Studies in Documentary Film最新文献

筛选
英文 中文
Smartphone filmmaking for queer Australian documentary 澳大利亚酷儿纪录片的智能手机拍摄
IF 0.6
Studies in Documentary Film Pub Date : 2022-03-10 DOI: 10.1080/17503280.2022.2048233
P. Kelly
{"title":"Smartphone filmmaking for queer Australian documentary","authors":"P. Kelly","doi":"10.1080/17503280.2022.2048233","DOIUrl":"https://doi.org/10.1080/17503280.2022.2048233","url":null,"abstract":"ABSTRACT This article draws on my experience creating the film What's With Your Nails? (2018), a film about queerness, normality, slowness, and painting fingernails, and which embraces the affordances of smartphone filmmaking for queer documentary production in Australia. Documentary practices in this field are notable for a ‘privileging of authenticity’ through a subjective perspective, and there has been a history of queer filmmakers utilising accessible production technologies. The utilisation of hyper-accessible smartphone technologies presents an opportunity for queer activist filmmakers to make work that alters what we think of empowerment and self-identity by being different to mainstream media. In this article, I observe these concepts at play in notable historical contributions to queer Australian documentary, before discussing the creation of my own film, which was created in response to mainstream representations during and after the successful Australian Marriage Equality Postal Survey in 2017. As such, I argue that mobile media devices are ideal, hyper-accessible tools that can be used to interrogate subjectivities, generate material unlike that seen in mainstream media, and contribute to a growing history of queer documentary in Australia that changes the way we think about representation.","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"16 1","pages":"140 - 155"},"PeriodicalIF":0.6,"publicationDate":"2022-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42919400","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Radical documentary and global crises: militant evidence in the digital age 激进的纪录片和全球危机:数字时代的激进证据
IF 0.6
Studies in Documentary Film Pub Date : 2022-03-06 DOI: 10.1080/17503280.2022.2046738
Madison E Brown
{"title":"Radical documentary and global crises: militant evidence in the digital age","authors":"Madison E Brown","doi":"10.1080/17503280.2022.2046738","DOIUrl":"https://doi.org/10.1080/17503280.2022.2046738","url":null,"abstract":"","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"16 1","pages":"186 - 187"},"PeriodicalIF":0.6,"publicationDate":"2022-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44749397","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Interactive documentary: theory and debate 互动纪录片:理论与辩论
IF 0.6
Studies in Documentary Film Pub Date : 2022-02-17 DOI: 10.1080/17503280.2022.2039429
K. Munro
{"title":"Interactive documentary: theory and debate","authors":"K. Munro","doi":"10.1080/17503280.2022.2039429","DOIUrl":"https://doi.org/10.1080/17503280.2022.2039429","url":null,"abstract":"","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"16 1","pages":"188 - 189"},"PeriodicalIF":0.6,"publicationDate":"2022-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41557538","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Kashmir: a long winding road to freedom 克什米尔:通往自由的漫长曲折之路
IF 0.6
Studies in Documentary Film Pub Date : 2021-11-22 DOI: 10.1080/17503280.2021.2005456
S. Venkatesan, R. James
{"title":"Kashmir: a long winding road to freedom","authors":"S. Venkatesan, R. James","doi":"10.1080/17503280.2021.2005456","DOIUrl":"https://doi.org/10.1080/17503280.2021.2005456","url":null,"abstract":"ABSTRACT Questions of political allegiance between India and Pakistan have turned Kashmir into one of the most militarised zones in the world. Although antagonism between India and Pakistan vis-à-vis Kashmir is predicated on territorial disputes, the Kashmir Valley since the end of the British rule in India in 1947 has struggled with the contentious issues of identity, freedom, armed intrusions, often resulting in mass murders, and illegal arrests of its people. Although independent documentary film-makers address these issues, and thus offer a complicated history and politics of Kashmir, Iffat Fatima, perhaps as the only independent woman documentary film-maker based in Kashmir, engages a wide-ranging issues including enforced disappearances, politics of memory/remembrance, resistance, neo-national ideologies, ‘states of exception’ in her films. Unlike the usual male dominated conflict zones, protests in Kashmir are characterized by its resisting and protesting