{"title":"莫黑尔·马西戈的《入侵者:短篇故事》中的传染病、未来主义的南非气候危机和隐藏的毒品流行","authors":"I. Manase","doi":"10.25159/1753-5387/10411","DOIUrl":null,"url":null,"abstract":"The article draws on typologies of contagion, particularly matrices and patterns of virality considered here as tropes from the Bakhtinian chronotope. Using this frame, it analyses how society attempts to control crises and contagions in Mohale Mashigo’s speculative stories, “Untitled i,” “Untitled ii,” and “Ghost Strain N.” The Foucauldian notion of heterotopic juxtaposition of spaces complements the trope of contagion in unpacking how Mashigo’s characters encounter their specific forms of disasters and epidemics in ways that conform to past mass contagions and also break with those. In its focus on continuities and discontinuities regarding typologies of epidemics and pandemics, the article considers Mashigo’s use of African science fiction and fantasy (speculative fiction) to depict the life experiences and flight from an unfolding climate disaster to another galaxy in “Untitled i” and “Untitled ii,” and the spread of a drug epidemic in a fictional Johannesburg township in “Ghost Strain N.” It argues that we can understand these stories by making heterotopic linkages with the present Covid-19 and various life-changing crises and infections that humanity has encountered, is facing right now and will encounter as it moves with time and strives for survival.\nOpsomming\nHierdie artikel put uit tipologieë van besmetting—veral matrikse en patrone van virusverskynsels wat hier beskou word as stylfigure van die Bakhtiniese chronotoop. Met behulp van hierdie raamwerk ontleed dit hoe die samelewing probeer om krisisse en besmettings te beheer in Mashigo se spekulatiewe stories, “Untitled i,” Untitled ii” en “Ghost Strain N.” Die Foucauldiese gedagte van heterotopiese naasmekaarstelling van ruimtes komplementeer die stylfiguur van besmetting in die uitmekaarhaal van hoe Mashigo se karakters hul spesifieke vorme van rampe en epidemies teëkom op maniere wat voldoen aan—en ook breek met—massabesmettings uit die verlede. In die fokus daarvan op kontinuïteite en diskontinuïteite rakende topologieë van epidemies en pandemies, bestudeer die artikel Mashigo se gebruik van Afrika-wetenskapsfiksie en van fantasie (spekulatiewe fiksie) om die lewenservarings en vlug van 'n ontvouende klimaatramp na 'n ander sterrestelsel uit te beeld in “Untitled i” en “Untitled ii,” en die verspreiding van 'n dwelmepidemie in 'n fiktiewe Johannesburgse township in “Ghost Strain N.” Daar word beredeneer dat ons hierdie verhale kan verstaan deur heterotopiese verbande te bewerkstellig met die huidige Covid-19-situasie en verskeie lewensbedreigende krisisse en infeksies wat die mensdom tans in die gesig staar, in die verlede beleef het en sal teëkom namate dit met tyd beweeg en oorlewing nastreef.\n ","PeriodicalId":43700,"journal":{"name":"Journal of Literary Studies","volume":"11 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2022-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Contagion, a Futurist South African Climate Crisis and a Hidden Drug Pandemic in Mohale Mashigo’s Intruders: Short Stories\",\"authors\":\"I. 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In its focus on continuities and discontinuities regarding typologies of epidemics and pandemics, the article considers Mashigo’s use of African science fiction and fantasy (speculative fiction) to depict the life experiences and flight from an unfolding climate disaster to another galaxy in “Untitled i” and “Untitled ii,” and the spread of a drug epidemic in a fictional Johannesburg township in “Ghost Strain N.” It argues that we can understand these stories by making heterotopic linkages with the present Covid-19 and various life-changing crises and infections that humanity has encountered, is facing right now and will encounter as it moves with time and strives for survival.\\nOpsomming\\nHierdie artikel put uit tipologieë van besmetting—veral matrikse en patrone van virusverskynsels wat hier beskou word as stylfigure van die Bakhtiniese chronotoop. 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引用次数: 0
摘要
