发布求助
文献互助 智能选刊 最新文献

Intersections: Canadian Journal of Music最新文献

筛选
英文 中文
Dylan Robinson. 2020. Hungry Listening: Resonant Theory for Indigenous Sound Studies. Minneapolis: University of Minnesota Press. 319 pp. ISBN 978-1-5179-0768-6 (hardcover), ISBN 978-1-5179-0769-3 (paperback) 迪伦·罗宾逊，2020。饥饿倾听:本土声音研究的共振理论。明尼阿波利斯:明尼苏达大学出版社，319页，ISBN 978-1-5179-0768-6(精装)，ISBN 978-1-5179-0769-3(平装)
Intersections: Canadian Journal of Music Pub Date : 1900-01-01 DOI: 10.7202/1075348ar
R. Roussin
{"title":"Dylan Robinson. 2020. Hungry Listening: Resonant Theory for Indigenous Sound Studies. Minneapolis: University of Minnesota Press. 319 pp. ISBN 978-1-5179-0768-6 (hardcover), ISBN 978-1-5179-0769-3 (paperback)","authors":"R. Roussin","doi":"10.7202/1075348ar","DOIUrl":"https://doi.org/10.7202/1075348ar","url":null,"abstract":"","PeriodicalId":436553,"journal":{"name":"Intersections: Canadian Journal of Music","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132705852","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Working Interviews: Blending Fieldwork and Technical Work on Tour with Cirque du Soleil 工作访谈:在太阳马戏团巡回演出中融合实地工作和技术工作
Intersections: Canadian Journal of Music Pub Date : 1900-01-01 DOI: 10.7202/1096480ar
Jacob Danson Faraday
{"title":"Working Interviews: Blending Fieldwork and Technical Work on Tour with Cirque du Soleil","authors":"Jacob Danson Faraday","doi":"10.7202/1096480ar","DOIUrl":"https://doi.org/10.7202/1096480ar","url":null,"abstract":"For Cirque du Soleil’s touring arena show Corteo , music is a central feature of every performance and is composed and performed to align with the narrative and the acrobatic action on stage. But the music an audience hears depends on much more than the nightly performances of Corteo ’s live musicians; the touring sound technicians also play an essential role in the show’s musical presentation. In this article, I discuss a methodological approach to my ethnographic research of Corteo ’s sound technicians—a methodology that provides new insights into large-scale intermedia performance environments like Cor-teo . Th rough participant observation, public intercept interviews, and what I call “working interviews”—interviews with the sound technicians that take place during performances or other operational activities—I engage directly with the technical practices of musical production on Corteo ’s international tour. I show that by reconceptualizing participant observation and inter-viewing—two cornerstone ethnomusicological methods—working interviews can reveal what is obscured in live music settings like Corteo . I provide an example of remote communication between sound technicians during a performance and show how a working interview helped me theorize a new mode of emotional labour amongst sound technicians—one that is gendered masculine and characterized by stoicism. I begin with an overview of Cirque du Soleil ( CDS ) and Corteo , my own background as a CDS sound technician, and my fi eldwork research methods, paying particular attention to working inter-views. I then move to a detailed discussion of emotional labour, showing how I expand de fi nitions through the context of Corteo ’s sound technicians. Finally, to illustrate the value of working interviews as an ethnographic method, I provide a description of a moment during a performance of Corteo , excerpted from a working interview, that facilitated my theorization of stoic, masculine emotional labour on tour.","PeriodicalId":436553,"journal":{"name":"Intersections: Canadian Journal of Music","volume":"122 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116364615","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
In Auditory Absentia: Music(ology), Modern Art, and Aesthetic Experience 听觉缺失:音乐(学)、现代艺术和审美体验
Intersections: Canadian Journal of Music Pub Date : 1900-01-01 DOI: 10.7202/1096478ar
Davinia Caddy
{"title":"In Auditory Absentia: Music(ology), Modern Art, and Aesthetic Experience","authors":"Davinia Caddy","doi":"10.7202/1096478ar","DOIUrl":"https://doi.org/10.7202/1096478ar","url":null,"abstract":"","PeriodicalId":436553,"journal":{"name":"Intersections: Canadian Journal of Music","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117260241","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Expanding the University Music Ensemble: Lessons from an Intercultural Collaboration 扩大大学音乐合奏:来自跨文化合作的经验教训
Intersections: Canadian Journal of Music Pub Date : 1900-01-01 DOI: 10.7202/1075340ar
D. Pearse
{"title":"Expanding the University Music Ensemble: Lessons from an Intercultural\u0000 Collaboration","authors":"D. Pearse","doi":"10.7202/1075340ar","DOIUrl":"https://doi.org/10.7202/1075340ar","url":null,"abstract":"","PeriodicalId":436553,"journal":{"name":"Intersections: Canadian Journal of Music","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117281964","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La musicologie par l’art radiophonique 通过广播艺术的音乐学
