“一种合伙企业”:《破坏者》和《退潮》

Audrey Murfin
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引用次数: 0

摘要

这一章考虑最后两个,也是最著名的,史蒂文森和奥斯本的文学合作。在《错的盒子》之后,两人继续合作创作《破坏者》(1892),但史蒂文森私下强调劳埃德·奥斯本的从属地位,并表达了他对创作过程日益增长的挫败感。最后,他们创作了《退潮》(The ebbb - tide, 1894),但到那时这个过程已经失败了。史蒂文森对合作日益增长的不满形成了《破坏者》和《退潮》的论点。特别是,《破坏者》是一部关于伙伴关系及其所需要的妥协——道德、艺术和个人利益——的小说,写于史蒂文森自己与奥斯本艰难的伙伴关系最受挑战的时刻。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘A kind of partnership business’: The Wrecker and The Ebb-Tide
This chapter considers the last two, and best known, Stevenson-Osbourne literary collaborations. After The Wrong Box, the pair went on to write The Wrecker (1892) together, but privately Stevenson emphasized Lloyd Osbourne’s subordinate role and expressed his growing frustration with the creative process. Finally, they undertook The Ebb-Tide (1894), but by then the process had failed. Stevenson’s growing dissatisfaction with the collaboration forms the argument of both The Wrecker and The Ebb-Tide. In particular, The Wrecker is a novel about partnerships and the compromises they require—of ethics, art, and self-interest, written at a moment when Stevenson himself was the most challenged by his own difficult partnership with Osbourne.
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