{"title":"Život inscenace","authors":"Václav Štěpán, Markéta Trávníčková","doi":"10.37520/cnm.2019.004","DOIUrl":"https://doi.org/10.37520/cnm.2019.004","url":null,"abstract":"Research of theatre repertoire utilises the so-called list of production, which summarises information about the life of the production from the first to the last performance, acquired from playbills and other period sources and from literature, as a work aid. Its final form is the basis for entering data into a database program, which can be used to put together lists of repertoires of individual theatres, including registers of creators and producers. This article explains the methodological issues complicating the project to transfer the living organism called “a theatre production” into database columns.","PeriodicalId":440569,"journal":{"name":"Časopis Národního muzea. Řada historická","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124276377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Edice Petlice jako symbol české samizdatové literatury ve svobodném světě","authors":"Jitka Hanáková","doi":"10.37520/cnm.2020.04","DOIUrl":"https://doi.org/10.37520/cnm.2020.04","url":null,"abstract":"An integral part of Czech literature of the 2nd half of the 20th century is also literature published in samizdat. By this we mean works that could not be published in official publishing houses, but were reproduced in typescript. The symbol of such a literature of the 1970s and 1980s was the Petlice edition, the most important and most extensive typescript edition. It was founded at the end of 1972 L. Vaculík and was run throughout its existence. Petlice focused its activities on original Czech and Slovak literary works. It has published almost 400 titles. Authors who were prevented from publishing after 1968, such as I. Klíma, P. Kohout, V. Havel and J. Gruša, published their works here. The books of the Petlice were characterised by the authors’ signatures on the title page and on the reverse of the title page, and the copyright formula – the most famous V.z.d.o.r. (Explicit prohibition of further copying of the manuscript) belonged to the most efficient editorial scribe Z. Erteltová. The activities of the edition were followed by a number of samizdat publishers. Among the first were J. Vladislav with his Kvart and V.Havel with Edice Expedicí. The activities of the exile and cooperation with it had a great influence on the development of Czech samizdat. A significant part of samizdat production was published by exile publishing houses and magazines that paid at least a small fee to the authors. The exile also played an important role of mediation, communication and information. It selflessly ensured the supply of samizdat texts to radio stations that broadcast in Czech and Slovak, as well as to Western publishing houses. He organised the secret transport in both directions – of manuscripts and information to the West and of exiled books and magazines to their home countries. The Czechoslovak Documentation Centre for Independent Literature, founded in the 1980s by a group of exiled cultural workers in West Germany, played a very important role in this field.","PeriodicalId":440569,"journal":{"name":"Časopis Národního muzea. Řada historická","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124483233","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"Mirek\" z Reportáže psané na oprátce - Jaroslav Klecan (1914-1943)","authors":"David Majtenyi","doi":"10.37520/cnm.2019.001","DOIUrl":"https://doi.org/10.37520/cnm.2019.001","url":null,"abstract":"This paper focuses on the fate of Jaroslav Klecan, a native from southern Bohemia, a pre-war member of the Communist Party who had left as a volunteer for the Spanish Civil War in late 1937. He fought in the battalion T. G. Masaryk of the 129th interbrigade. After the fall of the Spanish Republic, he was interned in the French camp in Gurs. When the Second World War begun he enrolled to the Czechoslovak Army, albeit he was probably never committed at the front. After the French capitulation, he stayed in the free zone and joined the French resistance movement in the FTP-MOI group led by Ladislav Holdoš. However, the Comintern soon ordered him and few other Czechoslovak Resistance fighters to return to the occupied homeland. Klecan arrived to the Protectorate in 1941 and affiliated the Communist resistance movement in Bohemia immediately. He was arrested by the Nazi secret police on 24 April 1942, together with Julius Fučík and others. After a series of interrogations, the German People’s Court sentenced him to death and he was executed in Berlin-Plötzensee on 8 September 1943. He is known as “Mirek” from Fučík’s Notes from the Gallows.","PeriodicalId":440569,"journal":{"name":"Časopis Národního muzea. Řada historická","volume":"258 