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Of Metals and Men: Kofman, Conversion and The Merchant of Venice 金属与人：考夫曼、皈依与威尼斯商人
IF 0.1 4区 文学
PARAGRAPH Pub Date : 2021-02-10 DOI: 10.3366/PARA.2021.0352
D. Large
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引用次数: 0
The Margins of a Nightmare 噩梦的边缘
IF 0.1 4区 文学
PARAGRAPH Pub Date : 2021-02-10 DOI: 10.3366/PARA.2021.0356
Joseph R. Johnson
{"title":"The Margins of a Nightmare","authors":"Joseph R. Johnson","doi":"10.3366/PARA.2021.0356","DOIUrl":"https://doi.org/10.3366/PARA.2021.0356","url":null,"abstract":"A pivotal fusion of philosophy and life-writing, Sarah Kofman's Comment s'en sortir ? (1983) concludes with a highly experimental essay that uses medieval language as a means of recalling traumatic...","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":"44 1","pages":"88-102"},"PeriodicalIF":0.1,"publicationDate":"2021-02-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47463783","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sleeping away the Factory, Healing with Time: Gaston Bachelard, the Poetic Imagination and Testről és lélekről/ On Body and Soul (2017) 沉睡工厂，随时间愈合:加斯东·巴舍拉，诗意的想象和Testről <s:2> <s:2> /肉体与灵魂(2017)
IF 0.1 4区 文学
PARAGRAPH Pub Date : 2020-11-01 DOI: 10.3366/para.2020.0345
Saige Walton
{"title":"Sleeping away the Factory, Healing with Time: Gaston Bachelard, the Poetic Imagination and Testről és lélekről/ On Body and Soul (2017)","authors":"Saige Walton","doi":"10.3366/para.2020.0345","DOIUrl":"https://doi.org/10.3366/para.2020.0345","url":null,"abstract":"Gaston Bachelard distinguishes the radical novelty and newness of the imagination from pre-existing sensory impressions (memory, perception). In this article, I explore Bachelard's connections between time, the imagined image and poetic form, and I consider their implications for the cinema. Concentrating my analysis on Ildikó Enyedi's Testről és lélekről/ On Body and Soul (2017) — a film that alternates between doubled worlds, depictions of human and animal life — I draw out the temporality and the diversity of Bachelard's imagined images. Bringing Bachelard's instant, vertical time and the crystalline to bear on Enyedi's film, I argue that, under the pretext of sleep, rest and dreaming, On Body and Soul engages the temporality and attentiveness of the Bachelardian imagination, together with its poetic effects.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":"43 1","pages":"348-363"},"PeriodicalIF":0.1,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46557831","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Front matter 前页
IF 0.1 4区 文学
PARAGRAPH Pub Date : 2020-11-01 DOI: 10.3366/para.2020.0337
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引用次数: 0
Back matter 回到问题
IF 0.1 4区 文学
PARAGRAPH Pub Date : 2020-11-01 DOI: 10.3366/para.2020.0348
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引用次数: 0
Imitation of Life: Cinema and the Moral Imagination 模仿生活:电影与道德想象
IF 0.1 4区 文学
PARAGRAPH Pub Date : 2020-11-01 DOI: 10.3366/para.2020.0342
Jane Stadler
{"title":"Imitation of Life: Cinema and the Moral Imagination","authors":"Jane Stadler","doi":"10.3366/para.2020.0342","DOIUrl":"https://doi.org/10.3366/para.2020.0342","url":null,"abstract":"The influence of film's compelling images, characters and storylines has polarized perspectives on cinema and the moral imagination. Does film stimulate the audience's imagination and foster imitation in morally dangerous ways, or elicit ethical insight and empathy? Might the presentation of images on screen denude the capacity to conjure images in the mind's eye, or cultivate the imaginative capacity for moral vision as spectators attend to the plight of protagonists? Using Imitation of Life (Douglas Sirk, 1959) to interrogate paradoxical perspectives on the cinematic imagination, this article develops an account of the moral imagination focusing on sensory, emotional and empathic aspects of the audience's imaginative relationship with screen characters and their innermost thoughts and feelings.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":"43 1","pages":"298-313"},"PeriodicalIF":0.1,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45455861","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Perceptual-Imaginative Space and the Beautiful Ecologies of Rose Lowder's Bouquets 感知-想象空间与玫瑰花束的美丽生态
IF 0.1 4区 文学
PARAGRAPH Pub Date : 2020-11-01 DOI: 10.3366/para.2020.0343
Sarah Cooper
{"title":"Perceptual-Imaginative Space and the Beautiful Ecologies of Rose Lowder's Bouquets","authors":"Sarah Cooper","doi":"10.3366/para.2020.0343","DOIUrl":"https://doi.org/10.3366/para.2020.0343","url":null,"abstract":"Experimental filmmaker Rose Lowder is an intricate explorer of perception. Many of her exquisite silent short films feature flowers that are scrutinized frame by frame in shots that appear to have layers, as well as volume, and to quiver between simultaneity and succession. Yet these perceptual palimpsests that present almost too much for the eye to take in also reveal an as yet unexplored relation to imagination. Informed by ecological principles and foregrounding floral beauty, Lowder's Bouquets create a striking bond between perceptual and imaginative space. This article draws upon twentieth-century phenomenological accounts of perception before delving into earlier historical discussions of beauty in nature and in art, and bringing out connections to moral philosophy and feminist ecophilosophy, in order to understand how the beautiful entwines with ecological concern in the perceptual-imaginative space of her films.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":"43 1","pages":"314-329"},"PeriodicalIF":0.1,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47127236","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mise en Esprit: One-Character Films and the Evocation of Sensory Imagination Mise en Esprit:一个角色的电影与感官想象的唤起
