GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART最新文献

Touching the Magdalene: The Cult of Mary Magdalene in Iberia in the Central Middle Ages 触摸抹大拉:中世纪中期伊比利亚对抹大拉的玛利亚的崇拜

1区艺术学

GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART Pub Date : 2023-09-01 DOI: 10.1086/726039

José Luis Senra

引用次数: 0

An African “Constantine” in the Twelfth Century: The Architecture of the Early Zagwe Dynasty and Egyptian Episcopal Authority 12世纪的非洲“君士坦丁”:早期扎格王朝和埃及主教机构的建筑

1区艺术学

GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART Pub Date : 2023-09-01 DOI: 10.1086/725791

Mikael Muehlbauer

{"title":"An African “Constantine” in the Twelfth Century: The Architecture of the Early Zagwe Dynasty and Egyptian Episcopal Authority","authors":"Mikael Muehlbauer","doi":"10.1086/725791","DOIUrl":"https://doi.org/10.1086/725791","url":null,"abstract":"Sometime around the mid-twelfth century, two antique structures in Tǝgray, Ethiopia’s northernmost province, appear to have been converted into churches or otherwise reconsecrated. One was a temple dedicated to the south Arabian sun god Almaqah in Yǝḥa from 800 BCE, while the other was an anonymous palace plinth from the sixth century near the contemporary village of ‘Addi Awona. The churches that took over these structures went on to serve important functions in this burgeoning kingdom. The palace plinth became the seat of the Ethiopian metropolitan installed from Egypt, while the Yǝḥa temple later became a church associated with the legendary sixth-century Byzantine missionary Afṣe.The decision to appropriate these monumental structures for use as churches in the twelfth century is anomalous but, as I argue here, constitutes material evidence of a general political centralization, re-Christianization, and reintegration into world trade that characterized the period we now call Zagwe (eleventh to thirteenth centuries). Because all these phenomena had been in flux, the change in the Zagwe period was seen by ecclesiastics in Ethiopia as well as Coptic Christians in Egypt as a restoration of past glories akin to those of Constantine in Rome, especially the apocryphal Constantine found in Coptic martyr literature. The construction of five-aisled basilicas specifically in sites understood as ancient therefore yielded platforms with which to parallel this Christian transformation.","PeriodicalId":43922,"journal":{"name":"GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135735942","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Witness Images and Oath-Stones: On Law and Pictorial Culture in the Eleventh Century 证物与誓石:论十一世纪的法律与图像文化

1区艺术学

GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART Pub Date : 2023-09-01 DOI: 10.1086/725872

Peter Scott Brown

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引用次数: 0

Front Matter 前页

1区艺术学

GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART Pub Date : 2023-09-01 DOI: 10.1086/728297

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Art, Relics, and the Senses in the Cult of Saint Demetrios of Thessaloniki 塞萨洛尼基圣德米特里奥斯崇拜中的艺术、遗迹和感官

1区艺术学

GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART Pub Date : 2023-09-01 DOI: 10.1086/725871

Katherine Taronas

{"title":"Art, Relics, and the Senses in the Cult of Saint Demetrios of Thessaloniki","authors":"Katherine Taronas","doi":"10.1086/725871","DOIUrl":"https://doi.org/10.1086/725871","url":null,"abstract":"An examination of the art and the textual evidence surrounding the cult of Saint Demetrios in Thessaloniki reveals that early Byzantine veneration of Demetrios prioritized the sense of vision as a means of engaging with the saint and emphasized the human ability to perceive the divine with the spiritual senses. Thessalonian clerical and administrative elites, needing to articulate alternative ways to attain closeness with their saint when his bodily relics could not be accessed, promoted views of matter and the senses exemplified in the mosaics of Hagios Demetrios. With the appearance of myron (a combination of perfumed oil and blood) at Demetrios’s shrine in the middle Byzantine era, possibly prompted by competition from rival saints, the cult rapidly refocused veneration toward this bodily relic and desire for physical contact with it. The dramatic change of emphasis from the visual and immaterial to the tactile and material as the basis for communicating with the saint is expressed in the design of reliquaries made to house this myron, which assert that vision is no longer sufficient to gain communion with the saint. The two groups of artworks—the early mosaics and the later reliquaries—provide differing sensory paradigms that guide their beholders and users toward the correct way to experience the divine. Through an analysis of the cult of Demetrios, this article seeks to nuance our understanding of the role of art, relics, and the senses in medieval saints’ cults.","PeriodicalId":43922,"journal":{"name":"GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135736150","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Front Matter 前页

