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The Wounds of Rhetoric: Derrida on Condillac and Rousseau 修辞学的创伤:德里达论孔迪拉克和卢梭
IF 0.1 4区 文学
PARAGRAPH Pub Date : 2021-05-20 DOI: 10.3366/PARA.2021.0365
S. Gaston
{"title":"The Wounds of Rhetoric: Derrida on Condillac and Rousseau","authors":"S. Gaston","doi":"10.3366/PARA.2021.0365","DOIUrl":"https://doi.org/10.3366/PARA.2021.0365","url":null,"abstract":"The publication of Derrida's fragment Le Calcul des langues — Distyle offers an insight into Derrida's negotiation with empiricism and his rethinking of rhetoric in the early 1970s. Delineating Condillac's pervasive idealization of empiricism, Derrida gestures to a pain-becoming-pleasure and pleasure-becoming-pain that resists the fixed identity of the proper body. His emphasis on the pains and wounds of rhetoric registers both the limits of Condillac's philosophical project (rhetoric re-marks the excess of metaphor and the sensuous origins of language) and the possibility of another kind of empiricism, of the gaps that border on the word and the body. The article includes a reading of rhetoric and sex in Rousseau, as a gesture to Derrida's still unpublished seminar on rhetoric. It closes with an examination of the two-columned nature of Derrida's work, which ends mid-word (on the left) and mid-sentence (on the right).","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-05-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44041057","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rhetoric and Rhythm — Derrida, Nancy and the Poetics of Drawing 修辞与节奏——德里达、南希与绘画诗学
IF 0.1 4区 文学
PARAGRAPH Pub Date : 2021-05-20 DOI: 10.3366/PARA.2021.0363
Thomas Gould
{"title":"Rhetoric and Rhythm — Derrida, Nancy and the Poetics of Drawing","authors":"Thomas Gould","doi":"10.3366/PARA.2021.0363","DOIUrl":"https://doi.org/10.3366/PARA.2021.0363","url":null,"abstract":"Opening with a consideration of the distribution of the two graphic acts — drawing and writing — this article offers a comparative study of Jacques Derrida's and Jean-Luc Nancy's respective exhibitions and catalogue essays on the subject of drawing. Through a comparative examination of what I take to be their central theoretical contributions to the study of drawing — Derrida its ‘rhetoric’, Nancy its ‘rhythm’ — this article moves on to suggest how these concepts inform a theory of poetic lineation.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-05-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44679918","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Logician of Madness: Fanon's Lacan 疯狂的逻辑学家:法农的拉康
IF 0.1 4区 文学
PARAGRAPH Pub Date : 2021-05-20 DOI: 10.3366/PARA.2021.0366
Sinan Richards
{"title":"The Logician of Madness: Fanon's Lacan","authors":"Sinan Richards","doi":"10.3366/PARA.2021.0366","DOIUrl":"https://doi.org/10.3366/PARA.2021.0366","url":null,"abstract":"In recent years, commentators have begun to re-examine the proximity of Frantz Fanon's and Jacques Lacan's work — a proximity which has traditionally been underappreciated. This article adds to these voices, demonstrating the reciprocal intellectual relationship between these two figures. It develops five interrelated arguments to chart this proximity. First, it emphasizes Lacan's and Fanon's connections through their ontological perspectives on madness. Second, it arbitrates the two theorists’ criticisms of the limits of Western psychoanalysis. Third, it shows the importance placed by both on social structures in determining mental illnesses. Next, it demonstrates the centrality of their common understanding of psychosis. Finally, it argues that Lacan's argument in The Sinthome concerning the colonizer's power is inherited from Fanon's Black Skin, White Masks — itself influenced by Lacan's early theory of language. The article does not attempt to cast Fanon as an apprentice Lacanian but rather to argue that reciprocity helped shape both oeuvres.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-05-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44918427","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Listening Through Language: Jean-Luc Nancy and Pierre Schaeffer 通过语言倾听：让-吕克·南希和皮埃尔·谢弗
IF 0.1 4区 文学
PARAGRAPH Pub Date : 2021-05-20 DOI: 10.3366/PARA.2021.0364
I. Reyner
