修辞与节奏——德里达、南希与绘画诗学

IF 0.2 4区文学 0 LITERATURE

PARAGRAPH Pub Date : 2021-05-20 DOI:10.3366/PARA.2021.0363

Thomas Gould

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引用次数: 0

摘要

开放的考虑这两个图形的分布行为——绘画和写作这篇文章提供了一个比较研究的雅克·德里达和jean - luc南希的各自的展览和目录文章画的主题。通过对我认为是他们对绘画研究的核心理论贡献的比较研究——德里达的“修辞”，南希的“节奏”——这篇文章继续提出这些概念如何为诗歌线条理论提供信息。

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Rhetoric and Rhythm — Derrida, Nancy and the Poetics of Drawing

Opening with a consideration of the distribution of the two graphic acts — drawing and writing — this article offers a comparative study of Jacques Derrida's and Jean-Luc Nancy's respective exhibitions and catalogue essays on the subject of drawing. Through a comparative examination of what I take to be their central theoretical contributions to the study of drawing — Derrida its ‘rhetoric’, Nancy its ‘rhythm’ — this article moves on to suggest how these concepts inform a theory of poetic lineation.

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来源期刊

PARAGRAPH LITERATURE-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Founded in 1983, Paragraph is a leading journal in modern critical theory. It publishes essays and review articles in English which explore critical theory in general and its application to literature, other arts and society. Regular special issues by guest editors highlight important themes and figures in modern critical theory.