The Professor and the Sea Princess: Letters of Nikolai Rimsky-Korsakov and Nadezhda Zabela-Vrubel

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Abstract

This introductory chapter examines the rich correspondence between Nikolai Rimsky-Korsakov and the soprano Nadezhda Zabela-Vrubel, who was his muse between 1898 and 1904. This particular correspondence stands apart from the rest because of the strong currents of emotion running just below the surface. It was selected for this volume for two purposes: it has much to tell about how Rimsky-Korsakov dealt with the performers and theater management involved in productions of his operas, but it also gives a unique insight into the composer's inner world which he kept hidden under the surface of his respectable professorial existence. Indeed, the correspondence between Rimsky-Korsakov and Zabela-Vrubel should do much to humanize Rimsky-Korsakov, softening his image.
教授和海公主:尼古拉·里姆斯基-科萨科夫和娜杰日达·扎贝拉-弗鲁贝尔的书信
这一导论章考察了尼古拉·里姆斯基-科萨科夫与女高音娜杰日达·扎贝拉-弗鲁贝尔之间的丰富通信,后者是他在1898年至1904年之间的缪斯。这种特殊的通信与其他通信不同,因为强烈的情感流就在表面下运行。它被选为这本书有两个目的:它有很多关于里姆斯基-科萨科夫如何处理涉及他的歌剧制作的表演者和剧院管理,但它也提供了一个独特的洞察作曲家的内心世界,他隐藏在他受人尊敬的教授生活的表面之下。的确,里姆斯基-科萨科夫和扎贝拉-弗鲁贝尔之间的通信应该对里姆斯基-科萨科夫的人性化有很大的帮助,软化了他的形象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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