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From al-ʿAṭṭār to Mušāqa: On the Music- Theoretical Debates in Damascus in the First Half of the 19th Century 从 al-ʿAṭṭār 到 Mušāqa：关于 19 世纪上半叶大马士革的音乐理论辩论
IF 0.3 3区 社会学
Oriens Pub Date : 2023-11-14 DOI: 10.1163/18778372-12340030
Salah Eddin Maraqa
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引用次数: 0
Dawānī (d. 1502) and Dashtakī (d. 1498) on Primary (awwalī) and Familiar (mutaʿāraf) Predication Dawānī (d. 1502)和dashtaki (d. 1498)关于初级(awwali)和熟悉(muta ā āraf)预测
3区 社会学
Oriens Pub Date : 2023-10-04 DOI: 10.1163/18778372-12340031
Khaled El-Rouayheb
{"title":"Dawānī (d. 1502) and Dashtakī (d. 1498) on Primary (awwalī) and Familiar (mutaʿāraf) Predication","authors":"Khaled El-Rouayheb","doi":"10.1163/18778372-12340031","DOIUrl":"https://doi.org/10.1163/18778372-12340031","url":null,"abstract":"Abstract The present article explores the motivations that led Jalāl al-Dīn al-Dawānī (d. 1502) to draw the distinction between what he called “primary predication” ( ḥaml awwalī ) and “familiar predication” ( ḥaml mutaʿāraf or ḥaml shāʾiʿ ). These motivations include allowing for the predication of particulars, such as “This is Zayd” and accounting for apparently true self-negations, such as “The [concept] particular is not a particular.” The article also explores some criticisms of this distinction by Dawānī’s contemporary and rival Ṣadr al-Dīn al-Dashtakī (d. 1498). Despite these criticisms, Dawānī’s distinction was adopted, adapted, and emphasized by the Safavid scholar Mīr Dāmād (d. 1631). Mīr Dāmād’s influence, in turn, accounts for the prominence given to the distinction in later centuries among Iranian and Indo-Muslim logicians.","PeriodicalId":43744,"journal":{"name":"Oriens","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135645380","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Musical Sources and Theories from Ancient Greece to the Ottoman Period: Introduction 从古希腊到奥斯曼时期的音乐来源和理论：导论
IF 0.3 3区 社会学
Oriens Pub Date : 2023-07-26 DOI: 10.1163/18778372-12340028
Yasemin Gökpınar
{"title":"Musical Sources and Theories from Ancient Greece to the Ottoman Period: Introduction","authors":"Yasemin Gökpınar","doi":"10.1163/18778372-12340028","DOIUrl":"https://doi.org/10.1163/18778372-12340028","url":null,"abstract":"","PeriodicalId":43744,"journal":{"name":"Oriens","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45103011","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Notation Methods and Reference Systems: On the Phenomenon of Cultural Translation in the Eastern Mediterranean 符号方法与参考系统:地中海东部的文化翻译现象
IF 0.3 3区 社会学
Oriens Pub Date : 2023-07-26 DOI: 10.1163/18778372-12340029
Ralf Martin Jäger
{"title":"Notation Methods and Reference Systems: On the Phenomenon of Cultural Translation in the Eastern Mediterranean","authors":"Ralf Martin Jäger","doi":"10.1163/18778372-12340029","DOIUrl":"https://doi.org/10.1163/18778372-12340029","url":null,"abstract":"\u0000Traditional art music in the Ottoman Empire was essentially shaped by phenomena of transculturality. It can be assumed that dynamic cultural transfer processes took place between the cultural groups involved, including Armenians, Greeks, Jews, and Arabs, in addition to Turks, and that these processes are visible today through circumstantial evidence.\u0000Each cultural group has an individual-specific music-theoretical, as well as music-historical background, so that the cultural intersection of Ottoman art music is considered from different perspectives. Using Greek sources from the 18th and 19th centuries as examples, this contribution is devoted to the phenomenon of cultural translation that accompanies the transfer processes. The central question is whether and in what form the detailed information given on the pitch system can contribute to a better understanding of Ottoman music theory in the nineteenth century, and how it can be made useful for the critical edition of music practical sources from the period.","PeriodicalId":43744,"journal":{"name":"Oriens","volume":"1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41557830","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From Focal Homonymy to the Ambiguity of Existence (tashkīk al-wujūd): Avicenna’s Reception and Revision of Aristotle’s Categorial Ontology 从焦点同义到存在的歧义(tashk<e:1> k al-wujūd):阿维森纳对亚里士多德范畴本体论的接受与修正
