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Print-Grammars: Technologizing the Indian Vernacular 印刷语法:印度白话的技术化
IF 0.2
Book History Pub Date : 2022-09-01 DOI: 10.1353/bh.2022.0013
Akrish Adhikari
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引用次数: 0
New Leaves: Riffling the History of Digital Pagination 新叶子:翻查数字页码的历史
IF 0.2
Book History Pub Date : 2022-09-01 DOI: 10.1353/bh.2022.0017
M. Eve
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引用次数: 0
Reforming the "Art Preservative": Nineteenth-Century British Printing Manuals and the Discourse of Design 改革“艺术防腐剂”:19世纪英国印刷手册与设计话语
IF 0.2
Book History Pub Date : 2022-09-01 DOI: 10.1353/bh.2022.0012
J. Horrocks
{"title":"Reforming the \"Art Preservative\": Nineteenth-Century British Printing Manuals and the Discourse of Design","authors":"J. Horrocks","doi":"10.1353/bh.2022.0012","DOIUrl":"https://doi.org/10.1353/bh.2022.0012","url":null,"abstract":"Abstract:Discussions of nineteenth-century letterpress design typically follow a narrative of loss and restoration: the explosion of typographic materials and machines made possible by industrialization led to a decline in the visual quality of letterpress production, which was reversed only at the end of the century by William Morris and the advent of modern graphic design. Many specimens of Victorian letterpress printing—especially job printing, which was constrained by fewer conventions than book or newspaper printing—seem to confirm this narrative. Nineteenth-century British printing manuals, however, often depicted the practice of display composition not as declining or fallen, but as entering an exhilarating moment of reformation. In the printing manuals I examine here, authors attempted to guide this reformation by offering printers a rudimentary theory of letterpress page design, one based largely on the tenets of Victorian design reform. Design reform, begun in the 1830s in response to fears that British industrial commodities were being outsold by better-designed foreign products, established graphic principles for designers and created a body of theoretical literature that was remediated by printers looking for a fixed definition of visual excellence upon which letterpress design could be premised. While modern viewers might question the design principles underlying much \"artistic\" job printing of the late-Victorian era, the aesthetic rules explained in printing manuals of the time do much to turn what can sometimes appear to be a bewildering profusion of archaic visual elements back into a legible architecture of the page.","PeriodicalId":43753,"journal":{"name":"Book History","volume":"25 1","pages":"351 - 382"},"PeriodicalIF":0.2,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46890959","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Negotiating Intimacy in British Romantic Friendship Albums 英国浪漫友谊专辑中的亲密谈判
IF 0.2
Book History Pub Date : 2022-09-01 DOI: 10.1353/bh.2022.0011
Renée Bryzik
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引用次数: 0
Computing Book Parts with EEBO-TCP 计算图书部件与EEBO-TCP
IF 0.2
Book History Pub Date : 2022-09-01 DOI: 10.1353/bh.2022.0018
James Misson, D. Singh
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引用次数: 0
Hiding in Paine Sight: Jonathan Shipley's Forgotten Bestsellers and the Print Culture of the American Revolution 隐藏在潘恩的视线:乔纳森·希普利被遗忘的畅销书和美国革命的印刷文化
IF 0.2
Book History Pub Date : 2022-09-01 DOI: 10.1353/bh.2022.0010
Jordan Taylor
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引用次数: 0
Contributors 贡献者
IF 0.2
Book History Pub Date : 2022-04-29 DOI: 10.1353/bh.2022.0002
{"title":"Contributors","authors":"","doi":"10.1353/bh.2022.0002","DOIUrl":"https://doi.org/10.1353/bh.2022.0002","url":null,"abstract":"<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span>\u0000<p> <ul> <li><!-- html_title --> Contributors <!-- /html_title --></li> </ul> <p><strong>A.J. Berkovitz</strong> is a scholar of Jewish Antiquity. His research explores Jewish texts, traditions and history from the formation of the Hebrew Bible until the rise of Islam. He received his Ph.D. in Religions of Mediterranean Antiquity from Princeton University and a BA/MA in Jewish Studies/Bible from Yeshiva University. His forthcoming book, <em>A Life of Psalms in Jewish Late Antiquity</em> (University of Pennsylvania), explores the history of Psalm reception in late ancient Judaism through the lenses of materiality, exegesis, liturgy, piety and magic. The book received a Jordan Schnitzer First Book Publication Award from the Association for Jewish Studies. He is also the co-editor of <em>Rethinking ‘Authority’ in Late Antiquity: Authorship, Law, and Transmission in Jewish and Christian Tradition</em> (Routledge, 2018) and the author of numerous academic articles and popular essays. He was a Starr Fellow at Harvard. He currently serves as Assistant Professor of Ancient Judaism at the Hebrew Union College -Jewish Institute of Religion in New York.