Journal of Literary Studies最新文献

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Refiguring in Black, by Tendayi Sithole 黑衣重塑》,作者 Tendayi Sithole
IF 0.2 4区 文学
Journal of Literary Studies Pub Date : 2024-05-07 DOI: 10.25159/1753-5387/16433
Athambile Masola
{"title":"Refiguring in Black, by Tendayi Sithole","authors":"Athambile Masola","doi":"10.25159/1753-5387/16433","DOIUrl":"https://doi.org/10.25159/1753-5387/16433","url":null,"abstract":"Refiguring in Black, by Tendayi Sithole \u0000Polity Press. 2023. viii + 158. \u0000ISBN: HB: 13: 978-1-5095-5071-1; PB: 13: 978-1-5095-5702-8 \u0000  \u0000Athambile Masola \u0000https://orcid.org/0000-0001-9550-7944 \u0000University of Cape Town \u0000athambile.masola@uct.ac.za","PeriodicalId":43700,"journal":{"name":"Journal of Literary Studies","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141004014","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Typewriter’s Tale: Re-Exploring the Historical Figure of Henry James through Fiction 打字机的故事:通过小说重新探索亨利·詹姆斯的历史人物
4区 文学
Journal of Literary Studies Pub Date : 2023-10-19 DOI: 10.25159/1753-5387/13966
Albertus Breytenbach
{"title":"The Typewriter’s Tale: Re-Exploring the Historical Figure of Henry James through Fiction","authors":"Albertus Breytenbach","doi":"10.25159/1753-5387/13966","DOIUrl":"https://doi.org/10.25159/1753-5387/13966","url":null,"abstract":"This article investigates the relationship between historical fiction, history, and the portrayal of the character and identity of Henry James with specific reference to The Typewriter’s Tale (2005) by Michiel Heyns. Furthermore, it explores how Heyns proceeds to strike a historically responsible balance in his portrayal of the identities of Henry James, Morton Fullerton and Edith Wharton as characters in the novel and the identities of these personae as historical figures. It also explores how Heyns imaginatively bridges the gaps in the historical record or relies on creative licence to reinterpret events and characters. Lastly, the contribution that historical fiction can make to our understanding of the identity and character of historical figures is considered.","PeriodicalId":43700,"journal":{"name":"Journal of Literary Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135780098","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Blackface on the South African Stage 南非舞台上的黑脸
4区 文学
Journal of Literary Studies Pub Date : 2023-10-16 DOI: 10.25159/1753-5387/14332
Marisa Keuris
{"title":"Blackface on the South African Stage","authors":"Marisa Keuris","doi":"10.25159/1753-5387/14332","DOIUrl":"https://doi.org/10.25159/1753-5387/14332","url":null,"abstract":"In most contemporary studies in which the practice of blackface is discussed, it is seen as a controversial and racist practice. While many studies are available globally on different aspects of this practice (e.g., origin and history, the broad spectrum of media where it is used, different permutations and developments of this practice in various countries, etc.), one finds only a few studies focused on the use and practice of blackface in South African theatre studies. This is surprising when one considers the major role played by race in the general history of South Africa, as well as more specifically within the history of South African theatre. The focus in this article is on the practice and occurrence of blackface on the South African English stage from a historical theatre viewpoint as framed within a postcolonial perspective of this topic. Although one can assert that the practice of blackface was probably simply taken from the origin of this practice in the United States and mainly introduced to South Africa via travelling minstrel troupes from America and travelling theatre companies from the United Kingdom, it is important to see how this practice was received in colonial South Africa. The discussion will first address the use of this practice within early English theatre in South Africa as influenced by the blackface minstrelsy travelling troupes of the 19th century (1830s to 1870s), while the second part of the article will focus on the use of blackface by white actors on the South African stage to portray black characters in the early 20th century (1910 to 1930s).","PeriodicalId":43700,"journal":{"name":"Journal of Literary Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136142615","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Culpability and Nature-Nature Infractions in Select Poems in Tanure Ojaide’s Narrow Escapes: A Poetic Diary of the Coronavirus Pandemic 罪责与自然——坦努尔·奥加德《死里逃生:冠状病毒大流行的诗歌日记》选集中的自然违规
4区 文学
Journal of Literary Studies Pub Date : 2023-10-03 DOI: 10.25159/1753-5387/13815
Gabriel Kosiso Okonkwo Okonkwo
