Disjecta Membra: Collaboration and the Body of the Text in The Wrong Box and The Master of Ballantrae

Audrey Murfin
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Abstract

Stevenson’s most extensive and lengthy literary collaboration was with his stepson Lloyd Osbourne. Stevenson wrote the comic novel The Wrong Box with Osbourne in 1889. The Wrong Box is the only work for which we have extensive manuscript material showing the creative process that the partners used. While Stevenson and Osbourne were at work together on the The Wrong Box, Stevenson was simultaneously working alone on the much better received The Master of Ballantrae (1889). Thematically similar to The Wrong Box but tonally opposite, The Master of Ballantrae revisits the questions of family and morality posed by The Wrong Box and demonstrates the extent to which Stevenson’s collaborations, and his thoughts about those collaborations, inform even work purportedly not collaborative.
Disjecta Membra:合作和文本主体在错误的盒子和大师的Ballantrae
史蒂文森最广泛、最漫长的文学合作是与他的继子劳埃德·奥斯本。1889年,史蒂文森与奥斯本共同创作了喜剧小说《错的盒子》。错误的盒子是唯一的工作,我们有广泛的手稿材料,显示合作伙伴使用的创作过程。当史蒂文森和奥斯本在一起创作《错的盒子》时,史蒂文森同时在独自创作更受欢迎的《巴兰特雷大师》(1889)。《巴兰特拉的主人》在主题上与《错误的盒子》相似,但在音调上却截然相反,它重新审视了《错误的盒子》提出的家庭和道德问题,并展示了史蒂文森的合作以及他对这些合作的思考在多大程度上影响了即使是据称不是合作的作品。
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