IF 0.3 3区 社会学
Oriens Pub Date : 2023-07-03 DOI: 10.1163/18778372-12340027
Zachary Candy
{"title":"From Focal Homonymy to the Ambiguity of Existence (tashkīk al-wujūd): Avicenna’s Reception and Revision of Aristotle’s Categorial Ontology","authors":"Zachary Candy","doi":"10.1163/18778372-12340027","DOIUrl":"https://doi.org/10.1163/18778372-12340027","url":null,"abstract":"\u0000This paper argues that both Aristotle’s theory of the so-called focal homonymy of “being” and Avicenna’s corresponding theory of the ambiguity of “existence” (tashkīk al-wujūd) are meant to address the same dilemma of categorial ontology, but by recourse to different solutions. Avicenna retains Aristotle’s concerns but rejects his solution of focal homonymy, offering a new theory which more satisfactorily addresses each horn of the dilemma. This reading departs from prior scholarship, which, taking Avicenna to have adopted the focal theory basically intact from his Late Antique predecessors, instead tends to privilege the theory’s (peripheral) theological applications.","PeriodicalId":43744,"journal":{"name":"Oriens","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43160058","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Existence and the Problem of Aḥwāl: The Quiddity and Ontological Status of Existence in Avicenna and His Islamic Reception 存在与Aḥwāl问题:阿维森纳存在的方向性、本体论地位及其伊斯兰接受
IF 0.3 3区 社会学
Oriens Pub Date : 2023-06-27 DOI: 10.1163/18778372-12340026
F. Zamboni
{"title":"Existence and the Problem of Aḥwāl: The Quiddity and Ontological Status of Existence in Avicenna and His Islamic Reception","authors":"F. Zamboni","doi":"10.1163/18778372-12340026","DOIUrl":"https://doi.org/10.1163/18778372-12340026","url":null,"abstract":"\u0000The Avicennian distinction between quiddity and existence opens the way to several derivative issues concerning the quiddity of existence (what existence is) and the ontological status of existence (whether and how existence is). This paper presents a fine-grained account of the positions and arguments developed by post-Avicennian authors on these matters, showing how the debates on states (aḥwāl) and grounding (taʿlīl) feed into the picture. The discussions on the quiddity of existence revolve around the features of its knowability and its connection to a ground (ʿilla), or lack thereof. As for the ontological status of existence, the standard idea of a clash between realism (existence is an extramental existent) and conceptualism (existence is a purely mental existent) calls for further refinement. First, realism itself encompasses two distinct positions when it comes to the relation between the second-order existence of existence and existence itself (sameness, additionality). Second, the tradition presents other doctrines not easily classifiable within the realism-conceptualism framework (the existential non-assertability of existence, the non-existence of existence).","PeriodicalId":43744,"journal":{"name":"Oriens","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42104898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Philosophical and Philological Debates on Kulliyyāt I.1.ii of Ibn Sīnā’s Qānūn: From Faḫr al-Dīn al-Rāzī to Quṭb al-Dīn al-Šīrāzī
IF 0.3 3区 社会学
Oriens Pub Date : 2023-06-01 DOI: 10.1163/18778372-12340025
Osama Eshera
{"title":"Philosophical and Philological Debates on Kulliyyāt I.1.ii of Ibn Sīnā’s Qānūn: From Faḫr al-Dīn al-Rāzī to Quṭb al-Dīn al-Šīrāzī","authors":"Osama Eshera","doi":"10.1163/18778372-12340025","DOIUrl":"https://doi.org/10.1163/18778372-12340025","url":null,"abstract":"\u0000The debates on Kulliyyāt I.1.ii of Ibn Sīnā’s Qānūn (“on the subjects of medicine”) were initiated by Faḫr al-Dīn al-Rāzī and continued by Afḍal al-Dīn al-Ḫūnaǧī, Naǧm al-Dīn al-Naḫǧawānī, Yaʿqūb ibn Ġanāʾim al-Sāmirī, Rafīʿ al-Dīn al-Ǧīlī, Ibn al-Nafīs, and Ibn al-Quff al-Masīḥī. In his own commentary, entitled al-Tuḥfa al-saʿdiyya, Quṭb al-Dīn al-Šīrāzī preserved and scrutinized his predecessors’ commentaries, in order to offer what he believed to be more conclusive interpretations of Ibn Sīnā. Focusing on the introductory part of Kulliyyāt I.1.ii, we show that the commentators were divided not only on philosophical issues, but also on the very text that should be attributed to Ibn Sīnā.","PeriodicalId":43744,"journal":{"name":"Oriens","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43942339","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Musical Modes of al-Andalus 安达卢斯的音乐调式