</p> <p><strong>Charlotte Hand</strong> is currently a Ph.D. candidate at the University of Oxford. Her research interests include nineteenth-century American literature, history of the book, gender and sexuality in the U.S., and temporal and regional politics. Her doctoral thesis examines the regional and temporal revisions of the “True Woman” (an idealized image of middle-class white femininity) in nineteenth-century women’s fiction.</p> <p><strong>Jenna M. Herdman</strong> is a Ph.D. candidate in the Department of English at Carleton University. Her research examines the intersection between Victorian print culture and the digital humanities and her doctoral work includes the development of a critical digital edition of <em>London Labour and the London Poor</em> by Henry Mayhew. Her work has been published in <em>Victorian Periodicals Review</em> and the <em>Journal of Victorian Culture</em>.</p> <p><strong>Sarah Lubelski</strong> is a Social Sciences and Humanities Research Council of Canada Postdoctoral Fellow at the English Department at Ryerson University (renaming in progress). Her research explores the impact of gender on the publishing industry and publishing processes, with a focus on women’s work and the feminization of the publishing profession. She has published in the journals <em>Archivaria</em> and <em>Publishing History</em>.</p> <p><strong>Jennifer Manoukian</strong> is a Ph.D. candidate in the Department of Near Eastern Languages and Cultures at the University of California, Los Angeles, and a literary translator from Western Armenian. Her research interests include Ottoman Armenian social, cultural and intellectual history, linguistic purism, and the nexus between translation studies and book history","PeriodicalId":43753,"journal":{"name":"Book History","volume":"308 8","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-04-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138519603","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reorienting “Lost” Time: Reading Godey’s Lady’s Book in the American Civil War 重新定位“失去”的时间:在美国内战中阅读戈迪的女士之书
IF 0.2
Book History Pub Date : 2022-03-01 DOI: 10.1353/bh.2022.0008
Charlotte Hand
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引用次数: 0
Henry Mayhew and the Participatory Reading Culture of Victorian Investigative Journalism 亨利·梅休与维多利亚调查新闻的参与式阅读文化
IF 0.2
Book History Pub Date : 2022-03-01 DOI: 10.1353/bh.2022.0009
Jenna M. Herdman
{"title":"Henry Mayhew and the Participatory Reading Culture of Victorian Investigative Journalism","authors":"Jenna M. Herdman","doi":"10.1353/bh.2022.0009","DOIUrl":"https://doi.org/10.1353/bh.2022.0009","url":null,"abstract":"Book History, vol. 25, no. 1 © 2022 The Society for the History of Authorship, Reading and Publishing In the winter of 1849–50, the Metropolitan Correspondent for the Morning Chronicle visited the Asylum for the Houseless Poor at Playhouse-Yard, London. One of the hundreds of destitute people finding refuge at the Asylum was a young woman who worked at velvet embossing. In Henry Mayhew’s account of the visit for the “Labour and the Poor” series on the Metropolitan Districts, he describes the woman as “comely, and modestly spoken . . . She was scrupulously clean and neat in her dress; indeed it was evident, even from her appearance, that she belonged to a better class than the ordinary inmates of the Asylum.”1 As she spoke with the journalist, she sighed heavily, and stared at the ground, speaking in a “very sorrowful” voice:","PeriodicalId":43753,"journal":{"name":"Book History","volume":"25 1","pages":"209 - 237"},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44929076","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Paratextuality Between Materiality, Interpretation and Translation: The Case of Psalm Incipits in Jewish Late Antiquity 物质性、阐释与翻译之间的文本性——以犹太晚期《诗篇》为例
IF 0.2
Book History Pub Date : 2022-03-01 DOI: 10.1353/bh.2022.0004
A. Berkovitz
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引用次数: 0
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