PARAGRAPHPub Date : 2020-11-01DOI: 10.3366/para.2020.0338
S. Cooper
{"title":"New Takes on Film and Imagination","authors":"S. Cooper","doi":"10.3366/para.2020.0338","DOIUrl":"https://doi.org/10.3366/para.2020.0338","url":null,"abstract":"","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":"43 1","pages":"243-248"},"PeriodicalIF":0.1,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49320206","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PARAGRAPHPub Date : 2020-06-17DOI: 10.3366/para.2020.0333
L. Downing
{"title":"‘(S)extremism’: Imagining Violent Women in the Twenty-First Century with Navine G. Khan-Dossos and Julia Kristeva","authors":"L. Downing","doi":"10.3366/para.2020.0333","DOIUrl":"https://doi.org/10.3366/para.2020.0333","url":null,"abstract":"The neologism ‘(s)extremism’ indicates a nexus of ideas intrinsic to the way in which contemporary culture imagines the figure of the violent woman. First, it identifies the sexism visible in react...","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":"43 1","pages":"212-229"},"PeriodicalIF":0.1,"publicationDate":"2020-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42811143","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PARAGRAPHPub Date : 2020-06-17DOI: 10.3366/para.2020.0328
Samuel Weber
{"title":"What is a Literary Image?","authors":"Samuel Weber","doi":"10.3366/para.2020.0328","DOIUrl":"https://doi.org/10.3366/para.2020.0328","url":null,"abstract":"What is the relation between ‘seeing’ and ‘reading’, especially where literary texts are concerned? This essay explores the question by recalling the author's experience with radio plays in the 195...","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":"43 1","pages":"125-139"},"PeriodicalIF":0.1,"publicationDate":"2020-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45034834","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PARAGRAPHPub Date : 2020-06-17DOI: 10.3366/para.2020.0331
Jen Hui Bon Hoa
{"title":"The Law or the Demos? Derrida and Rancière on the Paradox of Democracy","authors":"Jen Hui Bon Hoa","doi":"10.3366/para.2020.0331","DOIUrl":"https://doi.org/10.3366/para.2020.0331","url":null,"abstract":"Jacques Ranciere's theory of democracy shares a great deal with Derrida's. Both view democracy as founded on paradox, define it as the irruption of alterity and, most notably, explain the disjuncti...","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":"43 1","pages":"179-196"},"PeriodicalIF":0.1,"publicationDate":"2020-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3366/para.2020.0331","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46996292","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PARAGRAPHPub Date : 2020-06-17DOI: 10.3366/para.2020.0330
Doyle Calhoun
{"title":"Fanon's Lexical Intervention: Writing Blackness in Black Skin, White Masks","authors":"Doyle Calhoun","doi":"10.3366/para.2020.0330","DOIUrl":"https://doi.org/10.3366/para.2020.0330","url":null,"abstract":"This essay provides a subtly new reading of Frantz Fanon's Peau noire, masques blancs (Black Skin, White Masks; 1952) through a re-examination of one of its key terms: noirceur, or ‘blackness’. Whi...","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":"43 1","pages":"159-178"},"PeriodicalIF":0.1,"publicationDate":"2020-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45874938","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PARAGRAPHPub Date : 2020-06-17DOI: 10.3366/para.2020.0329
Nikolaj Lübecker
{"title":"Mallarmé’s Digital Demon","authors":"Nikolaj Lübecker","doi":"10.3366/para.2020.0329","DOIUrl":"https://doi.org/10.3366/para.2020.0329","url":null,"abstract":"How do Mallarme’s writings speak to the present? To answer this question, this article establishes a dialogue between one of Mallarme’s early prose poems, ‘Le Demon de l'analogie’, and texts by the...","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":"43 1","pages":"140-158"},"PeriodicalIF":0.1,"publicationDate":"2020-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48425911","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PARAGRAPHPub Date : 2020-06-17DOI: 10.3366/para.2020.0334
M. Hanrahan
{"title":"Perec in the Pléiade","authors":"M. Hanrahan","doi":"10.3366/para.2020.0334","DOIUrl":"https://doi.org/10.3366/para.2020.0334","url":null,"abstract":"","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":"43 1","pages":"230-239"},"PeriodicalIF":0.1,"publicationDate":"2020-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48089560","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
PARAGRAPHPub Date : 2020-06-17DOI: 10.3366/para.2020.0332
Gabrielle A. Hezekiah
{"title":"Intuition and Excess: Mona Hatoum's Measures of Distance and the Saturated Phenomenon","authors":"Gabrielle A. Hezekiah","doi":"10.3366/para.2020.0332","DOIUrl":"https://doi.org/10.3366/para.2020.0332","url":null,"abstract":"This article argues that Mona Hatoum's video Measures of Distance presents us with an example of Jean-Luc Marion's saturated phenomenon. Partial and deeply textured images of Hatoum's mother have p...","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":"43 1","pages":"197-211"},"PeriodicalIF":0.1,"publicationDate":"2020-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47261567","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}