Journal of Victorian Culture最新文献_第2页

Day in the Life 一天的生活

IF 0.3 3区历史学

Journal of Victorian Culture Pub Date : 2024-01-05 DOI: 10.1093/jvcult/vcad046

Susie Steinbach

引用次数: 0

Alienated Heroines in Basil, Lady Audley’s Secret, and East Lynne: A Jaeggian Reading 罗勒》、《奥德雷夫人的秘密》和《东琳》中被疏远的女主人公：雅格主义解读

IF 0.3 3区历史学

Journal of Victorian Culture Pub Date : 2024-01-04 DOI: 10.1093/jvcult/vcad043

Rui Qian

{"title":"Alienated Heroines in Basil, Lady Audley’s Secret, and East Lynne: A Jaeggian Reading","authors":"Rui Qian","doi":"10.1093/jvcult/vcad043","DOIUrl":"https://doi.org/10.1093/jvcult/vcad043","url":null,"abstract":"\u0000 While the term ‘alienation’ is frequently mentioned in criticism of sensation fiction, there is a lack of a stringent definition of this term. This article aims to address this gap with a focused examination of the depiction of alienation in three sensation novels, Lady Audley’s Secret (1862) by M. E. Braddon, East Lynne (1861) by Mrs Henry Wood, and Basil (1852) by Wilkie Collins. Borrowing a critical framework from contemporary philosopher Rahel Jaeggi, the article sees alienation as an obstructed relation of ‘appropriation’. According to Jaeggi, to appropriate is, briefly, to take oneself and one’s world at one’s own command. The relation of appropriation bespeaks a more profound relationship between the self and the world than ownership. Previous studies of sensation heroines often associate their alienation with their desires for material property. With Jaeggi’s critical framework, however, this article moves forward by identifying a parallel between the heroines’ troubled desires for material possessions and their problematic relationships in life. Through a Jaeggian lens, all three texts illustrate the heroines’ dispossession of the self and dispossession of property as profoundly, even structurally, linked. A Jaeggian reading of the novels also provides new insights into the genre’s ideological function, particularly in relation to the limited social roles and precarious hold on the material world faced by ambitious Victorian women.","PeriodicalId":43921,"journal":{"name":"Journal of Victorian Culture","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-01-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139385937","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Amelia B. Edwards and Romantic Egyptology 艾米莉亚·b·爱德华兹与浪漫埃及学

3区历史学

Journal of Victorian Culture Pub Date : 2023-11-11 DOI: 10.1093/jvcult/vcad040

William Bainbridge

{"title":"Amelia B. Edwards and Romantic Egyptology","authors":"William Bainbridge","doi":"10.1093/jvcult/vcad040","DOIUrl":"https://doi.org/10.1093/jvcult/vcad040","url":null,"abstract":"Abstract Amelia B. Edwards (1831–1892) was renowned for her profound mastery of Egyptology, possessing a knowledge some said surpassed that of her male counterparts. Her archaeological endeavours in Egypt merged with a vivid narrative approach, evident in seminal works such as A Thousand Miles up the Nile (1877) and her captivating lectures across Britain and America. This harmonious blend of meticulous observation and romantic aesthetics not only carved her niche as a distinguished Egyptologist, but also heralded her as a forerunner in public history, adept at fusing erudite exploration with charming storytelling. Set against the tapestry of the Romantic era, Edwards forged a distinctive narrative, eschewing traditional academic boundaries to imbue her writings with heartfelt sentiment. This article delves into Edwards’ impact on Egyptology’s popularization: from her pivotal 1873 Egyptian sojourn, followed by her compelling lectures, to her personally curated Egyptian collection at home. With an adept fusion of artistic verve and academic rigour, Edwards bridged literature and archaeology. Her legacy signifies a refreshing deviation from orthodox methodologies, presenting a more immersive perspective on ancient Egypt. In stark contrast to the staid styles of her contemporary archaeological peers, she proclaimed herself the only romancer also versed in Egyptology, ardently championing a scientific discourse with broader appeal.","PeriodicalId":43921,"journal":{"name":"Journal of Victorian Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135086965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Sir John Gardner Wilkinson (1797–1875) in Turkish Dress, at Thebes: The Self-Fashioning of an Antiquarian Egyptologist 约翰·加德纳·威尔金森爵士(1797-1875)在底比斯身着土耳其服饰:一位古埃及学家的自我塑造

