{"title":"The Professor and the Sea Princess: Letters of Nikolai Rimsky-Korsakov and Nadezhda Zabela-Vrubel","authors":"","doi":"10.1515/9780691185514-003","DOIUrl":"https://doi.org/10.1515/9780691185514-003","url":null,"abstract":"This introductory chapter examines the rich correspondence between Nikolai Rimsky-Korsakov and the soprano Nadezhda Zabela-Vrubel, who was his muse between 1898 and 1904. This particular correspondence stands apart from the rest because of the strong currents of emotion running just below the surface. It was selected for this volume for two purposes: it has much to tell about how Rimsky-Korsakov dealt with the performers and theater management involved in productions of his operas, but it also gives a unique insight into the composer's inner world which he kept hidden under the surface of his respectable professorial existence. Indeed, the correspondence between Rimsky-Korsakov and Zabela-Vrubel should do much to humanize Rimsky-Korsakov, softening his image.","PeriodicalId":436455,"journal":{"name":"Rimsky-Korsakov and His World","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121069794","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Golden Cockerel, Censored and Uncensored","authors":"S. Morrison","doi":"10.23943/PRINCETON/9780691182711.003.0005","DOIUrl":"https://doi.org/10.23943/PRINCETON/9780691182711.003.0005","url":null,"abstract":"This chapter addresses two contrasting aspects of The Golden Cockerel: its political provocativeness, which leads to a censorship saga, but also the attraction of the music and the mystery of the story. Using the aesthetic notion of enchantment, it also places the opera in the context of Symbolist and “decadent” currents in the culture of the time and shows how these were still relevant in the 2012 production by the choreographer Alexei Ratmansky. Three spheres emerge in the opera as in the ballet versions of The Golden Cockerel: the human, represented by Dodon and his court; the fantastic, where the Astrologer dwells; and the erotic exotic, home to the Astrologer's forever beloved Queen. Ultimately, the opera inverts Russian convention: the real Russian characters lose; the fake ones, the non-Russian characters from who knows where, win.","PeriodicalId":436455,"journal":{"name":"Rimsky-Korsakov and His World","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116738727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Staging Defeat: The Golden Cockerel and the Russo-Japanese War","authors":"M. Frolova-Walker","doi":"10.23943/princeton/9780691182711.003.0006","DOIUrl":"https://doi.org/10.23943/princeton/9780691182711.003.0006","url":null,"abstract":"This chapter examines The Golden Cockerel as a pointed political satire, prompted and shaped by the concrete events of the Russo-Japanese War of 1904–1905. Indeed, Rimsky-Korsakov and his librettist saturated the libretto with direct and recognizable references to the recent war, turning the opera into a kind of topical political theater. Here, Rimsky-Korsakov appears as politically radical, and returns to the idioms of the Russian Style—not in a spirit of nostalgia, but with the aim of inventing and mocking his previous values, and also mocking the Russian state, whose hubris had led to a humiliating defeat. Ultimately, the Cockerel became a distorting mirror in which the previous seventy years of Russian opera and its nationalist preoccupations found an unflattering reflection.","PeriodicalId":436455,"journal":{"name":"Rimsky-Korsakov and His World","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114760714","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"How Stravinsky Stopped Being a Rimsky-Korsakov Pupil","authors":"Yaroslav Timofeev","doi":"10.23943/PRINCETON/9780691182711.003.0008","DOIUrl":"https://doi.org/10.23943/PRINCETON/9780691182711.003.0008","url":null,"abstract":"This chapter focuses on a dramatic moment in the life of Igor Stravinsky when he was forced to choose between loyalty to the memory of his beloved teacher Nikolai Rimsky-Korsakov on the one hand, and his new loyalty, both commercial and artistic, to Sergei Diaghilev on the other hand—a choice, in effect, between St. Petersburg and Paris. After Rimsky-Korsakov's death, Stravinsky's opinions on his teacher were rather odd. His comments were contradictory, his evaluations widely diverging, doubtless stemming from the fact that it was not always clear whether he was writing under the influence of Rimsky-Korsakov or in reaction to him. Stravinsky's active departure from his teacher's ways required no more than five years, and the end of this period was marked by a decisive full stop: Rimsky-Korsakov's completion of Modest Musorgsky's unfinished Khovanshchina was pushed aside when Stravinsky, together with Diaghilev and Maurice Ravel, issued a new version designed to correct all of Rimsky-Korsakov's “errors.”","PeriodicalId":436455,"journal":{"name":"Rimsky-Korsakov and His World","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132636785","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Permissions and Credits","authors":"C. E. Schorske","doi":"10.1515/9781400864782.xi","DOIUrl":"https://doi.org/10.1515/9781400864782.xi","url":null,"abstract":"","PeriodicalId":436455,"journal":{"name":"Rimsky-Korsakov and His World","volume":"81 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1999-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123091364","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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