{"title":"Writing a South African Pandemic Moment: Inequality and Violence in The Lockdown Collection","authors":"T. Ndlovu","doi":"10.25159/1753-5387/10415","DOIUrl":"https://doi.org/10.25159/1753-5387/10415","url":null,"abstract":"This article examines how the overwhelmingly dominant genre in The Lockdown Collection (2020), the personal essay, is an appropriate medium to capture the immediacy of the initial hard lockdown in South Africa because of its brevity and resonance. While the essays react to policies of virus containment, the loss and alteration of social conventions, they inevitably reveal the identity of each author and how that identity sits in the imagination of South Africanness. This appellation itself incorporates and complicates fraternities that are race and class based in a context of acute inequality and ubiquitous violence. The essays display an awareness of the strong relationship between these two aspects and writing about them appears as an antidote to fear and a desire for a better South Africa, as learnt from and suggested by the challenges of Covid-19.\u0000Opsomming\u0000Hierdie artikel bestudeer hoe die genre wat oorweldigend dominant is in The Lockdown Collection (2020), naamlik die persoonlike essay, 'n geskikte medium is om die onmiddellikheid van die aanvanklike streng inperking in Suid-Afrika vas te vang—vanwee die beknoptheid en weerklank daarvan. Terwyl die essays 'n reaksie op beleide van virusbekamping, die verlies en wysiging van sosiale konvensies is, word die identiteit van elke outeur uiteraard onthul. Dit wys ook hoe daardie identiteit in die verbeelding van Suid-Afrikaansheid daar uitsien. Hierdie benaming opsigself beliggaam en kompliseer gemeenskappe wat op ras en klas gebaseer is in 'n konteks van akute ongelykheid en alomteenwoordige geweld. Die essays toon 'n bewustheid van die sterk verbintenis tussen hierdie twee aspekte—en om daaroor te skryf blyk 'n teenmiddel vir vrees en 'n hunkering na 'n beter Suid-Afrika te wees, soos die uitdagings wat Covid-19 meegebring het suggereer en ons inderdaad geleer het.","PeriodicalId":43700,"journal":{"name":"Journal of Literary Studies","volume":"12 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90536549","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Anxious Competition: Exploring the Poetic Imaginarium of the COVID-19 Pandemic in Malawi","authors":"N. Tembo","doi":"10.25159/1753-5387/10418","DOIUrl":"https://doi.org/10.25159/1753-5387/10418","url":null,"abstract":"As I write this article in mid-September 2021, the severe acute respiratory syndrome coronavirus (SARS-CoV-2) pandemic has claimed the lives of nearly 4.7 million people and over 228 million others have been infected worldwide. This article explores the poetic imaginarium of the coronavirus, focusing on how selected Malawian poets imagine the devastation wrought on human beings by the pandemic in their poetry. Specifically, it considers how selected poems in Walking the Battlefield: An Anthology of Malawian Poetry on the COVID-19 Pandemic—a book edited by Martin Juwa, William Mpina and Beaton Galafa—explore the chaos, shock and bewilderment brought on by COVID-19. I also argue that a reading of the poems allows for an opening up of a discursive debate on the hope and indomitable resilience of the human spirit when confronted by life-threatening contagions.\u0000Opsomming\u0000Terwyl ek hierdie referaat in mid-September 2021 skryf, het die ernstige akute respiratoriese sindroom koronavirus (SARS-CoV-2)-pandemie reeds die lewens van bykans 4.7 miljoen mense geëis en meer as 228 miljoen is wêreldwyd geïnfekteer. Hierdie referaat verken die poëtiese verbeeldingswêreld van die koronavirus, en fokus op gekose Malawiese digters wat in hul poësie die vernietiging wat die pandemie in mense se lewens veroorsaak, in hul verbeelding ervaar. Dit besin spesifiek oor hoe gekose gedigte in Walking the Battlefield: An Anthology of Malawian Poetry on the COVID-19 Pandemic—’n boek wat deur Martin Juwa, William Mpina en Beaton Galafa geredigeer is—die chaos, skok en verbystering verken wat deur COVID-19 teweeggebring is. Ek voer ook aan dat ’n voorlesing van die gedigte ’n beredeneerde debat moontlik maak oor die hoop en onblusbare veerkragtigheid van die menslike gees wanneer dit deur lewensbedreigende aansteeklike siektes gekonfronteer word.","PeriodicalId":43700,"journal":{"name":"Journal of Literary Studies","volume":"82 6 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91135027","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Literature and the Battle against Covid-19 in Zimbabwe: A Study of Flight Mlambo’s Digital Verse","authors":"Mickias Musiyiwa","doi":"10.25159/1753-5387/10419","DOIUrl":"https://doi.org/10.25159/1753-5387/10419","url":null,"abstract":"This article evaluates the contribution of digital literature in the struggle against the novel coronavirus contagion, focusing on Flight Rufaro Mlambo’s poetry of ChiNdau and English expression. Since the outbreak of the