3区历史学

Journal of Victorian Culture Pub Date : 2023-11-01 DOI: 10.1093/jvcult/vcad019

Robert Frost

{"title":"Sir John Gardner Wilkinson (1797–1875) in Turkish Dress, at Thebes: The Self-Fashioning of an Antiquarian Egyptologist","authors":"Robert Frost","doi":"10.1093/jvcult/vcad019","DOIUrl":"https://doi.org/10.1093/jvcult/vcad019","url":null,"abstract":"Abstract In recent years, there has been considerable interest in the eighteenth- and nineteenth-century cultural practice of Britons wearing indigenous dress, as well as debate as to what motivated people to re-fashion their identity in such radical ways. Typically, these practices have been viewed either as acts of cultural appropriation, or occasionally as acts of solidarity with other cultures. This article focuses on one individual, the antiquarian Egyptologist Sir John Gardner Wilkinson (1797–1875), who wore Turkish dress whilst in Egypt, and was depicted wearing the same dress by the portrait artist Henry Wyndham Phillips, in 1843/44. Despite being reproduced in countless histories of Egyptology, archaeology and beyond, there currently exists no sustained critical analysis of Wilkinson’s relationship with this costume. I contend that Wilkinson’s choice of Turkish dress and his engagement with such clothing was both sustained and complicated. It reflected simple practicalities, but also an awareness of socio-political conditions in Egypt which were inadequately understood at an official level, due to high-handed expectations about how Britons should and should not behave, to bolster Britain’s national image abroad. At the same time, the same clothing could be interpreted differently by other audiences, and Phillips’s painting of Wilkinson – the components of which are identified for the first time – emerges as an attempt at self-fashioning on Wilkinson’s part, to cement his recently acquired status as a recognized authority about ancient Egypt. These concerns are applicable to other western scholars and travellers active in the Near East in the early nineteenth century.","PeriodicalId":43921,"journal":{"name":"Journal of Victorian Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135455376","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“I didn’t know there were so many kinds of people and so many sorts of provincialism in the world’’: Tracking Provincialism Through the Nineteenth-Century Corpus “我不知道世界上有这么多的人，这么多的地方主义”:《从19世纪语料库看地方主义》

3区历史学

Journal of Victorian Culture Pub Date : 2023-10-31 DOI: 10.1093/jvcult/vcad032

Helen Anne O’Neill

{"title":"“I didn’t know there were so many kinds of people and so many sorts of provincialism in the world’’: Tracking Provincialism Through the Nineteenth-Century Corpus","authors":"Helen Anne O’Neill","doi":"10.1093/jvcult/vcad032","DOIUrl":"https://doi.org/10.1093/jvcult/vcad032","url":null,"abstract":"Abstract Beginning with a full text search for the term ‘provincialism’ across all entries in the OED Online, this article tracks ‘provincialism’ through the digitized fiction of the nineteenth century, eavesdropping on the ways in which the term was used in a dataset of references drawn from 165 nineteenth-century novels brought together from the British Library 19th Century Collection and the Hathi Trust Digital Library. The focus is not on a close reading of a small number of novels, a novel subgenre, or iterations of a single novel, but on a close reading of multiple short, references to the term ‘provincialism’ drawn from a large number of nineteenth-century digitized novels. Attention is concentrated on the textually small, the fleeting yet potent uses of the term deployed by nineteenth-century novelists writing in a mass cultural medium with a local and global reach. The findings offer up a relational and multidimensional picture of the term aggregated from the textually small, as it plays out in relation to class, gender, the city, the four nations of the UK, the British Empire and the wider world.","PeriodicalId":43921,"journal":{"name":"Journal of Victorian Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135977060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Folklore of Evolution in Andrew Lang’s Writings 安德鲁·朗作品中的进化论民俗