这篇文章借鉴了传染的类型学,特别是矩阵和病毒的模式,这里被认为是巴赫蒂安时位的比喻。利用这一框架,本文分析了莫哈勒·马什戈的推测性故事《无题i》、《无题ii》和《鬼株n》中社会是如何试图控制危机和传染病的。福柯式的空间异位并置的概念补充了传染病的比喻,揭示了马什戈的人物是如何以符合过去大规模传染病的方式遭遇他们特定形式的灾难和流行病的,同时也打破了这些。在关注流行病和流行病类型学的连续性和非连续性时,文章认为Mashigo在《Untitled i》和《Untitled ii》中使用非洲科幻小说和幻想(投机性小说)来描绘生活经历和从一场正在展开的气候灾难逃到另一个星系。以及《幽灵菌株n》中虚构的约翰内斯堡小镇毒品流行的传播,它认为,我们可以通过将当前的Covid-19与人类已经遇到、正在面临并将随着时间的推移和生存而遇到的各种改变生活的危机和感染建立异位联系来理解这些故事。OpsommingHierdie artikel提出了tipologieë van besmeting -几个矩阵在赞助人van virusverskysels中,他们的最流行的词是style figure van die Bakhtiniese chronotop。我帮助了范希尔迪·拉姆维尔克,他让我知道了同样的问题,因为我知道了这是一个特别的故事,“无题i”,“无题ii”,“鬼株n”,“福考迪斯的故事”,“异质的故事”,“鬼株n”,“范·拉姆斯”,“范·拉姆斯”,“范·拉姆斯”,“范·拉姆斯”,“范·拉姆斯”,“范·拉姆斯”,“范·拉姆斯”,“范·拉姆斯”,“范·拉姆斯”,“范·拉姆斯”,“瘟疫”,“瘟疫”,“瘟疫”,“瘟疫”,“瘟疫”,“瘟疫”,“瘟疫”。在die fokus daarvan op kontinuïteite en diskontinuïteite rakende topologieë van流行病和流行病中,最受欢迎的学生是非洲人,是非洲人,是非洲人,是非洲人,是非洲人,是非洲人,是非洲人,是非洲人,是非洲人,是非洲人,是非洲人,是非洲人。en死verspreiding van的n dwelmepidemie fiktiewe Johannesburgse乡“幽灵应变n”Daar词beredeneer dat ons hierdie verhale菅直人verstaan deur heterotopiese verbande te bewerkstellig遇到死huidige Covid-19-situasie en verskeie lewensbedreigende krisisse en infeksies窟死mensdom黝黑色的死gesig staar,在死verlede beleef het en sal teekom namate说遇到tyd beweeg en oorlewing nastreef。
Contagion, a Futurist South African Climate Crisis and a Hidden Drug Pandemic in Mohale Mashigo’s Intruders: Short Stories
The article draws on typologies of contagion, particularly matrices and patterns of virality considered here as tropes from the Bakhtinian chronotope. Using this frame, it analyses how society attempts to control crises and contagions in Mohale Mashigo’s speculative stories, “Untitled i,” “Untitled ii,” and “Ghost Strain N.” The Foucauldian notion of heterotopic juxtaposition of spaces complements the trope of contagion in unpacking how Mashigo’s characters encounter their specific forms of disasters and epidemics in ways that conform to past mass contagions and also break with those. In its focus on continuities and discontinuities regarding typologies of epidemics and pandemics, the article considers Mashigo’s use of African science fiction and fantasy (speculative fiction) to depict the life experiences and flight from an unfolding climate disaster to another galaxy in “Untitled i” and “Untitled ii,” and the spread of a drug epidemic in a fictional Johannesburg township in “Ghost Strain N.” It argues that we can understand these stories by making heterotopic linkages with the present Covid-19 and various life-changing crises and infections that humanity has encountered, is facing right now and will encounter as it moves with time and strives for survival.
Opsomming
Hierdie artikel put uit tipologieë van besmetting—veral matrikse en patrone van virusverskynsels wat hier beskou word as stylfigure van die Bakhtiniese chronotoop. Met behulp van hierdie raamwerk ontleed dit hoe die samelewing probeer om krisisse en besmettings te beheer in Mashigo se spekulatiewe stories, “Untitled i,” Untitled ii” en “Ghost Strain N.” Die Foucauldiese gedagte van heterotopiese naasmekaarstelling van ruimtes komplementeer die stylfiguur van besmetting in die uitmekaarhaal van hoe Mashigo se karakters hul spesifieke vorme van rampe en epidemies teëkom op maniere wat voldoen aan—en ook breek met—massabesmettings uit die verlede. In die fokus daarvan op kontinuïteite en diskontinuïteite rakende topologieë van epidemies en pandemies, bestudeer die artikel Mashigo se gebruik van Afrika-wetenskapsfiksie en van fantasie (spekulatiewe fiksie) om die lewenservarings en vlug van 'n ontvouende klimaatramp na 'n ander sterrestelsel uit te beeld in “Untitled i” en “Untitled ii,” en die verspreiding van 'n dwelmepidemie in 'n fiktiewe Johannesburgse township in “Ghost Strain N.” Daar word beredeneer dat ons hierdie verhale kan verstaan deur heterotopiese verbande te bewerkstellig met die huidige Covid-19-situasie en verskeie lewensbedreigende krisisse en infeksies wat die mensdom tans in die gesig staar, in die verlede beleef het en sal teëkom namate dit met tyd beweeg en oorlewing nastreef.
期刊介绍:
The Journal of Literary Studies publishes and globally disseminates original and cutting-edge research informed by Literary and Cultural Theory. The Journal is an independent quarterly publication owned and published by the South African Literary Society in partnership with Unisa Press and Taylor & Francis. It is housed and produced in the division Theory of Literature at the University of South Africa and is accredited and subsidised by the South African Department of Higher Education and Training. The aim of the journal is to publish articles and full-length review essays informed by Literary Theory in the General Literary Theory subject area and mostly covering Formalism, New Criticism, Semiotics, Structuralism, Marxism, Poststructuralism, Psychoanalysis, Gender studies, New Historicism, Ecocriticism, Animal Studies, Reception Theory, Comparative Literature, Narrative Theory, Drama Theory, Poetry Theory, and Biography and Autobiography.