","url":null,"abstract":"ABSTRACT This article examines the critically acclaimed Basque-language period drama Handia (The Giant, 2017), directed by Aitor Arregi and Jon Garaño. Handia, which won 10 Goyas, is the most viewed Basque film in history. Based on the true story of Miguel Joaquín Eleizegui Arteaga (1818–1861), a man with acromegaly who traveled throughout Spain and Europe as a freak show attraction, Handia centers on the complicated relationship between brothers Joaquín (the titular “giant”) and Martín, who are raised in a farmhouse near the tiny Gipuzkoan village of Altzo. Handia documents the brothers’ struggle to come to terms with the liberal victory in the First Carlist War and the overturning of the Ancien Régime. Martín seeks to escape the agrarian lifestyle of his upbringing, while Joaquín longs to remain on the homestead. I interpret the brothers as doubles who narratively and visually separate and merge throughout the film. As Martín strives to blend into urban settings by adopting the trappings of the European bourgeois man, the reluctant Joaquín’s body grows increasingly large, peculiar and conspicuous. Through the lenses of disability and gender theory, I contend that Joaquín’s nonstandard body represents an othered, agrarian Basque culture facing extinction within a modernizing Europe, and that the resolution of the conflict between Martín and Joaquín models a minority culture’s survival by embracing change without erasing its essential difference. To do this, I will illustrate how the portrayal of fitting and misfitting bodies in Handia articulates an alternative way of being characterized by interdependency, vulnerability, non-heteronormativity and stubborn resistance to homogenizing external forces. I conclude that Handia exemplifies how the Basques may continually redefine themselves – through strategic misfitting – in a way that merges the dichotomies of change and tradition, universality and particularity and wanderlust and rootedness.","PeriodicalId":44289,"journal":{"name":"Journal of Spanish Cultural Studies","volume":"23 1","pages":"511 - 527"},"PeriodicalIF":0.3,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49384312","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Tuitéame cómo pasó: narrating Mauthausen, transmitting trauma, and witnessing in @Deportado4443 推特告诉我它是如何发生的：讲述毛瑟森，传递创伤，并在@exportado4443中作证

IF 0.3 4区社会学

Journal of Spanish Cultural Studies Pub Date : 2022-10-02 DOI: 10.1080/14636204.2022.2142185

N. M. Murray

{"title":"Tuitéame cómo pasó: narrating Mauthausen, transmitting trauma, and witnessing in @Deportado4443","authors":"N. M. Murray","doi":"10.1080/14636204.2022.2142185","DOIUrl":"https://doi.org/10.1080/14636204.2022.2142185","url":null,"abstract":"ABSTRACT In January 2015, the Twitter account @Deportado4443 began sharing the harrowing story of Antonio Hernández Marín (1907–1992), whose exile from Spain following the Spanish Civil War (1936–1939), Nazi capture and eventual deportation to the Mauthausen camp in Austria was communicated through 140-character posts and images to the account’s 40,000 followers. This essay theorizes the use of Twitter as a groundbreaking format for the purposes of twenty-first-century witnessing of concentration camp atrocities. Three dimensions of the Twitter account @Deportado4443 are essential to its reconfiguration of narratives about the Spanish Civil War, the Republican exile and the Nazi camp: its virtual platform as a way to transmit a familial-personal history; its use of the fragment to relate the trauma of the camp in its brute simplicity to readers; and its significance for the theorization of witnessing. These three characteristics of @Deportado4443 are all inextricably linked to its social media format as a Twitter account. @Deportado4443 reaches a mass audience as it shares repressed memories of Republican Spain, thus crafting a unique text that implicates its 2010s readers as potential witnesses to events occurring during the 1940s. The essay ultimately examines the possibilities and limitations of this Twitter project not only as a way to access the history of the Spanish Civil War and of Republicans in the Nazi concentration camps, but also to alter our understanding of the notion of the witness.","PeriodicalId":44289,"journal":{"name":"Journal of Spanish Cultural Studies","volume":"23 1","pages":"491 - 509"},"PeriodicalIF":0.3,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43251806","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Black USA and Spain: shared memories in the 20th century 美国黑人与西班牙：20世纪的共同记忆

IF 0.3 4区社会学

Journal of Spanish Cultural Studies Pub Date : 2022-07-03 DOI: 10.1080/14636204.2022.2107156

Jm. Persánch

引用次数: 1

Diasporic foodways and intersectionality in Chenta Tsai Tseng’s Arroz tres delicias 陈的阿罗士熟食中的双孢子虫食物方式与交叉性

IF 0.3 4区社会学

Journal of Spanish Cultural Studies Pub Date : 2022-07-03 DOI: 10.1080/14636204.2022.2107818

Yeon-soo Kim

{"title":"Diasporic foodways and intersectionality in Chenta Tsai Tseng’s Arroz tres delicias","authors":"Yeon-soo Kim","doi":"10.1080/14636204.2022.2107818","DOIUrl":"https://doi.org/10.1080/14636204.2022.2107818","url":null,"abstract":"ABSTRACT This article examines how Chenta Tsai Tseng engages with Chinese diasporic foodways to construct their identity as a racialized migrant subject. Tsai’s memoir, Arroz tres delicias, uses the iconic Chinese dish as a metaphor for those who have had to survive by being creative, versatile and adaptable in limiting and oppressive diasporic conditions. Tsai also delves into how the popular dish was improvised rather than replicating a traditional recipe, providing a strategy to disidentify with and challenge Asian stereotypes. Tsai notes that Chinese culinary references are often used to racialize this minority community, whether to provoke social anxiety against them or to fetishize them. In the memoir, Tsai’s reflections on their own experience of romantic relationships corroborates how their Asian race conditions their sexual objectification, which makes their identity intersectional. Tsai shifts the debate regarding the identity of Spaniards of Chinese descent from nation-states to transnational alliances, and from binaries to infinite, situational potentials. In contrast, Chinese Spanish cultural productions before Tsai, including Susana Ye’s documentary Chiñoles y bananas and Quan Zhou Wu’s graphic novel Gazpacho agridulce, have defied the Spanish xenophobia and discrimination against Asians by emphasizing the cultural differences between generations. Tsai’s turn to intersectionality opens up the possibility of envisioning identity through an alternative history and a sense of belonging. At the same time, it presents a model for antiracist activism in solidarity with other oppressed groups. Both as a theory and praxis, intersectionality underpins ethical and affective affiliations in Tsai’s identity, art and activism.","PeriodicalId":44289,"journal":{"name":"Journal of Spanish Cultural Studies","volume":"23 1","pages":"351 - 369"},"PeriodicalIF":0.3,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43985380","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Fiestas, memorias y archivos: política sexual disidente y resistencias cotidianas en España en los años setenta 节日、回忆录和档案：70年代西班牙持不同政见者的性政策和日常抵抗

IF 0.3 4区社会学

Journal of Spanish Cultural Studies Pub Date : 2022-07-03 DOI: 10.1080/14636204.2022.2107153

Jorge Luis Peralta

引用次数: 0