IF 0.3 3区 社会学
Oriens Pub Date : 2023-05-04 DOI: 10.1163/18778372-12340021
D. Reynolds
{"title":"The Musical Modes of al-Andalus","authors":"D. Reynolds","doi":"10.1163/18778372-12340021","DOIUrl":"https://doi.org/10.1163/18778372-12340021","url":null,"abstract":"\u0000The 13th-century Tunisian author Aḥmad at-Tīfāšī describes in his work Mutʿat al-asmāʿ fī ʿilm as-samāʿ a system of melodic modes used in al-Andalus. This essay represents a preliminary attempt to situate at-Tīfāšī’s Andalusi modes within the broader historical development of medieval Arab modal systems and to explore their relationship to the modern modes of North Africa commonly referred to as Andalusi. This is, however, primarily an exploration of terminology or nomenclature rather than of the melodic characteristics of the modes themselves, since the sources examined here give little to no information about the internal features of the individual modes.","PeriodicalId":43744,"journal":{"name":"Oriens","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44641229","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Measuring Progress: The Ottoman Revival of Systematist Music Theory, c.1900 衡量进步：奥斯曼帝国对系统主义音乐理论的复兴，约1900年
IF 0.3 3区 社会学
Oriens Pub Date : 2023-04-25 DOI: 10.1163/18778372-12340024
J. Olley
{"title":"Measuring Progress: The Ottoman Revival of Systematist Music Theory, c.1900","authors":"J. Olley","doi":"10.1163/18778372-12340024","DOIUrl":"https://doi.org/10.1163/18778372-12340024","url":null,"abstract":"\u0000This article traces the historical and intellectual origins of modern Turkish music theory in the late Ottoman period. It examines debates about music theory in the Ottoman Turkish press during the 1880s and 1890s, focusing particularly on the earliest publications of Raʾūf Yektā (1288–1353/1871–1935). The article shows how the modern Turkish theory of pitch was created by Yektā and his collaborators through the rediscovery of Arabic and Persian treatises associated with the Systematist school of mathematical music theory, which flourished between the seventh/thirteenth and ninth/fifteenth centuries. It argues that this project to bring Ottoman music into the modern “age of progress” was shaped by the ideals of both scientific positivism and Islamic modernism.","PeriodicalId":43744,"journal":{"name":"Oriens","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-04-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46325759","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Al-Fārābī’s Conception of Music Theory as the Universal Science of Melody 阿的音乐理论观是旋律的普遍科学
IF 0.3 3区 社会学
Oriens Pub Date : 2023-04-14 DOI: 10.1163/18778372-12340023
Alison Laywine
{"title":"Al-Fārābī’s Conception of Music Theory as the Universal Science of Melody","authors":"Alison Laywine","doi":"10.1163/18778372-12340023","DOIUrl":"https://doi.org/10.1163/18778372-12340023","url":null,"abstract":"\u0000Al-Fārābī conceived of music theory as a universal science of melody whose task is to determine the whole range of what is musically possible. It does not restrict itself to codifying the conventions of any particular musical idiom. In this, it is akin to logic – the universal science of all things thinkable, which does not reduce to the grammar of any given natural language.","PeriodicalId":43744,"journal":{"name":"Oriens","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-04-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45578656","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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