IF 0.1 4区 文学
PARAGRAPH Pub Date : 2020-11-01 DOI: 10.3366/para.2020.0339
Julian Hanich
{"title":"Mise en Esprit: One-Character Films and the Evocation of Sensory Imagination","authors":"Julian Hanich","doi":"10.3366/para.2020.0339","DOIUrl":"https://doi.org/10.3366/para.2020.0339","url":null,"abstract":"This article starts out by introducing the category of the ‘one-character film’ — that is, narrative feature films that rely on a single onscreen character. One-character films can range from extremely laconic movies entirely focused on the action in the narrative here-and-now via highly talkative films that revolve around soliloquies of self-reflection, questioning of identity and a problematizing of the narrative past to strongly dialogue-heavy films that — via phones and other telecommunication devices — reach far beyond the depicted scene. It is on the latter that the article eventually focuses. Films like Buried (2010), Locke (2013) or The Guilty (2018) centrifugally thrust the viewers into a simultaneous present that remains invisible and that they have to imagine in sensory ways. Imagining this invisible elsewhere, which I call mise en esprit, can be facilitated and evoked through various cinematic means such as reduced within-modality-interference, suggestive verbalizations, acousmatic voices and sound effects.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":"43 1","pages":"249-264"},"PeriodicalIF":0.1,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49640086","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Cinematic Imaging and Imagining through the Lens of Buddhism 佛教镜头下的电影想象
IF 0.1 4区 文学
PARAGRAPH Pub Date : 2020-11-01 DOI: 10.3366/para.2020.0346
Victor Fan
{"title":"Cinematic Imaging and Imagining through the Lens of Buddhism","authors":"Victor Fan","doi":"10.3366/para.2020.0346","DOIUrl":"https://doi.org/10.3366/para.2020.0346","url":null,"abstract":"The oft-undiscernible boundary between imaging and imagining is especially apparent in our cinematic experience. In Buddhist philosophy, imaging and imagining are neither the same nor different, neither not the same nor not different. In this article, I argue that imaging in Buddhism refers not only to the formational process of an image (external form) out there, but also the external form's interdependent relationship with the internal forms (sensory organs). Likewise, imagining refers not only to the formational process of an image in here, but also to how these imaginations constitute the body's relationship with the larger milieu out there. In the second half of this article, I analyse how the interdependent relationship between imaging and imagining is configured textually and in the overall cinematic experience in Bi Gan's Diqiu zuihou de yewan/ Long Day's Journey into Night (2018).","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":"43 1","pages":"364-380"},"PeriodicalIF":0.1,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46253661","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘The Cruel Radiance of What Is’: Empathy, Imagination and Estrangement in Johan van der Keuken's Face Value and Herman Slobbe “真实事物的残酷光辉”：约翰·范德凯肯《面子》和赫尔曼·斯洛的移情、想象和疏离
IF 0.1 4区 文学
PARAGRAPH Pub Date : 2020-11-01 DOI: 10.3366/para.2020.0344
A. Geil
{"title":"‘The Cruel Radiance of What Is’: Empathy, Imagination and Estrangement in Johan van der Keuken's Face Value and Herman Slobbe","authors":"A. Geil","doi":"10.3366/para.2020.0344","DOIUrl":"https://doi.org/10.3366/para.2020.0344","url":null,"abstract":"This article takes up film and imagination via the problem of empathy. Proposing a different entry into contemporary polemics over empathy, the ‘empathic imagination’ is reconceptualized as a problematic of form rather than psychological experience. That is, instead of adopting a pre-given notion of empathy to illuminate the relation between film and the spectator's moral imagination, this article considers how that imagination is constituted in and through the image to begin with. After tracing the genealogy of empathy ( Einfühlung) in German aesthetics, the concept is put into play through readings of ‘#Look Beyond Borders’, an online video produced by Amnesty International, and two documentaries by Johan van der Keuken –  Face Value (1991) and Herman Slobbe (1966). In these works, the facial image is read as the imaginary terrain in which to explore very different notions of what might count as empathy and the empathic imagination in film and media.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":"43 1","pages":"330-347"},"PeriodicalIF":0.1,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44699113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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