women. In boldly articulating Kashmiri experiences through her independent films, Fatima foregrounds women’s participation as an essential aspect of Kashmiri protest producing different outcomes and relations. Situating herself in such a precarious space, Fatima in the interview at hand discusses her filmic self, her engagement with resistance movements in Kashmir, and women’s protest movements in Kashmir.","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"17 1","pages":"82 - 90"},"PeriodicalIF":0.6,"publicationDate":"2021-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45725790","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Documentary’s ethics of fremdschämen: neurodiversity, vicarious embarrassment and a subject’s right to agency 纪录片中fremdschämen的伦理:神经多样性、替代尴尬和主体的代理权
IF 0.6
Studies in Documentary Film Pub Date : 2021-10-19 DOI: 10.1080/17503280.2021.1981758
Linnéa J. Hussein
{"title":"Documentary’s ethics of fremdschämen: neurodiversity, vicarious embarrassment and a subject’s right to agency","authors":"Linnéa J. Hussein","doi":"10.1080/17503280.2021.1981758","DOIUrl":"https://doi.org/10.1080/17503280.2021.1981758","url":null,"abstract":"ABSTRACT This article uses the German idiom fremdschämen to discuss some of the ethical dilemmas posed by the representation of sexuality and mental disability in documentary. Fremdschämen roughly translates as vicarious embarrassment. It suggests that one can feel embarrassed on behalf of somebody else who seems oblivious to the cause of embarrassment. Does the representation of sexual desire in neurologically diverse people evoke such feelings? And if so, can fremdschämen reveal our own complicity with normative assumptions about neurologically diverse subjects? The article uses Sickles and Santini’s 2017 documentary Dina as a case study to examine these questions. Dina’s protagonist is a neurologically diverse woman who speaks openly about her sexuality and her desires, thus evoking and at the same time challenging normative cultural expectations. The article turns to the film to discuss the relationship between these expectations and the ethics of representing subjects like Dina. It revisits commonly held beliefs about responsibility in documentary filmmaking and reveals a potential conflict between protecting vulnerable subjects and acknowledging and respecting their agency. By introducing the concept of fremdschämen to the discussion of documentary ethics, it asks us to consider not the documentary subject’s ability to conform but our difficulty in accepting non-conformity.","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"17 1","pages":"66 - 81"},"PeriodicalIF":0.6,"publicationDate":"2021-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49215178","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Documentary in Wales: cultures and practices 威尔士纪录片:文化与实践
IF 0.6
Studies in Documentary Film Pub Date : 2021-09-02 DOI: 10.1080/17503280.2021.1971465
J. Medhurst
{"title":"Documentary in Wales: cultures and practices","authors":"J. Medhurst","doi":"10.1080/17503280.2021.1971465","DOIUrl":"https://doi.org/10.1080/17503280.2021.1971465","url":null,"abstract":"","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"15 1","pages":"281 - 282"},"PeriodicalIF":0.6,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44552564","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The face of the environment: environmental human rights on screen 环境的面貌:银幕上的环境人权
IF 0.6
Studies in Documentary Film Pub Date : 2021-06-15 DOI: 10.1080/17503280.2021.1940433
Djoymi Baker
{"title":"The face of the environment: environmental human rights on screen","authors":"Djoymi Baker","doi":"10.1080/17503280.2021.1940433","DOIUrl":"https://doi.org/10.1080/17503280.2021.1940433","url":null,"abstract":"ABSTRACT This article examines eco-documentaries that employ the ethics of the face to engage with the notion of a universal human right to a healthy environment. Climate Refugees (Nash, dir 2010) and I Bought a Rainforest (Searle and Woodward, dir 2014) use close-ups of the human face to bear witness to environmental damage. They each emphasise a shared human right to resources and a safe environment, but in the process often enact colonial discourses that I Bought a Rainforest begins to critique. Terra (Arthus-Bertrand and Pitiot, dir 2015) uses the nonhuman animal face to emphasise an equivalency between human and nonhuman animals in their shared environmental vulnerabilities. Hija de la Laguna (Daughter of the Lake, Cabellos, dir 2015) initially withholds the face to depict the personhood of the environment itself from an Indigenous perspective. These different approaches to the face highlight anthropocentric tensions in the environmental human rights approach to ecological ethics.","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"17 1","pages":"53 - 65"},"PeriodicalIF":0.6,"publicationDate":"2021-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17503280.2021.1940433","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45277588","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Falsehoods in film: documentary vs fiction 电影中的谎言:纪实与虚构
