From al-ʿAṭṭār to Mušāqa: On the Music- Theoretical Debates in Damascus in the First Half of the 19th Century

IF 0.5 3区社会学 0 HUMANITIES, MULTIDISCIPLINARY

Oriens Pub Date : 2023-11-14 DOI:10.1163/18778372-12340030

Salah Eddin Maraqa

引用次数: 0

Abstract

This article deals with the life and music-theoretical writings of the Damascene scholar Muḥammad al-ʿAṭṭār (1764–1828). The re-identification of a small treatise on music theory entitled Nubḏa mina l-mūsīqī as the latter’s Risāla that was mentioned and quoted by his student Mīḫāʾīl Mušāqa (1800–88) and the detailed analysis of it and his Rannat al-awtār led to a reconsideration of the emergence of the commonly called “modern” Arabic music theory, and to a reassessment of the role of al-ʿAṭṭār and Mušāqa in the establishment of the 24-tone equal temperament. A critical edition of the Nubḏa is attached to the article.

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从 al-ʿAṭṭār 到 Mušāqa：关于 19 世纪上半叶大马士革的音乐理论辩论

本文介绍了大马士革学者穆罕默德-阿特塔尔（Muḥammad al-ʿAṭṭār，1764-1828 年）的生平和音乐理论著作。他的学生 Mīḫāʾīl Mušāqa（1800-88 年）曾提到并引用过一篇题为《Nubḏa mina l-mūsīqī 》的音乐理论小论文，对这篇论文和他的《Rannat al-awtār》进行的详细分析重新确定了后者的《Risāla》一书，并重新考虑了通常所说的 "现代 "阿拉伯音乐理论的出现、并重新评估了 al-ʿAṭṭār 和 Mušāqa 在建立 24 调平均律中的作用。文章附有《努巴音乐》的批判性版本。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Oriens HUMANITIES, MULTIDISCIPLINARY-

CiteScore

1.10

自引率

33.30%

发文量

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