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124034359","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Zájem pravoslavné církve o pražský kostel sv. Kříže na Příkopech","authors":"Daniel Atanáz Mandzák, Marek Šmíd","doi":"10.37520/cnm.2021.004","DOIUrl":"https://doi.org/10.37520/cnm.2021.004","url":null,"abstract":"The Interest of the Orthodox Church in the Prague St. Cross Church in Příkopy\u0000\u0000The presented study provides a detailed probe into efforts of the Czechoslovak Orthodox Community to rent the St. Church in Prague in Příkopy in the 1920s which seemed to be little used. Although there were more opportunities to obtain their own place of worship, the Orthodox did not have enough money to reconstruct these buildings, often in a bad or even state of disrepair. In this sense, the St. Church in Příkopy, which was in good technical condition, however, required an interior modification for the needs of services in the Byzantine ceremony. The study represents the original work which is based on the study of sources, especially the Archive of the Office of the President of the Republic, the National Archive and the Archive of the Ministry of Foreign Affairs of the Czech Republic.","PeriodicalId":440569,"journal":{"name":"Časopis Národního muzea. Řada historická","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125322694","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Natálie Huynová (1853–1940). Portrét neprovdané aristokratky na počátku 20. století","authors":"Michaela Žáková","doi":"10.37520/cnm.2022.001","DOIUrl":"https://doi.org/10.37520/cnm.2022.001","url":null,"abstract":"Natalie Huyn (1853–1940). Portrait of an unmarried aristocrat in the early 20th century\u0000\u0000The subject of this paper is the life story of Natalie Countess Huyn (1853–1940), on the example of which the diverse opportunities for the social participation of an unmarried member of the aristocracy at the close of the 19th and during the 20th centuries are illustrated. Countess Huyn, the daughter of officer Jan Karl Count Huyn, was forced to address the issue of her financial (and also social) security for practically her entire life. As a thirty-year old, she became lady-in-waiting to Archduchess Maria Therese of the Tuscan secundogeniture of the Habsburg-Lorraine family. After she was dismissed from her service in 1910, she accepted an endowment position at the Teresian Institute of Noble Ladies at Prague Castle. Here, the financially secure countess engaged in art, something she excelled in, writing poetry and charity, which she developed both in the direction of individuals and also various (mostly religious) organisations. Shortly after the Institute of Noble Ladies was closed at the decision of Czechoslovak state authorities, she accepted an offer by her distant cousin, Vladimir Lažanský and went to live at his chateau in Chyše until her death in 1940.","PeriodicalId":440569,"journal":{"name":"Časopis Národního muzea. Řada historická","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125544162","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"„Narodil se o sto let později...“. Náprstkovo muzeum Jiřího Müllera a Bohumíra Lifky","authors":"Libor Jůn","doi":"10.37520/cnm.2022.006","DOIUrl":"https://doi.org/10.37520/cnm.2022.006","url":null,"abstract":"“He was born a century later…” Náprstek Museum of Jiří Muller and Bohumír Lifka\u0000\u0000The long-standing professional and personality clashes and differences in opinion between these two well-known museum managers, Jiří Müller and Bohumír Lifka, had a major impact on the environment in which professional, everyday and official life took place at the Náprstek Museum in Prague throughout the entire nineteen thirties and forties. In many aspects, the mutual conflict and differences in opinion between archaeologist and ethnographer Jiří Müller and librarian, heraldist and archivist Bohumír Lifka, were actually the most important factor affecting the running of the entire museum institution. What is more, this occured at a time when the Náprstek Museum, which had been under-financed for many years, was integrated as provincial property in the nineteen thirties and was searching for a new content and appearance in many regards. The discord between the more conservative and professionally reasoning Lifka and the left-leaning Müller escalated in many respects during the period of occupation, when the Náprstek Museum was nearly completely undermined by its temporary German director JUDr. Edmund von Merkl. The post-war accusation of J. Müller of collaborating with the Germans and several months of Lifka’s management of the entire Náprstek Museum, definitely ended this dispute, with Jiří Müller, who determined the running of the museum during the complicated post-war period, appearing as the victor. However, his forced departure from the Náprstek Museum and Lifka’s