3区历史学

Journal of Victorian Culture Pub Date : 2023-10-23 DOI: 10.1093/jvcult/vcad041

Anna McCullough

{"title":"The Folklore of Evolution in Andrew Lang’s Writings","authors":"Anna McCullough","doi":"10.1093/jvcult/vcad041","DOIUrl":"https://doi.org/10.1093/jvcult/vcad041","url":null,"abstract":"Abstract This article builds upon Bernard Lightman and Peter Bowler’s works on the non-Darwinian nature of Victorian evolution, arguing that while their arguments helpfully reorient our understanding of evolution’s historiography, they underestimate the diversity of evolutionary theory in the Victorian era. Victorian evolution was highly idiosyncratic, as each individual (scientist, author, or reader) interpreted evolution according to his or her own preconceptions, resulting in a myriad of evolutionary theories. To illustrate this diversity, this article examines the work of Andrew Lang, a prolific late-nineteenth-century journalist, anthropologist, and fairy-tale enthusiast. I focus on two of his largely unstudied works to demonstrate how he exposed and critiqued Victorian assumptions about evolution and the origins of the theory. The first work, ‘Higgins, the Inventor of Evolution’ (1897), uses satire to reveal that evolution’s theoretical history was often overlooked in the nineteenth century. The second, The Princess Nobody (1884), is a children’s fairy tale that exemplifies how fairy-tale tropes can help modern readers grasp evolutionary ideas. Significantly, both works recycle older texts that also address evolutionary questions, making Lang a participant in a folkloric tradition of interpreting and critiquing evolutionary theory. Lang viewed evolutionary theory as similar to a mythic story that is told and reinterpreted through the generations. His writing demonstrates that the origins of evolutionary theory are ambiguous, and that traditional fairy tales convey ideas about human origins and kinship with animals that predate Darwin’s studies.","PeriodicalId":43921,"journal":{"name":"Journal of Victorian Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135412803","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Erskine Nicol and the representation of national and religious identities in nineteenth-century Ireland 厄斯金·尼科尔以及19世纪爱尔兰民族和宗教身份的表现

3区历史学

Journal of Victorian Culture Pub Date : 2023-10-14 DOI: 10.1093/jvcult/vcad039

Niamh NicGhabhann

{"title":"Erskine Nicol and the representation of national and religious identities in nineteenth-century Ireland","authors":"Niamh NicGhabhann","doi":"10.1093/jvcult/vcad039","DOIUrl":"https://doi.org/10.1093/jvcult/vcad039","url":null,"abstract":"Abstract This article investigates the visual representation of Irish Catholicism in mid-nineteenth century genre painting through a close analysis of St Patrick’s Day (1856), a picturesque genre painting by the Scottish artist Erskine Nicol. In doing so, it will explore why artists like Nicol, Frederic William Burton and others chose to equate Irish rural Catholicism with romantic ideas of nature and outdoor ‘primitive’ worship. This tradition of representation will be examined in the context of contemporary Catholic institutional expansion across Ireland following the removal of the legal disabilities known as the ‘penal laws’ in 1829, and the parallel emphasis on the church building as the location of worship, the sacraments, and Catholic devotional life. To date, scholars of Nicol’s oeuvre have tended to focus on Nicol’s representation of an Irish national ‘type’ or ‘character’. My reading of Nicol’s St Patrick’s Day, however, aims to extend the art historical investigation of the signification of the Irish stereotype in Victorian painting, and to examine Nicol’s painting within the interwoven frameworks of national identity and religious identity. This analysis of St Patrick’s Day is rooted in a consideration of both genre and historical context, facilitating new insights into ideas of ‘peasant’ or ‘primitive’ Catholicism as central to mid-Victorian representations of the Irish ‘national character’.","PeriodicalId":43921,"journal":{"name":"Journal of Victorian Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135766951","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Samuel Smiles, Asa Briggs, and Working-Class Leeds 塞缪尔·斯迈尔斯，阿萨·布里格斯和工人阶级利兹

