REVUE FRANCAISE D ETUDES AMERICAINES最新文献

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Les sociétés de l’opium : regards croisés sur la fumerie new-yorkaise au xixe siècle 鸦片社会:19世纪纽约烟草业的交叉视角
4区 社会学
REVUE FRANCAISE D ETUDES AMERICAINES Pub Date : 2018-01-01 DOI: 10.3917/RFEA.156.0056
I. Delcourt
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引用次数: 0
Blue Berries Always Surprise Us: Thoreau, Happiness and Accident 蓝莓总是让我们惊讶:梭罗,幸福和意外
4区 社会学
REVUE FRANCAISE D ETUDES AMERICAINES Pub Date : 2018-01-01 DOI: 10.3917/rfea.157.0161
D. Follett
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引用次数: 0
Religion et sainteté dans Purple America de Rick Moody 《宗教与圣徒》,《紫色美国》,瑞克·穆迪
4区 社会学
REVUE FRANCAISE D ETUDES AMERICAINES Pub Date : 2018-01-01 DOI: 10.3917/rfea.154.0102
B. Pire
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引用次数: 0
Débattre la mesure : l’imagination sociologique de Steve Reich 讨论测量:史蒂夫·赖克的社会学想象
4区 社会学
REVUE FRANCAISE D ETUDES AMERICAINES Pub Date : 2018-01-01 DOI: 10.3917/RFEA.156.0105
Jean-François Orianne
{"title":"Débattre la mesure : l’imagination sociologique de Steve Reich","authors":"Jean-François Orianne","doi":"10.3917/RFEA.156.0105","DOIUrl":"https://doi.org/10.3917/RFEA.156.0105","url":null,"abstract":"This article aims to identify the contributions of Steve Reich’s music to sociology. His music reveals three main characteristics: it is made out of empirical material collected on the field; it is a theory of processes; it is a political and cultural act. Steve Reich’s music affects sociology on these three points: it reminds the sociologist of the nature of his craft and his commitment to the social world, questions his methods and practice; it even sheds light on his own concepts (in particular that of “process”). The author proposes to extract from Steve Reich’s compositional work some useful elements for the profession of sociologist.","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86809772","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La recherche du bonheur dans la Virginie coloniale 在殖民时期的弗吉尼亚寻找幸福
4区 社会学
REVUE FRANCAISE D ETUDES AMERICAINES Pub Date : 2018-01-01 DOI: 10.3917/rfea.157.0090
É. Marienstras
{"title":"La recherche du bonheur dans la Virginie coloniale","authors":"É. Marienstras","doi":"10.3917/rfea.157.0090","DOIUrl":"https://doi.org/10.3917/rfea.157.0090","url":null,"abstract":"","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83579942","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
L’après-guerre ou la tentation internationaliste des intellectuels critiques (1919-1922) 战后或批判知识分子的国际主义诱惑(1919-1922)
4区 社会学
REVUE FRANCAISE D ETUDES AMERICAINES Pub Date : 2018-01-01 DOI: 10.3917/rfea.155.0088
Anne Ollivier-Mellios, Laurence Cossu-Beaumont
{"title":"L’après-guerre ou la tentation internationaliste des intellectuels critiques (1919-1922)","authors":"Anne Ollivier-Mellios, Laurence Cossu-Beaumont","doi":"10.3917/rfea.155.0088","DOIUrl":"https://doi.org/10.3917/rfea.155.0088","url":null,"abstract":"In this extract from her 2012 unpublished manuscript, Les Intellectuels critiques aux Etats-Unis. 1913-1933. Chronique d’une generation oubliee, Anne Ollivier-Mellios offers insight into the rich transatlantic exchanges between American and French intellectuals in the immediate aftermath of the First World War and in the continuity of peace activism. Through personal letters and published editorials, she maps the attempts to set up international organizations, and she records how French and American radical or liberal intellectuals struggled to find a common definition of the commitment, role and means of political action of the artist or writer. Ultimately she suggests that these earlier transatlantic debates informed local achievements but also the rifts and failures in New York’s intellectual circles in the 1930s.","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87400864","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The inaudible man: Literary sampling and agency in Douglas Kearney’s Black Automaton 听不见的人:道格拉斯·科尔尼的《黑色自动机》中的文学抽样和代理
4区 社会学
REVUE FRANCAISE D ETUDES AMERICAINES Pub Date : 2018-01-01 DOI: 10.3917/RFEA.154.0092
C. Vettorato
