{"title":"从 al-ʿAṭṭār 到 Mušāqa:关于 19 世纪上半叶大马士革的音乐理论辩论","authors":"Salah Eddin Maraqa","doi":"10.1163/18778372-12340030","DOIUrl":null,"url":null,"abstract":"This article deals with the life and music-theoretical writings of the Damascene scholar Muḥammad al-ʿAṭṭār (1764–1828). The re-identification of a small treatise on music theory entitled Nubḏa mina l-mūsīqī as the latter’s Risāla that was mentioned and quoted by his student Mīḫāʾīl Mušāqa (1800–88) and the detailed analysis of it and his Rannat al-awtār led to a reconsideration of the emergence of the commonly called “modern” Arabic music theory, and to a reassessment of the role of al-ʿAṭṭār and Mušāqa in the establishment of the 24-tone equal temperament. A critical edition of the Nubḏa is attached to the article.","PeriodicalId":43744,"journal":{"name":"Oriens","volume":"EC-1 2","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2023-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"From al-ʿAṭṭār to Mušāqa: On the Music- Theoretical Debates in Damascus in the First Half of the 19th Century\",\"authors\":\"Salah Eddin Maraqa\",\"doi\":\"10.1163/18778372-12340030\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article deals with the life and music-theoretical writings of the Damascene scholar Muḥammad al-ʿAṭṭār (1764–1828). The re-identification of a small treatise on music theory entitled Nubḏa mina l-mūsīqī as the latter’s Risāla that was mentioned and quoted by his student Mīḫāʾīl Mušāqa (1800–88) and the detailed analysis of it and his Rannat al-awtār led to a reconsideration of the emergence of the commonly called “modern” Arabic music theory, and to a reassessment of the role of al-ʿAṭṭār and Mušāqa in the establishment of the 24-tone equal temperament. A critical edition of the Nubḏa is attached to the article.\",\"PeriodicalId\":43744,\"journal\":{\"name\":\"Oriens\",\"volume\":\"EC-1 2\",\"pages\":\"\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2023-11-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Oriens\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/18778372-12340030\",\"RegionNum\":3,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Oriens","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/18778372-12340030","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
From al-ʿAṭṭār to Mušāqa: On the Music- Theoretical Debates in Damascus in the First Half of the 19th Century
This article deals with the life and music-theoretical writings of the Damascene scholar Muḥammad al-ʿAṭṭār (1764–1828). The re-identification of a small treatise on music theory entitled Nubḏa mina l-mūsīqī as the latter’s Risāla that was mentioned and quoted by his student Mīḫāʾīl Mušāqa (1800–88) and the detailed analysis of it and his Rannat al-awtār led to a reconsideration of the emergence of the commonly called “modern” Arabic music theory, and to a reassessment of the role of al-ʿAṭṭār and Mušāqa in the establishment of the 24-tone equal temperament. A critical edition of the Nubḏa is attached to the article.
期刊介绍:
Oriens is dedicated to extending our knowledge of intellectual history and developments in the rationalist disciplines in Islamic civilization, with a special emphasis on philosophy, theology, and science. These disciplines had a profoundly rich and lasting life in Islamic civilization and often interacted in complex ways--from the period of their introduction to Islamic civilization in the translation movement that began in the eighth century, through the early and classical periods of development, to the post-classical age, when they shaped even such disciplines as legal theory and poetics. The journal''s range extends from the early and classical to the early modern periods (ca. 700-1900 CE) and it engages all regions and languages of Islamic civilization. In the tradition of Hellmut Ritter, who founded Oriens in 1948, the central focus of interest of the journal is on the medieval and early modern periods of the Near and Middle East. Within this framework, the opening up of the sources and the pursuit of philological and historical research based on original source material is the main concern of its editors and contributors. In addition to individual articles, Oriens welcomes proposals for thematic volumes within the series.