Collaboration and Marriage: The Dynamiter

Audrey Murfin
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Abstract

This chapter considers Stevenson’s acknowledged collaborations with his wife, Fanny, most substantially, their co-written work, The Dynamiter, also titled More New Arabian Nights (1885). Husband and wife collaborations create subtle problems, largely because we expect a wife to assist her husband without credit. The Dynamiter structurally draws upon The Thousand and One Nights, which themselves concern issues of narrative and marriage. The Dynamiter, a novel about Irish terrorism, was well regarded in the nineteenth century, but not so in the twentieth or twenty-first, precisely because recent critics have resented Fanny’s involvement. The chapter additionally considers Fanny and Louis’ collaborative play “The Hanging Judge” and the controversy surrounding Fanny’s short story “The Nixie.”
合作与婚姻:引爆器
本章考虑史蒂文森与他的妻子范妮公认的合作,其中最重要的是他们共同创作的作品《炸药手》,也叫《一千零一夜》(1885)。夫妻合作会产生一些微妙的问题,很大程度上是因为我们期望妻子帮助丈夫而不需要信任。《炸药手》在结构上借鉴了《一千零一夜》,后者本身也关注叙事和婚姻问题。《炸药手》是一部关于爱尔兰恐怖主义的小说,在19世纪颇受好评,但在20世纪或21世纪就不那么受欢迎了,恰恰是因为最近的评论家对范妮的参与感到不满。本章还讨论了范妮和路易斯的合作剧《绞刑法官》以及围绕着范妮短篇小说《妖女》的争议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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