Quintina Carter-Ényì, Aaron Carter-Enyi, Kevin Nathaniel Hylton
{"title":"How We Got into Drum Circles, and How to Get Out: De-Essentializing African Music","authors":"Quintina Carter-Ényì, Aaron Carter-Enyi, Kevin Nathaniel Hylton","doi":"10.7202/1075343ar","DOIUrl":null,"url":null,"abstract":")","PeriodicalId":436553,"journal":{"name":"Intersections: Canadian Journal of Music","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Intersections: Canadian Journal of Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7202/1075343ar","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}