disease in Wuhan City, Hubei Province, China, in November 2019, and its declaration as a pandemic by the World Health Organization on 11 March 2020, various efforts to combat the disease have been implemented at global, regional, national and institutional levels. Notable in this struggle has been the use of cyberspace to complement other non-digital fronts in fighting the seemingly elusive pathogen. Written texts, audio recordings, songs, drama and verse videos are among the multiple artistic forms posted online as anti-Covid-19 weaponry. Employing the “existence-as-war” theory, Mlambo’s verse is evaluated against this context in which the efforts to suppress the virus are theoretically interpreted in real war terms. The war’s antagonists pit governments and all local, regional and international partners on one hand and the virus, sceptics and denialists on the other. The article seeks to answer the following question: To what extent does Zimbabwe’s anti-Covid-19 digital literature serve as effective weaponry against the stubbornly mutating lethal virus?\u0000Opsomming\u0000Hierdie artikel evalueer die bydrae van digitale literatuur in die stryd teen die nuwe aansteeklike siekte, die coronavirus, met die fokus op Flight Rufaro Mlambo se digkuns van ChiNdau en Engelse uitdrukking. Sedert die siekte in November 2019 in die stad Wuhan in die Hubei-provinsie van China uitgebreek het, en die Wêreldgesondheidsorganisasie (WGO) dit op 11 Maart 2020 as ’n pandemie verklaar het, word verskeie pogings op globale, streeks-, nasionale en institusionele vlakke aangewend om die siekte hok te slaan. Die gebruik van die kuberruimte om ander, nie-digitale fronte aan te vul om hierdie skynbaar ontwykende patogeen te beveg, is opvallend. Geskrewe tekste, oudio-opnames, liedjies, drama- en versvideo’s is van die vele kunsvorme wat aanlyn geplaas word as wapens teen Covid-19. Die “bestaan-as-oorlog”-teorie word toegepas om Mlambo se poësie te evalueer aan die hand van hierdie konteks waarbinne die pogings om die virus te onderdruk, teoreties geïnterpreteer word in werklike oorlogsterme. Die oorlog se antagoniste durf regerings en alle plaaslike, streeks- en internasionale vennote aan die een kant aan, en die virus, skeptici en ontkenners aan die ander kant. Die artikel poog om die volgende vraag te beantwoord: In watter mate dien Zimbabwe se digitale literatuur teen Covid-19 as doeltreffende bewapening teen die dodelike virus wat onversetlik muteer?","PeriodicalId":43700,"journal":{"name":"Journal of Literary Studies","volume":"182 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73172926","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Twitter Diary and COVID-19 Survival: The Case of @acielumumba","authors":"Terrence Musanga","doi":"10.25159/1753-5387/10412","DOIUrl":"https://doi.org/10.25159/1753-5387/10412","url":null,"abstract":"This article examines the Twitter diary of Lumumba William Gerald Mutumanje, popularly known as Ace Lumumba in Zimbabwe, which chronicles his experiences of being COVID-19 positive, his recuperation and survival from the contagion. I argue that the Twitter diary attempts to create a resilient and survivor identity for Lumumba and at the same time underscores the fact that everyone is vulnerable and susceptible to the virus. The diary further complicates our understanding of a text and how meaning is generated given that meaning is no longer localised to the immediate (con)text as inferences have to be drawn from and made to other (con)texts. Twitter largely relies on intertextuality and the reader (prod-user/prod-sumer) needs to demonstrate an awareness of intertextuality if (s)he is to have a holistic appreciation of Twitter texts. Lumumba’s Twitter diary also extends debates on the role of social media and infodemics in health advocacy and community education, especially in times of COVID-19.\u0000Opsomming\u0000Hierdie artikel bestudeer die Twitter-dagboekinskrywings van Lumumba William Gerald Mutumanje, beter bekend as Ace Lumumba in Zimbabwe, waarin hy sy ervarings opteken rakende COVID-19-positief wees, sy herstel en sy oorlewing van die siekte. Ek voer aan dat die Twitter-dagboek poog om 'n lewenskragtige oorlewende-identiteit vir Lumumba te skep. Dit onderstreep ook die feit dat almal weerloos en vatbaar vir die virus is. Verder kompliseer die dagboek ons begrip van 'n teks, en hoe betekenis geskep word gegewe dat betekenis nie meer gelokaliseer is tot die onmiddellike (kon)teks nie, aangesien gevolgtrekkings gemaak moet word op grond van ander (kon)tekste. Twitter steun grootliks op intertekstualiteit en die leser (prod-gebruiker/prod-verbruiker) moet 'n bewustheid van intertekstualiteit demonstreer om 'n holistiese begrip van Twitter-tekste te kan hê. Lumumba se Twitter-dagboek dien ook as uitbreiding van debatte oor die rol van sosiale media en infodemia in aanbevelings oor gesondheid en gemeenskapsopvoeding—veral in die tyd van COVID-19.","PeriodicalId":43700,"journal":{"name":"Journal of Literary