{"title":"The inaudible man: Literary sampling and agency in Douglas Kearney’s Black Automaton","authors":"C. Vettorato","doi":"10.3917/RFEA.154.0092","DOIUrl":"https://doi.org/10.3917/RFEA.154.0092","url":null,"abstract":"Le recueil The Black Automaton de Douglas Kearney illustre de facon eclatante les differentes manieres dont certaines techniques litteraires comme le montage et le collage permettent aux poetes de se positionner dans le temps et l’histoire litteraire ou culturelle. Travaillant a partir d’extraits de morceaux de musique et de poemes, Kearney s’approprie ces techniques pour offrir un commentaire poetique sur le langage et le temps historique profondement informe par l’experience des Noirs aux Etats-Unis. La figure de l’« Automate noir » relie les fragments entre eux afin d’explorer les limites de l’autodetermination dans un contexte d’alienation culturelle.","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83269540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
D’Hiroshima à Hanoï : le bombardement de Royan dans l’œuvre de Howard Zinn (1970-2011) 从广岛到河内:霍华德·津恩作品中的罗扬轰炸(1970-2011)
4区 社会学
REVUE FRANCAISE D ETUDES AMERICAINES Pub Date : 2018-01-01 DOI: 10.3917/rfea.155.0043
Ambre Ivol
{"title":"D’Hiroshima à Hanoï : le bombardement de Royan dans l’œuvre de Howard Zinn (1970-2011)","authors":"Ambre Ivol","doi":"10.3917/rfea.155.0043","DOIUrl":"https://doi.org/10.3917/rfea.155.0043","url":null,"abstract":"This study focuses on the intellectual process by which historian Howard Zinn conducted research about the bombings of Royan in 1945. It looks at the historian’s published work on the topic in both English and French and considers the political motivations which prompted him to look into this particular event. The uniqueness of this investigation is due to the personal dimension of this military episode because Zinn served as a US Air Force bombardier during the war. Yet it is only in the specific context of the 1960s that he realized the historical value of his experience.","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86686839","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Le mariage dans les romances historiques du premier XIXe siècle: Dénouement heureux, bonheur matrimonial et harmonie nationale 19世纪历史小说中的婚姻:幸福结局、婚姻幸福与民族和谐
4区 社会学
REVUE FRANCAISE D ETUDES AMERICAINES Pub Date : 2018-01-01 DOI: 10.3917/RFEA.157.0019
Pauline Pilote
{"title":"Le mariage dans les romances historiques du premier XIXe siècle: Dénouement heureux, bonheur matrimonial et harmonie nationale","authors":"Pauline Pilote","doi":"10.3917/RFEA.157.0019","DOIUrl":"https://doi.org/10.3917/RFEA.157.0019","url":null,"abstract":"","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77394279","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Signifyin’ (on) Modernism: The Jagged Harmony of Their Eyes were Watching God 现代主义的意义:他们注视上帝的眼睛的锯齿状和谐
4区 社会学
REVUE FRANCAISE D ETUDES AMERICAINES Pub Date : 2018-01-01 DOI: 10.3917/RFEA.154.0033
C. Raynaud
{"title":"Signifyin’ (on) Modernism: The Jagged Harmony of Their Eyes were Watching God","authors":"C. Raynaud","doi":"10.3917/RFEA.154.0033","DOIUrl":"https://doi.org/10.3917/RFEA.154.0033","url":null,"abstract":"Deplacant l’accent mis sur la voix et le langage vers la genese de la composition du texte et ses dissonances, cet essai explore comment Their Eyes were Watching God (1937) de Zora Neale Hurston illustre, par son utilisation du materiau du folklore, une esthetique qui ressortit au modernisme africain americain ou « modernisme vernaculaire » et fonctionne comme critique du courant moderniste dominant. La construction et la composition du texte revelent qu’il s’agit d’un collage et d’un montage aux « coutures » eminemment visibles. Une analyse du recit d’esclave de Nanny, de l’episode de la mule de Matt Bonner, ainsi que la danse du feu dans les Everglades permet de montrer comment le modernisme de Their Eyes provient d’une intertextualite interne, inherente au processus creatif de Hurston et aux differents genres qu’elle pratiquait. Il provient aussi, irrefutablement, de sa pratique du theâtre. Le roman, en prolongement du folklore noir, est comme lui « en train de se faire » ; il porte la marque de « la brusquerie des recits contes », une des « Caracteristiques de l’expression negre » (1934).","PeriodicalId":43827,"journal":{"name":"REVUE FRANCAISE D ETUDES AMERICAINES","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76183008","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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