Intersections: Canadian Journal of Music Pub Date : 1900-01-01 DOI: 10.7202/1096481ar
D. Christoffel
{"title":"La musicologie par l’art radiophonique","authors":"D. Christoffel","doi":"10.7202/1096481ar","DOIUrl":"https://doi.org/10.7202/1096481ar","url":null,"abstract":"","PeriodicalId":436553,"journal":{"name":"Intersections: Canadian Journal of Music","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133683437","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Chloé Huvet. 2022. Composer pour l’image à l’ère numérique : Star Wars, d’une trilogie à l’autre. Paris : Vrin, 432 p. ISBN 978-2-7116-2895-7 chloe Huvet, 2022年。数字时代的图像作曲:星球大战，从一个三部曲到另一个。巴黎:Vrin, 432页，ISBN 978-2-7116-2895-7
Intersections: Canadian Journal of Music Pub Date : 1900-01-01 DOI: 10.7202/1096485ar
Jérémy Michot
{"title":"Chloé Huvet. 2022. Composer pour l’image à l’ère numérique : Star Wars, d’une trilogie à l’autre. Paris : Vrin, 432 p. ISBN 978-2-7116-2895-7","authors":"Jérémy Michot","doi":"10.7202/1096485ar","DOIUrl":"https://doi.org/10.7202/1096485ar","url":null,"abstract":"","PeriodicalId":436553,"journal":{"name":"Intersections: Canadian Journal of Music","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115108568","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Éditorial : Pour des musicologies alternatives 社论:另类音乐学
Intersections: Canadian Journal of Music Pub Date : 1900-01-01 DOI: 10.7202/1096476ar
A. Couture
{"title":"Éditorial : Pour des musicologies alternatives","authors":"A. Couture","doi":"10.7202/1096476ar","DOIUrl":"https://doi.org/10.7202/1096476ar","url":null,"abstract":"","PeriodicalId":436553,"journal":{"name":"Intersections: Canadian Journal of Music","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124685202","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
How We Got into Drum Circles, and How to Get Out: De-Essentializing African Music 我们如何进入鼓点圈，如何退出:非洲音乐的去本质化
Intersections: Canadian Journal of Music Pub Date : 1900-01-01 DOI: 10.7202/1075343ar
Quintina Carter-Ényì, Aaron Carter-Enyi, Kevin Nathaniel Hylton
{"title":"How We Got into Drum Circles, and How to Get Out: De-Essentializing African Music","authors":"Quintina Carter-Ényì, Aaron Carter-Enyi, Kevin Nathaniel Hylton","doi":"10.7202/1075343ar","DOIUrl":"https://doi.org/10.7202/1075343ar","url":null,"abstract":")","PeriodicalId":436553,"journal":{"name":"Intersections: Canadian Journal of Music","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131120037","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Applying a Mad Studies Framework to Opera: Poulenc’s Dialogues des Carmélites 将疯狂研究框架应用于歌剧:普伦克的《关于卡姆萨伊特人的对话》
Intersections: Canadian Journal of Music Pub Date : 1900-01-01 DOI: 10.7202/1096477ar
Colette Simonot-Maiello
{"title":"Applying a Mad Studies Framework to Opera: Poulenc’s Dialogues des Carmélites","authors":"Colette Simonot-Maiello","doi":"10.7202/1096477ar","DOIUrl":"https://doi.org/10.7202/1096477ar","url":null,"abstract":"Multiple readings of madness are examined in Poulenc’s opera Dialogues des Carmélites (1957) through the framework of mad studies. Several layers of madness can be found in this work: individual lived experiences of madness, the history of mental illness in France during and aHer the French Revolution, and the cultural metaphor of hysteria as social degeneration, as articulated by Micale. Close readings of two scenes Intersections 40/1 (2020) 25 with a discussion of their musical features are included: the :rst prioress’s death (act 1, scene 4) and the :nal scene at the guillotine (act 3, scene 4).","PeriodicalId":436553,"journal":{"name":"Intersections: Canadian Journal of Music","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126780935","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jacinthe Harbec. 2021. Ballets russes et Ballets suédois : La musique à la croisée des arts 1917–1924. Paris : Vrin, 504 p. ISBN 978-2-7116-2956-5 jacin Harbec, 2021年。俄罗斯芭蕾舞团和瑞典芭蕾舞团:艺术十字路口的音乐1917 - 1924。巴黎:Vrin, 504页，ISBN 978-2-7116-2956-5
Intersections: Canadian Journal of Music Pub Date : 1900-01-01 DOI: 10.7202/1096484ar
Laurence Gauvin
{"title":"Jacinthe Harbec. 2021. Ballets russes et Ballets suédois : La musique à la croisée des arts 1917–1924. Paris : Vrin, 504 p. ISBN 978-2-7116-2956-5","authors":"Laurence Gauvin","doi":"10.7202/1096484ar","DOIUrl":"https://doi.org/10.7202/1096484ar","url":null,"abstract":"","PeriodicalId":436553,"journal":{"name":"Intersections: Canadian Journal of Music","volume":"439 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116185945","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信