{"title":"Culpability and Nature-Nature Infractions in Select Poems in Tanure Ojaide’s Narrow Escapes: A Poetic Diary of the Coronavirus Pandemic","authors":"Gabriel Kosiso Okonkwo Okonkwo","doi":"10.25159/1753-5387/13815","DOIUrl":"https://doi.org/10.25159/1753-5387/13815","url":null,"abstract":"In literary imaginings, the infraction of the law by human and nonhuman agents manifests in different planes and character. With a pathology-inclined compass, this study argues that the representation of culpability for the infraction of natural law in Tanure Ojaide’s poetry emanates mainly from the intentionality of human agents and intersects with the unintentionality of nonhuman nature. In the instance of nature-nature infractions, a first-cause anthropocentric infraction by humans intersects with a second-cause infraction from the nonhuman agents, thereby creating the binary of intentional and unintentional culpability. Tanure Ojaide, in Narrow Escape: A Poetic Diary of the Coronavirus Pandemic (2021), chronicles the themes of agonies arising from anthropocentric recklessness and abuse of the ecosystem, which result in nature-nature infractions and the subsequent culpability. With poignant imagery and electrifying fluidity, Ojaide presents a litany of the havoc wreaked by human agents and the nonhuman coronavirus on the physical and biological environments. This litany is expressed through tones of lamentation and caution. The cautionary notes evince hope in the midst of the pathological miasma that assumed a threshold in 2019. Lawrence Buell’s eco-critical view is chosen because it locates anthropocentric negligence and ignorance as liable reasons for the breakdown of law and order in nature. Therefore, in causing the pandemic, sickness, and death, anthropocentrism as well as the coronavirus are shown to be culpable of homicide in the selected poems.","PeriodicalId":43700,"journal":{"name":"Journal of Literary Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135788834","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
LGBTQ+ Literature in the West: From Ancient Times to the Twenty-First Century, by Robert C. Evans 《西方LGBTQ+文学:从古代到二十一世纪》作者:罗伯特·c·埃文斯
4区 文学
Journal of Literary Studies Pub Date : 2023-09-12 DOI: 10.25159/1753-5387/14602
Andy Carolin
{"title":"LGBTQ+ Literature in the West: From Ancient Times to the Twenty-First Century, by Robert C. Evans","authors":"Andy Carolin","doi":"10.25159/1753-5387/14602","DOIUrl":"https://doi.org/10.25159/1753-5387/14602","url":null,"abstract":"","PeriodicalId":43700,"journal":{"name":"Journal of Literary Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135935719","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Construction of Identities 身份的建构
IF 0.2 4区 文学
Journal of Literary Studies Pub Date : 2023-09-01 DOI: 10.25159/1753-5387/13800
Ammar Aqeeli
{"title":"The Construction of Identities","authors":"Ammar Aqeeli","doi":"10.25159/1753-5387/13800","DOIUrl":"https://doi.org/10.25159/1753-5387/13800","url":null,"abstract":"This article explores how Naomi Wallace’s In the Heart of America demonstrates the interconnectedness of xenophobia, racism and other forms of discrimination in American life and politics. Through the critiques offered by Louis Althusser, Michel Foucault and Judith Butler, this article investigates the relationships between ideological state apparatuses, production of power and the construction of social identities. The subjugated characters in the play attempt to resist, negotiate and accommodate normative or regulative discursive processes that impose fixed identities upon them. Wallace’s play demonstrates that resistance constitutes power, which can be either weak, submissive, creative, and/or productive. Raising awareness of the possibilities of resistance to subjectifying power is what In the Heart of America yearns to do.","PeriodicalId":43700,"journal":{"name":"Journal of Literary Studies","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89843786","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Apartheid’s Patriarchies in Decline: White Masculinities in Damon Galgut’s The Promise 种族隔离的父权制在衰落:达蒙·高古特《无极》中的白人男子气概
IF 0.2 4区 文学
Journal of Literary Studies Pub Date : 2023-08-01 DOI: 10.25159/1753-5387/13609
A. Carolin
{"title":"Apartheid’s Patriarchies in Decline: White Masculinities in Damon Galgut’s The Promise","authors":"A. Carolin","doi":"10.25159/1753-5387/13609","DOIUrl":"https://doi.org/10.25159/1753-5387/13609","url":null,"abstract":"The initial popular reception of Damon Galgut’s The Promise (2021) has overlooked issues of gender in the text, favouring instead the more narrow allegorical readings of race. In response to this, this article emphasises the novel’s engagement with the distinctly gendered nature of the transition from apartheid, focusing on the representation of white masculinities in the text. This article raises concerns about how these masculinities are depicted. Through close engagement with the text’s systematic introduction and disavowal of the constitutive forces of apartheid’s patriarchies—including fatherhood, Christianity, and the security state—this article argues that the novel’s engagement with white masculinities is one of negation; it offers a narrative mode in which white masculinities are rendered sterile, rewritten in the well-worn register of an anti-apartheid moral certitude that depends on tired tropes. While the novel attempts an important decentring of white masculinities, its outlook is ultimately bleak as white masculinities are shown to lack depth, resulting in their power in the present being curiously absented in an act of textual erasure.","PeriodicalId":43700,"journal":{"name":"Journal of Literary Studies","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91205523","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Enjoying the Symptom: David Foster Wallace’s Brief Interviews with Hideous Men 享受症状:大卫·福斯特·华莱士对丑陋男人的简短采访
