SLAVIC AND EAST EUROPEAN JOURNAL最新文献_第6页

Experiments with audiences: The Ukrainian and Russian prose of Kvitka-Osnovianenko 观众实验:克维特卡-奥斯诺维亚年科的乌克兰和俄罗斯散文

IF 0.1 4区文学

SLAVIC AND EAST EUROPEAN JOURNAL Pub Date : 2014-01-01 DOI: 10.30851/58.2.001

M. Pavlyshyn

引用次数: 0

After the Ball": Tolstoy Revisits "Childhood" “舞会之后”:托尔斯泰重温“童年”

IF 0.1 4区文学

SLAVIC AND EAST EUROPEAN JOURNAL Pub Date : 2014-01-01 DOI: 10.30851/58.4.002

Leslie O'bell

引用次数: 0

Melting in the Mirror: Woman, Body and Self in the Poetry of Czesław Miłosz 在镜中融化:Czesław Miłosz诗歌中的女人、身体和自我

IF 0.1 4区文学

SLAVIC AND EAST EUROPEAN JOURNAL Pub Date : 2014-01-01 DOI: 10.30851/58.4.005

Stanley Bill

引用次数: 0

The Numinous Experience of Ego Transcendence in Dostoevsky 陀思妥耶夫斯基自我超越的精神体验

IF 0.1 4区文学

SLAVIC AND EAST EUROPEAN JOURNAL Pub Date : 2013-09-01 DOI: 10.30851/57.3.003

Lonny Harrison

引用次数: 6

Lolita and Kofemolka: Vladimir Nabokov's and Michael Idov's self-translations from English into Russian 《洛丽塔》和《科菲莫尔卡》:弗拉基米尔·纳博科夫和迈克尔·伊多夫的自译英

IF 0.1 4区文学

SLAVIC AND EAST EUROPEAN JOURNAL Pub Date : 2013-09-01 DOI: 10.30851/57.3.006

A. Wanner

引用次数: 4

Graphic grotesque? Comics adaptations of Bohumil Hrabal and Bruno Schulz 图形的?Bohumil Hrabal和Bruno Schulz的漫画改编

IF 0.1 4区文学

SLAVIC AND EAST EUROPEAN JOURNAL Pub Date : 2013-01-01 DOI: 10.30851/57.2.003

Michel de Dobbeleer, Dieter De Bruyn

{"title":"Graphic grotesque? Comics adaptations of Bohumil Hrabal and Bruno Schulz","authors":"Michel de Dobbeleer, Dieter De Bruyn","doi":"10.30851/57.2.003","DOIUrl":"https://doi.org/10.30851/57.2.003","url":null,"abstract":"Although the practice of adapting the classics of world literature into the comic medium has always been popular, there seems to be a shift in preference away from the classical adventure stories toward the more experimental (or, at least, less realist and “adaptogenic”) texts from the literary canon. If we concentrate on the “Slavic” situation, among the more recent graphic narrative adaptations we do not discover only the usual suspects with a rich adaptation history such as Lev Tolstoy and Fyodor Dostoevsky, but also less obvious names such as Bohumil Hrabal (Une trop bruyante solitude (2004) by Lionel Tran, Ambre, and Valerie Berge) and Bruno Schulz (Heimsuchung und andere Erzahlungen von Bruno Schulz (1995) by Dieter Judt). This essay explores the Hrabal and Schulz examples in order to tackle the question of the adaptability of modernist or at least less realist – in this case: grotesque – literature into visual artistic media – in this case: comics. As Linda Hutcheon has demonstrated, adaptations are the result of a complex process of “creative reinterpretation” and “extensive, particular transcoding”. What this essay focuses on, therefore, is whether, and if so, how these graphic narrative adaptations of modernist fiction have reinterpreted and transcoded the typically grotesque features of their literary counterparts. The analysis shows that comics adapters can choose, on multiple levels, between a plethora of more or less medium-bound devices to compensate in an inventive way for the so-called “sacrifices” made during the adaptation process. In their adaptation Tran, Ambre and Berge, while omitting the more ludicrous traits of Too Loud a Solitude, managed to retain the intriguing complexity of both the content and the form of the protagonist’s inner musings over his own tragedy. Judt, for his part, may have sacrificed part of the equivocality of Schulz’s phantasmagoric literary world, but he clearly succeeded in visually rendering the grotesque imagery, the semiotic density as well as the narrative salience of the adapted text. As critical readings of their literary counterparts, finally, Judt’s work hints at the dominance of semiosis over mimesis in Schulz’s stories, whereas the Hrabal adaptation demonstrates the universal applicability of the novella’s humanist theme.","PeriodicalId":44070,"journal":{"name":"SLAVIC AND EAST EUROPEAN JOURNAL","volume":"57 1","pages":"175-202"},"PeriodicalIF":0.1,"publicationDate":"2013-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69704023","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 5