1区艺术学

GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART Pub Date : 2023-03-01 DOI: 10.1086/725491

引用次数: 0

Making and Unmaking Love in the Macclesfield Psalter 《麦克尔斯菲尔德诗篇》中的做爱与失恋

IF 0.4 1区艺术学

GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART Pub Date : 2023-03-01 DOI: 10.1086/723204

P. Carns

{"title":"Making and Unmaking Love in the Macclesfield Psalter","authors":"P. Carns","doi":"10.1086/723204","DOIUrl":"https://doi.org/10.1086/723204","url":null,"abstract":"The fourteenth-century English Psalter known as the Macclesfield Psalter (Cambridge, Fitzwilliam Museum, MS 1–2005) features numerous love scenes in the bas-de-page. Most appear at standard psalm openings below elaborate historiated initials, which usually frame scenes from the life of King David. This essay argues that these amatory motifs work in tandem with the adjacent biblical iconography to make pointed statements about the dangers of unsanctioned sex and lustful behavior. They achieve this through the choice of biblical event, new iconographic interpretations—of both the biblical and secular material—and various pictorial strategies. A comparison between the manuscript’s innovative love designs and stock motifs, such as on Gothic ivories and in manuscript illumination, reveals not only the inventiveness of the book’s designer but also an intention to manipulate this visual tradition for a specific purpose. Neither the book’s commissioner nor intended audience is known. This essay argues that an as-yet-unidentified woman in the orbit of the earls of Arundel and Surrey might have requested the book for a young man and that she worked with a Dominican advisor to create the book’s lavish visual cycle.","PeriodicalId":43922,"journal":{"name":"GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46052962","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Forging the Augustinian Past: The Rule-Giving of Saint Augustine in a Duecento Gradual 锻造奥古斯丁的过去：圣奥古斯丁在二重奏中的规则赋予

IF 0.4 1区艺术学

GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART Pub Date : 2023-03-01 DOI: 10.1086/723217

Krisztina Ilko

{"title":"Forging the Augustinian Past: The Rule-Giving of Saint Augustine in a Duecento Gradual","authors":"Krisztina Ilko","doi":"10.1086/723217","DOIUrl":"https://doi.org/10.1086/723217","url":null,"abstract":"This study investigates the development of the Rule-giving image of the Augustinian friars through its most sophisticated surviving example, the initial of a finely illuminated late-duecento gradual (Cambridge, Fitzwilliam Museum, MS Charles Fairfax Murray 5). In addition to revealing the Augustinian patronage behind the creation of the manuscript, I analyze the iconographical, liturgical, and political context of the Rule-giving scene. The unique features of the illumination shed new light on the early cult of saints of the Augustinian friars, their special devotion to Saint Augustine, and the unconventional use of apocalyptic imagery. I argue that the manuscript was created in an Augustinian convent in the 1280s–90s, when the order was threatened with suppression due to its lack of antiquity. To refute this accusation, the order claimed Saint Augustine as its founding father. This study suggests this assertion was first made significantly earlier than has been assumed and that the Rule-giving image promoted a direct connection between Saint Augustine and the Augustinian friars. The illumination in the Fitzwilliam gradual bears witness to the development of the order’s self-confidence and shows how commissioning artworks could serve as a powerful tool for dealing with political tribulations. Ultimately, my study contributes to a better understanding of the collaboration of text, liturgy, and image in the Augustinian gradual and illuminates the role of artistic patronage in promoting origin stories for new religious institutions.","PeriodicalId":43922,"journal":{"name":"GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45315290","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Between Biblical and Political: The Subversion of Samson in Twelfth-Century León-Castile 在圣经与政治之间:12世纪参孙的颠覆León-Castile

IF 0.4 1区艺术学

GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART Pub Date : 2023-03-01 DOI: 10.1086/723228

Elizabeth Lastra

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Between Wonder and Omen: Conjoined Twins and the Mandylion from Constantinople to Norman Sicily 奇迹与预兆之间：从君士坦丁堡到诺曼西西里岛的连体双胞胎和Mandylion

IF 0.4 1区艺术学

GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART Pub Date : 2023-03-01 DOI: 10.1086/723218

Roland Betancourt

引用次数: 0