IF 0.2 4区 文学
Journal of Literary Studies Pub Date : 2023-08-01 DOI: 10.25159/1753-5387/13519
Ferma Lekesizalin
{"title":"Enjoying the Symptom: David Foster Wallace’s Brief Interviews with Hideous Men","authors":"Ferma Lekesizalin","doi":"10.25159/1753-5387/13519","DOIUrl":"https://doi.org/10.25159/1753-5387/13519","url":null,"abstract":"This article investigates David Foster Wallace’s subversion of masculinity in Brief Interviews with Hideous Men. The loud and rambling monologues of the male characters embody instances of objectifying women, glorifying predatory sexuality, and equating masculinity with quick sexual gratification. The male characters, however, seem to be constantly plagued with the threatening presence of women. In the “Brief Interviews” sections of Wallace’s collection of stories, the paradoxes and inconsistencies of the male discourse reveal the symptoms of male neurosis connected with the repressed female, the most conspicuous evidence of which is the silenced figure of the female therapist/interviewer. Rendered through dark and subversive humour, the symptoms indicate the male anxieties related with the inability to represent women. Drawing on the central concepts of Lacan and Freud, I aim to show the ways in which Wallace undermines the hegemonic notions of masculinity through his subversive use of the symptom. I argue that Wallace’s portrayals of the interviewees’ enjoyment of the symptom underlies his subversive ridicule of the male attempts of sustaining the illusory pleasure.        ","PeriodicalId":43700,"journal":{"name":"Journal of Literary Studies","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72980497","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Negotiations of Anxiety in the Discourses of Melanie Klein and Edgar Allan Poe 梅兰妮·克莱因和埃德加·爱伦·坡话语中的焦虑谈判
IF 0.2 4区 文学
Journal of Literary Studies Pub Date : 2023-07-14 DOI: 10.25159/1753-5387/13590
D. Cârstea
{"title":"Negotiations of Anxiety in the Discourses of Melanie Klein and Edgar Allan Poe","authors":"D. Cârstea","doi":"10.25159/1753-5387/13590","DOIUrl":"https://doi.org/10.25159/1753-5387/13590","url":null,"abstract":"In my discussion of a selection of Poe’s tales, I intend to reveal the latent Kleinian dynamics which abound in texts that pivot on the dialectic between aggression and reparation: the narrative can be thought of as negotiating the representation of phantasies which are deployed to avoid intolerable anxiety, requiring most often than not a withdrawal from reality. The texts under analysis seem to play out with acute awareness the pain of fragmentation and disintegration and the ambivalent phantasies arising from the need to mitigate the pain of the internal situation. Poe’s characters’ traumatic encounters will foreground the struggle, fraught with ambivalence, to separate from and discern that which is other.","PeriodicalId":43700,"journal":{"name":"Journal of Literary Studies","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85277500","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reflections of Tartarin of Tarascon in Araba Sevdası in the Context of Impressionism 印象派背景下Tartarin of Tarascon在Araba sevdasi的反思
IF 0.2 4区 文学
Journal of Literary Studies Pub Date : 2023-07-13 DOI: 10.25159/1753-5387/13351
Esra Sazyek
{"title":"Reflections of Tartarin of Tarascon in Araba Sevdası in the Context of Impressionism","authors":"Esra Sazyek","doi":"10.25159/1753-5387/13351","DOIUrl":"https://doi.org/10.25159/1753-5387/13351","url":null,"abstract":"Araba Sevdası, written by Recaizade Mahmut Ekrem and one of the most important novels in Ottoman-Turkish literature, criticises the “European snob type” who despises his own culture and desires everything Western. Based on Alphonse Daudet’s impressions of his trip to Algeria in 1861, Tartarin of Tarascon criticises the “Provencal type of Southern France” who is overly fond of the exotic and looks quite comical in Eastern clothes. Both Daudet’s and Ekrem’s protagonists are alienated from their own identities and are caricatured with their incompatible, ridiculous, and exaggerated aspects. Ekrem himself states that these two texts, which have parallel aspects, are similar to each other, especially in terms of style. This article argues that the stylistic similarities between the two texts are based on the methods and techniques of impressionist painters and that Ekrem exemplifies Daudet’s impressionist style.","PeriodicalId":43700,"journal":{"name":"Journal of Literary Studies","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91147976","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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