Introduction: classics interpreted: graphic narrative adaptations of Slavic literary works 介绍:经典解读:斯拉夫文学作品的图形叙事改编

IF 0.1 4区文学

SLAVIC AND EAST EUROPEAN JOURNAL Pub Date : 2013-01-01 DOI: 10.30851/57.2.001

Dieter De Bruyn, Michel de Dobbeleer

引用次数: 0

Confronting Ukrainian Modernism: Some New and Recent Translations of Poetry 面对乌克兰现代主义:一些新的和最近的诗歌翻译

IF 0.1 4区文学

SLAVIC AND EAST EUROPEAN JOURNAL Pub Date : 2013-01-01 DOI: 10.30851/57.3.007

R. Romanchuk

引用次数: 0

Realist Convictions and Revolutionary Impatience in the Criticism of N. A. Dobroliubov 多布罗留波夫批评中的现实主义信念与革命急躁

IF 0.1 4区文学

SLAVIC AND EAST EUROPEAN JOURNAL Pub Date : 2013-01-01 DOI: 10.30851/57.1.004

S. Lorenz

{"title":"Realist Convictions and Revolutionary Impatience in the Criticism of N. A. Dobroliubov","authors":"S. Lorenz","doi":"10.30851/57.1.004","DOIUrl":"https://doi.org/10.30851/57.1.004","url":null,"abstract":"The work of the “radical” critic N.A. Dobroliubov has gotten lost between the distorting adulation of Soviet scholarship and the Western distaste for Dobroliubov’s apparent instrumentalization of literature. Dobroliubov’s very short career and the impression that he is just a junior version of N.G. Chernyshevsky also contribute to the fact that his writings have not received much sustained critical attention. Yet Dobroliubov deserves our interest, not only for the intellectual vitality and historical significance of his work, but also because he, more than any of his contemporaries, grapples immediately with the core aesthetic conundrums of the civic-minded criticism of mid-19th-century Russia. On the one hand, the “radical” critics proclaimed themselves to be uncompromising realists, committed to a literature that reproduces contemporary life. Yet they also called for social transformation with an idealistic fervor that nearly matched that of the “Romantic” generation they despised. Thus their literary doctrine is shaped by the clash between a present and a future orientation, between sober empiricism and progressive vision—a conflict that had troubled Enlightenment writers in Germany a century earlier, and that flared up anew in the cultural milieu of the reform period in Russia. My talk illuminates Dobroliubov’s critical agility as he attempts to circumvent these problems, particularly in two famous articles from the high point of his career, “Chto takoe oblomovshchina?” (1859) and “Luch sveta v temnom tsarstve” (1860). I will analyze the strained yet occasionally brilliant maneuvers that result from his struggle to remain true to his realist aesthetic even as he desperately searches for signs of a positive hero. And I will show how the model of the realist-positive hero that was successfully theorized by Chernyshevsky falls apart once Dobroliubov engages in practical criticism of actual literary texts.","PeriodicalId":44070,"journal":{"name":"SLAVIC AND EAST EUROPEAN JOURNAL","volume":"57 1","pages":"67-88"},"PeriodicalIF":0.1,"publicationDate":"2013-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69704247","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Voroshylovhrad Lost: Memory and Identity in a Novel by Serhiy Zhadan 谢尔盖·扎丹的《迷失:一部小说中的记忆与身份》

IF 0.1 4区文学

SLAVIC AND EAST EUROPEAN JOURNAL Pub Date : 2013-01-01 DOI: 10.30851/57.3.002

Pavlo Shopin

引用次数: 0