extensive professional activities outside the museum subsequently restricted the museum’s development until the period when indologist and africanist Erich Herold was appointed its head.","PeriodicalId":440569,"journal":{"name":"Časopis Národního muzea. Řada historická","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126433805","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Životní jubileum Václava Štěpána","authors":"Libor Vodička","doi":"10.37520/cnm.2020.05","DOIUrl":"https://doi.org/10.37520/cnm.2020.05","url":null,"abstract":"","PeriodicalId":440569,"journal":{"name":"Časopis Národního muzea. Řada historická","volume":"175 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120979010","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cirkusové fotografie v divadelní sbírce Národního muzea","authors":"Hanuš Jordan","doi":"10.37520/cnm.2021.002","DOIUrl":"https://doi.org/10.37520/cnm.2021.002","url":null,"abstract":"Circus Photos at the Theatre Collection of the National Museum\u0000\u0000The specialized circus fund of the theater collection of the National Museum contained over 9 000 images when it was created in 2004. The study describes its time limitations for the years 1950–1990, it also deals with older images, forms of shooting circus and variety shows, and the issue of describing photographs as a historical source.\u0000\u0000Authors of circus photos Vladimír Lammer, Václav Gína and Oldřich Mazůrek.","PeriodicalId":440569,"journal":{"name":"Časopis Národního muzea. Řada historická","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127688139","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Národopis pod jednou střechou. Příspěvek k osvětlení centralizačních snah a politických vlivů v prvorepublikovém muzejnictví na příkladu pražských národopisných sbírek","authors":"Klára Woitschová","doi":"10.37520/cnm.2020.01","DOIUrl":"https://doi.org/10.37520/cnm.2020.01","url":null,"abstract":"In the interwar period of Czechoslovakia, there were in Prague four museums, that owned ethnographic collections: National Museum, Náprstek Museum, Czechoslovak Ethnographical Museum and Czechoslovak Museum of Agriculture. We can observe strong tendencies to unite these collections under one roof. Many factors played a role during the attempts at unification: unclear competencies and incompatible opinions of state offices, pressure from political parties, poor economic situation of private societies that owned mentioned museums as well as personal ambitions of some politicians and museum representatives. The attempt to unite all ethnographic collections in one museum did not succeeded, but many circumstances of the unification process are quite significant for the cultural environment of the first Czechoslovak republic.","PeriodicalId":440569,"journal":{"name":"Časopis Národního muzea. Řada historická","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115239551","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Podmalby na skle ze sbírek Oddělení starších českých dějin Národního muzea. Příspěvky k tvorbě Gerharda Janssena, Daniela Preisslera, Vincenze Jankeho a jejich současníků. K fenoménu a uplatnění techniky verre églomisé. I. část","authors":"Jana Kunešová","doi":"10.37520/cnm.2021.003","DOIUrl":"https://doi.org/10.37520/cnm.2021.003","url":null,"abstract":"Reverse paintings on glass from the collections of the Department of Older Czech History of the National Museum. Articles regarding the works of Gerhard Janssen, Daniel Preissler, Vincenz Janke and their contemporaries. In regard to the phenomenon and application of the verre églomisé technique, part I.\u0000\u0000This two-part paper presents a diverse collection of approximately 120 reverse paintings on glass produced in the Czech lands and Central Europe, from the beginning of the 18th century to the second half of the 19th century. The first part is devoted to their topics from the aspect of religion, allegory, landscape and genre and also discusses their iconography, authorship, templates, techniques (particularly verre églomisé) and provenience in the context of Czech and foreign collections. The most valuable of these items include newly identified Baroque works by Gerhard Janssen, the allegorical cycle by Daniel Preissler and works by the Augsburg School. The 19th century is dominated by the workshop of Vincenz Janke producing works falling between art and craftwork, and specific regional works, which are also represented by folk paintings. The second (prepared) part of the thesis will be separately devoted to portrait reverse paintings on glass.","PeriodicalId":440569,"journal":{"name":"Časopis Národního muzea. Řada historická","volume":"70 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114710520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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