3区历史学

Journal of Victorian Culture Pub Date : 2023-09-04 DOI: 10.1093/jvcult/vcad036

Malcolm Chase, Robert Poole, Fabrice Bensimon

引用次数: 0

‘An Industrial Revelation’ – The Political Apocalyptic in Gaskell’s North and South 《工业启示录》——盖斯凯尔《南北》中的政治启示录

IF 0.3 3区历史学

Journal of Victorian Culture Pub Date : 2023-09-01 DOI: 10.1093/jvcult/vcad037

Joseph M Otero

{"title":"‘An Industrial Revelation’ – The Political Apocalyptic in Gaskell’s North and South","authors":"Joseph M Otero","doi":"10.1093/jvcult/vcad037","DOIUrl":"https://doi.org/10.1093/jvcult/vcad037","url":null,"abstract":"\u0000 This essay examines the religious contents of Elizabeth Gaskell’s 1854–1855 novel, North and South, within the context of Apocalyptic literary traditions from Antiquity, and in the literary and historical contexts accessible to Victorians. Inviting this comparison is the character Bessy Higgins, a terminally ill factory seamstress who quotes the Book of Revelation and reports prophetic dreams of some actual merit. By placing this anachronistically apocalyptic voice amid the working poor of her industrial urban setting, Gaskell effects a return to the original political function of the Apocalyptic genre: the vindication of a disenfranchised underclass. Drawing upon examples from Christian and pre-Christian Antiquity, this essay establishes the generic features of Apocalyptic literature as they pertain to its political function, and identifies key points at which Gaskell’s text aligns with them. Though Gaskell does not replicate the genre’s form in full, North and South being a novel rather than a dream-vision, she nonetheless uses the character Bessy to incorporate apocalyptic concepts, images, arguments, and rhetoric into her otherwise realistic narrative of nineteenth-century class struggle. The result, coded in layers of Biblical reference, is an indictment of the capitalist class, comparing them to the sinners who temporarily inherit the Earth in the Apocalypse of John, after the righteous have been purged from it. The final part of this essay further contextualizes Bessy Higgins within the Methodist traditions contemporary to North and South, and within Gaskell’s intersecting religious and political views.","PeriodicalId":43921,"journal":{"name":"Journal of Victorian Culture","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45169048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Sounding Slavery in the Victorian Drawing Room: The ‘Blackface’ Ballads of Philip Klitz 维多利亚时代客厅里的奴隶制:菲利普·克里茨的“黑脸”民谣

3区历史学

Journal of Victorian Culture Pub Date : 2023-08-28 DOI: 10.1093/jvcult/vcad013

Roger Hansford

{"title":"Sounding Slavery in the Victorian Drawing Room: The ‘Blackface’ Ballads of Philip Klitz","authors":"Roger Hansford","doi":"10.1093/jvcult/vcad013","DOIUrl":"https://doi.org/10.1093/jvcult/vcad013","url":null,"abstract":"Abstract In 1847, Southampton’s Philip Klitz (1805–1854) added two ‘blackface’ ballads to a cultural craze reflecting that year’s British tour by the white American minstrel troupe, the ‘Ethiopian Serenaders’, and their imitators, the ‘Ethiopian Harmonists’. I show how Klitz and his fellow composers reflected and fed a potent stereotype, circulating songs in the bourgeois home that adversely affected the British perception of African Americans by sustaining racist themes and images in the popular-cultural imagination. Notwithstanding the negative impacts for black residents and visitors in Britain at the time, minstrelsy is also widely understood to have exerted considerable cultural influence throughout the nineteenth century. Among investigations of how the Victorian arts constructed race, few give music the significance it holds in this interpretation of how black caricature functioned in a post-abolition British context through the medium of music and musical orientalism in Victorian drawing-room ballads. This case study of previously neglected musical repertoire details an important episode in the history of ‘blackface’ minstrelsy, showing how racial attitudes formed within British domestic spaces during the late 1840s were affected by those of the popular stage in ante-bellum America.","PeriodicalId":43921,"journal":{"name":"Journal of Victorian Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136349475","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0