{"title":"Listening Through Language: Jean-Luc Nancy and Pierre Schaeffer","authors":"I. Reyner","doi":"10.3366/PARA.2021.0364","DOIUrl":"https://doi.org/10.3366/PARA.2021.0364","url":null,"abstract":"This article addresses the role of auditory-related verbs in the work of Jean-Luc Nancy and Pierre Schaeffer in order to shed light on a broader tendency in French thought. Through a comparative reading of the ways in which Nancy, in Listening, and Schaeffer, in Treatise on Musical Objects, mobilize verbs such as écouter and entendre, I connect the issue of language to debates about descriptive and prescriptive approaches towards listening. Drawing on the Dictionary of Untranslatables, I argue that Nancy's and Schaeffer's engagements with listening can be mapped onto historical modes of framing politics and ethics, which are also characterized by descriptive and prescriptive approaches. By showing how theories of listening connect to political and ethical debates, this study discusses the ideological instrumentalization of listening as opposed to more descriptive and exploratory forms of engagement in the auditory and the faculty of the ear.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-05-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43955487","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Freud's Jewish Jokes: The Case of Jokes and Their Relation to the Unconscious 弗洛伊德的犹太笑话：笑话及其与无意识的关系
IF 0.1 4区 文学
PARAGRAPH Pub Date : 2021-03-01 DOI: 10.3366/PARA.2021.0357
Elizabeth Rottenberg
{"title":"Freud's Jewish Jokes: The Case of Jokes and Their Relation to the Unconscious","authors":"Elizabeth Rottenberg","doi":"10.3366/PARA.2021.0357","DOIUrl":"https://doi.org/10.3366/PARA.2021.0357","url":null,"abstract":"What is at play in play? What does it mean to take play seriously? Or, in the case of Sigmund Freud, what does it means to take jokes seriously? This article argues that Sarah Kofman's reading of Jokes and Their Relation to the Unconscious, in her 1986 book Pourquoi rit-on? Freud et le mot d'esprit, provides us with one of the most serious and playful responses to these questions. It claims that a kind of Oedipal play leads Kofman to analyse Freud's book, to put it — and therefore him — on the couch.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":"44 1","pages":"103-116"},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48783507","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sarah Kofman and the Allure of Music 莎拉·科夫曼与音乐的诱惑
IF 0.1 4区 文学
PARAGRAPH Pub Date : 2021-03-01 DOI: 10.3366/PARA.2021.0355
Cosmin Toma
{"title":"Sarah Kofman and the Allure of Music","authors":"Cosmin Toma","doi":"10.3366/PARA.2021.0355","DOIUrl":"https://doi.org/10.3366/PARA.2021.0355","url":null,"abstract":"This article delves into the discreet yet persistent presence of music in Sarah Kofman's work. Three strands or movements of unequal length are explored here, each of which touches upon a specific volume of Kofman's: Nietzsche and Metaphor, L'Imposture de la beauté and, lastly, Rue Ordener, Rue Labat. More specifically, the article shows how her interpretations of Nietzsche's writings on music are almost paradigmatically neutral in their readerly fidelity to the originals, whereas Rue Ordener, Rue Labat suggests a more emotionally charged rapport with music. In closing, the article considers the possibility that these two, ostensibly divergent modes of reading and writing are very much in tune with each other in that they blur the line between interprétation as philosophical commentary and interprétation as musical performance.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":"44 1","pages":"73-87"},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44616619","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Derrida's Missing Woman 德里达失踪的女人
IF 0.1 4区 文学
PARAGRAPH Pub Date : 2021-03-01 DOI: 10.3366/PARA.2021.0354
Charlotte Thevenet
