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Robert Louis Stevenson and the Art of Collaboration最新文献

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Disjecta Membra: Collaboration and the Body of the Text in The Wrong Box and The Master of Ballantrae Disjecta Membra:合作和文本主体在错误的盒子和大师的Ballantrae
Robert Louis Stevenson and the Art of Collaboration Pub Date : 2019-10-01 DOI: 10.3366/edinburgh/9781474451987.003.0005
Audrey Murfin
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引用次数: 0
Criminal Collaborators: Deacon Brodie and Strange Case of Dr Jekyll and Mr Hyde 犯罪合作伙伴:执事布罗迪和化身博士怪案
Robert Louis Stevenson and the Art of Collaboration Pub Date : 2019-10-01 DOI: 10.3366/edinburgh/9781474451987.003.0002
Audrey Murfin
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引用次数: 0
Collaboration in Theory and Practice 理论与实践的合作
Robert Louis Stevenson and the Art of Collaboration Pub Date : 2019-10-01 DOI: 10.3366/edinburgh/9781474451987.003.0001
Audrey Murfin
{"title":"Collaboration in Theory and Practice","authors":"Audrey Murfin","doi":"10.3366/edinburgh/9781474451987.003.0001","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474451987.003.0001","url":null,"abstract":"This chapter considers Robert Louis Stevenson’s collaborations in the context of criticism on literary collaboration. In order to define collaboration, we must consider four essential questions: is it acknowledged? is it mutual? is it equal? and is it separable? All authors receive advice from others, making all creative practice in a sense collaborative, but this chapter proposes that texts in which the collaboration is mutually undertaken and overtly acknowledged differ fundamentally from traditionally authored texts. On the other hand, criticism of collaboration has been hampered by the assumption that true collaboration must be evenly divided (all of Stevenson’s collaborations were, in one way or another, unequal ones), and that the business of the critic is to solve the “problem” of who has written what, a project which shows an a priori scepticism about the possibility of collaboration at all.","PeriodicalId":436033,"journal":{"name":"Robert Louis Stevenson and the Art of Collaboration","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125044760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘A kind of partnership business’: The Wrecker and The Ebb-Tide “一种合伙企业”:《破坏者》和《退潮》
Robert Louis Stevenson and the Art of Collaboration Pub Date : 2019-10-01 DOI: 10.3366/edinburgh/9781474451987.003.0006
Audrey Murfin
{"title":"‘A kind of partnership business’: The Wrecker and The Ebb-Tide","authors":"Audrey Murfin","doi":"10.3366/edinburgh/9781474451987.003.0006","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474451987.003.0006","url":null,"abstract":"This chapter considers the last two, and best known, Stevenson-Osbourne literary collaborations. After The Wrong Box, the pair went on to write The Wrecker (1892) together, but privately Stevenson emphasized Lloyd Osbourne’s subordinate role and expressed his growing frustration with the creative process. Finally, they undertook The Ebb-Tide (1894), but by then the process had failed. Stevenson’s growing dissatisfaction with the collaboration forms the argument of both The Wrecker and The Ebb-Tide. In particular, The Wrecker is a novel about partnerships and the compromises they require—of ethics, art, and self-interest, written at a moment when Stevenson himself was the most challenged by his own difficult partnership with Osbourne.","PeriodicalId":436033,"journal":{"name":"Robert Louis Stevenson and the Art of Collaboration","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126760864","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Counterpoint: Fanny’s and Louis’s Pacific Diaries 对位:范妮和路易斯的太平洋日记
Robert Louis Stevenson and the Art of Collaboration Pub Date : 2019-10-01 DOI: 10.3366/edinburgh/9781474451987.003.0004
Audrey Murfin
{"title":"Counterpoint: Fanny’s and Louis’s Pacific Diaries","authors":"Audrey Murfin","doi":"10.3366/edinburgh/9781474451987.003.0004","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474451987.003.0004","url":null,"abstract":"This chapter the progression of several textual fragments describing Pacific islands that the Stevensons visited on the ship the Janet Nichol, from their first draft as holograph manuscript fragments, to their inclusion in Fanny Stevenson’s published diary The Cruise of the Janet Nicoll [sic], and sometimes their inclusion in Louis’s published nonfiction in In the South Seas as well as fiction such as The Beach of Falesá. Much of this material, which was originally written by Louis but later claimed by Fanny, concerns one topic--that of the sexual exploitation of young Pacific Island girls by white traders. The shared nature of the family’s diaries allowed Louis to hide in his wife’s diary material on a topic that was evidently of great interest to him, but that would have negatively affected this very famous author’s reputation as a family-friendly author.","PeriodicalId":436033,"journal":{"name":"Robert Louis Stevenson and the Art of Collaboration","volume":"125 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127229843","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Collaboration and Marriage: The Dynamiter 合作与婚姻:引爆器
Robert Louis Stevenson and the Art of Collaboration Pub Date : 2019-10-01 DOI: 10.3366/edinburgh/9781474451987.003.0003
Audrey Murfin
{"title":"Collaboration and Marriage: The Dynamiter","authors":"Audrey Murfin","doi":"10.3366/edinburgh/9781474451987.003.0003","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474451987.003.0003","url":null,"abstract":"This chapter considers Stevenson’s acknowledged collaborations with his wife, Fanny, most substantially, their co-written work, The Dynamiter, also titled More New Arabian Nights (1885). Husband and wife collaborations create subtle problems, largely because we expect a wife to assist her husband without credit. The Dynamiter structurally draws upon The Thousand and One Nights, which themselves concern issues of narrative and marriage. The Dynamiter, a novel about Irish terrorism, was well regarded in the nineteenth century, but not so in the twentieth or twenty-first, precisely because recent critics have resented Fanny’s involvement. The chapter additionally considers Fanny and Louis’ collaborative play “The Hanging Judge” and the controversy surrounding Fanny’s short story “The Nixie.”","PeriodicalId":436033,"journal":{"name":"Robert Louis Stevenson and the Art of Collaboration","volume":"88 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114865719","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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