Studies","volume":"26 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87658103","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Contagion, a Futurist South African Climate Crisis and a Hidden Drug Pandemic in Mohale Mashigo’s Intruders: Short Stories","authors":"I. Manase","doi":"10.25159/1753-5387/10411","DOIUrl":"https://doi.org/10.25159/1753-5387/10411","url":null,"abstract":"The article draws on typologies of contagion, particularly matrices and patterns of virality considered here as tropes from the Bakhtinian chronotope. Using this frame, it analyses how society attempts to control crises and contagions in Mohale Mashigo’s speculative stories, “Untitled i,” “Untitled ii,” and “Ghost Strain N.” The Foucauldian notion of heterotopic juxtaposition of spaces complements the trope of contagion in unpacking how Mashigo’s characters encounter their specific forms of disasters and epidemics in ways that conform to past mass contagions and also break with those. In its focus on continuities and discontinuities regarding typologies of epidemics and pandemics, the article considers Mashigo’s use of African science fiction and fantasy (speculative fiction) to depict the life experiences and flight from an unfolding climate disaster to another galaxy in “Untitled i” and “Untitled ii,” and the spread of a drug epidemic in a fictional Johannesburg township in “Ghost Strain N.” It argues that we can understand these stories by making heterotopic linkages with the present Covid-19 and various life-changing crises and infections that humanity has encountered, is facing right now and will encounter as it moves with time and strives for survival.\u0000Opsomming\u0000Hierdie artikel put uit tipologieë van besmetting—veral matrikse en patrone van virusverskynsels wat hier beskou word as stylfigure van die Bakhtiniese chronotoop. Met behulp van hierdie raamwerk ontleed dit hoe die samelewing probeer om krisisse en besmettings te beheer in Mashigo se spekulatiewe stories, “Untitled i,” Untitled ii” en “Ghost Strain N.” Die Foucauldiese gedagte van heterotopiese naasmekaarstelling van ruimtes komplementeer die stylfiguur van besmetting in die uitmekaarhaal van hoe Mashigo se karakters hul spesifieke vorme van rampe en epidemies teëkom op maniere wat voldoen aan—en ook breek met—massabesmettings uit die verlede. In die fokus daarvan op kontinuïteite en diskontinuïteite rakende topologieë van epidemies en pandemies, bestudeer die artikel Mashigo se gebruik van Afrika-wetenskapsfiksie en van fantasie (spekulatiewe fiksie) om die lewenservarings en vlug van 'n ontvouende klimaatramp na 'n ander sterrestelsel uit te beeld in “Untitled i” en “Untitled ii,” en die verspreiding van 'n dwelmepidemie in 'n fiktiewe Johannesburgse township in “Ghost Strain N.” Daar word beredeneer dat ons hierdie verhale kan verstaan deur heterotopiese verbande te bewerkstellig met die huidige Covid-19-situasie en verskeie lewensbedreigende krisisse en infeksies wat die mensdom tans in die gesig staar, in die verlede beleef het en sal teëkom namate dit met tyd beweeg en oorlewing nastreef.\u0000 ","PeriodicalId":43700,"journal":{"name":"Journal of Literary Studies","volume":"11 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82399305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Analyzing the Accuracy of Hossein Kharazmi's Divan based on Layered Stylistics","authors":"H. Taheri, Maryam Ghaforyan","doi":"10.52547/jls.8.22.91","DOIUrl":"https://doi.org/10.52547/jls.8.22.91","url":null,"abstract":"","PeriodicalId":43700,"journal":{"name":"Journal of Literary Studies","volume":"285 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76863155","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Translation Studies and Comparative Literature: The Role of ‘Translation’ and ‘Religion’ in the Emergence of Comparable Literary Works","authors":"M. Afrouz","doi":"10.52547/jls.8.22.23","DOIUrl":"https://doi.org/10.52547/jls.8.22.23","url":null,"abstract":"","PeriodicalId":43700,"journal":{"name":"Journal of Literary Studies","volume":"20 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77355502","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Editing Some Expressions in Kelileh and Demneh","authors":"jamileh akhyani","doi":"10.52547/jls.8.22.7","DOIUrl":"https://doi.org/10.52547/jls.8.22.7","url":null,"abstract":"","PeriodicalId":43700,"journal":{"name":"Journal of Literary Studies","volume":"10 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75784090","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Characterization of the Protagonist in Romance-Chivalry Poems\u0000From the 5th century to the end of the 10th century A.H.","authors":"mahboubeh alihoory","doi":"10.52547/jls.8.22.115","DOIUrl":"https://doi.org/10.52547/jls.8.22.115","url":null,"abstract":"","PeriodicalId":43700,"journal":{"name":"Journal of Literary Studies","volume":"78 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81285323","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}