{"title":"Derrida's Missing Woman","authors":"Charlotte Thevenet","doi":"10.3366/PARA.2021.0354","DOIUrl":"https://doi.org/10.3366/PARA.2021.0354","url":null,"abstract":"Since Sarah Kofman's death in 1994, many critics have investigated her friendship with Jacques Derrida, and have tried to make sense of its striking dissymmetry. Contrary to those merely deeming Kofman ‘an orthodox Derridean’ (Alice Jardine), thus ascribing to her the unrewarding role of the disciple, Penelope Deutscher and more recently Ginette Michaud, among others, have endeavoured to interpret Derrida's odd silences and omissions regarding Kofman's work in a more subtle manner. Drawing on these readings, this article questions the erasure of ‘Sarah Kofman’ from Derrida's oeuvre by comparing it to the paradoxical effacement of ‘woman’ in the philosopher's texts, arguing that ‘Sarah Kofman’ both as a proper name and as a corpus figures the ‘woman’ missing from Derrida's work. Drawing on the work of feminist critics like Jardine, Miller and Spivak, the article retraces the ambiguous function of ‘woman’ in Derrida's writing, before stressing parallels between ‘Sarah Kofman’ and the Derridean ‘woman’.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":"44 1","pages":"58-72"},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44610573","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reading Derrida Reading Kofman 阅读德里达，阅读科夫曼
IF 0.1 4区 文学
PARAGRAPH Pub Date : 2021-03-01 DOI: 10.3366/PARA.2021.0353
G. Michaud
{"title":"Reading Derrida Reading Kofman","authors":"G. Michaud","doi":"10.3366/PARA.2021.0353","DOIUrl":"https://doi.org/10.3366/PARA.2021.0353","url":null,"abstract":"This article examines the relationship that Jacques Derrida and Sarah Kofman developed throughout their lifetimes, both as close friends and as philosophers who shared many common research interests. In his tribute to Sarah Kofman, published in Les Cahiers du Grif in 1997, Derrida stated that ‘These interests and exercises go far beyond the limits of a short narrative, indeed of a terminable analysis’, thus challenging the reader to delve into these ‘elliptical greetings’. The numerous interactions present in Kofman's and Derrida's respective bodies of work are not without conflicts nor dissymmetry, and their often oblique modes of acknowledgement are far from any ‘balance’ on either side. Revisiting some of the différends among two great thinkers of différance, this article highlights the Derridean logic of gift and debt at work between them. Focusing on the posthumous tribute Derrida pays to his friend (left untitled, which is itself a revealing gesture), one can sense that there is much at stake in that piece that touches on the major question of forgiveness and the affirmation of survie or living on, thus setting a scene of reading where Derrida's debt towards Kofman turns out to be more telling than one may have expected.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":"44 1","pages":"41-57"},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44026921","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
And Yet It Quakes! (Nietzsche and Voltaire) 它还在颤抖!(尼采、伏尔泰)
IF 0.1 4区 文学
PARAGRAPH Pub Date : 2021-02-10 DOI: 10.3366/PARA.2021.0358
Sarah Kofman
{"title":"And Yet It Quakes! (Nietzsche and Voltaire)","authors":"Sarah Kofman","doi":"10.3366/PARA.2021.0358","DOIUrl":"https://doi.org/10.3366/PARA.2021.0358","url":null,"abstract":"One of a handful of texts written by Sarah Kofman in the interim between the publication of her Explosion (1992, 1993), a 700-page analysis of Ecce Homo, and her sudden death in 1994, ‘And Yet It Q...","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":"44 1","pages":"117-137"},"PeriodicalIF":0.1,"publicationDate":"2021-02-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45596290","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Kofman's Affirmative Creation: Moral Law, Dom Juan and the Limits of Maternal Debt 考夫曼的积极创造:道德律、唐璜与母性债务的界限
IF 0.1 4区 文学
PARAGRAPH Pub Date : 2021-02-10 DOI: 10.3366/PARA.2021.0351
Cillian Ó Fathaigh
{"title":"Kofman's Affirmative Creation: Moral Law, Dom Juan and the Limits of Maternal Debt","authors":"Cillian Ó Fathaigh","doi":"10.3366/PARA.2021.0351","DOIUrl":"https://doi.org/10.3366/PARA.2021.0351","url":null,"abstract":"This article considers Sarah Kofman's interpretation of Moliere's Dom Juan in ‘The art of not paying one's debts’. It argues that this neglected text addresses important questions of moral debt and...","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":"44 1","pages":"11-25"},"PeriodicalIF":0.1,"publicationDate":"2021-02-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44601749","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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