IF 0.6
Studies in Documentary Film Pub Date : 2021-05-04 DOI: 10.1080/17503280.2021.1923145
Stacie Friend
{"title":"Falsehoods in film: documentary vs fiction","authors":"Stacie Friend","doi":"10.1080/17503280.2021.1923145","DOIUrl":"https://doi.org/10.1080/17503280.2021.1923145","url":null,"abstract":"ABSTRACT I claim that we should reject a sharp distinction between fiction and non-fiction according to which documentary is a faithful representation of the facts, whilst fiction films merely invite us to imagine what is made up. Instead, we should think of fiction and non-fiction as genres: categories whose membership is determined by a combination of non-essential features and which influence appreciation in a variety of ways. An objection to this approach is that it renders the distinction too conventional and fragile, undermining our justification for criticising documentaries like Bowling for Columbine or The Hunting Ground for playing fast and loose with the facts. I argue that this objection is misguided, misidentifying the justification for criticising non-fiction films that mislead or deceive. I develop an alternative account that explains why we also criticise many fictions for inaccuracy.","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"15 1","pages":"151 - 162"},"PeriodicalIF":0.6,"publicationDate":"2021-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17503280.2021.1923145","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42603088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
Documentaries and the fiction/nonfiction divide 纪录片与小说/非小说的分野
IF 0.6
Studies in Documentary Film Pub Date : 2021-05-04 DOI: 10.1080/17503280.2021.1923146
M. García‐Carpintero
{"title":"Documentaries and the fiction/nonfiction divide","authors":"M. García‐Carpintero","doi":"10.1080/17503280.2021.1923146","DOIUrl":"https://doi.org/10.1080/17503280.2021.1923146","url":null,"abstract":"ABSTRACT This paper rehearses a debate with Stacie Friend on the nature of the fiction/non-fiction divide. The paper first puts in a sharper focus the dividing issue, arguing that it is ontological in character. It focuses on how the distinction emerges in films, by contrasting fiction films with documentaries; Friend has also discussed films, even though the debate has mostly studied the literary case. The medium does not affect the main issues, but it raises interesting questions. After highlighting two important points of agreement with Friend, in contrast with some other proponents of a similar view on the present debate like Currie, the paper offers a normative account of the distinction, offering reasons to prefer it to Friend’s.","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"15 1","pages":"163 - 174"},"PeriodicalIF":0.6,"publicationDate":"2021-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17503280.2021.1923146","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49114501","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
How documentaries mark themselves out from fiction: a genre-based approach 纪录片如何从小说中脱颖而出:一种基于类型的方法
IF 0.6
Studies in Documentary Film Pub Date : 2021-05-04 DOI: 10.1080/17503280.2021.1923144
John Ellis
{"title":"How documentaries mark themselves out from fiction: a genre-based approach","authors":"John Ellis","doi":"10.1080/17503280.2021.1923144","DOIUrl":"https://doi.org/10.1080/17503280.2021.1923144","url":null,"abstract":"ABSTRACT Assessments of the truthfulness or otherwise of documentaries are best understood as genre conventions which vary historically. Genre conventions are shared between audiences, filmmakers and institutions. Beliefs about the acceptable use of fictional techniques in documentary storytelling, particularly in television, are subject to occasional public controversies. The move from photographic to digital processes underlay one such controversy at the end of the last century. This was particularly the case around the so-called ‘docu-soaps’ on television, but public doubts about the truthfulness of documentary filming meant that many filmmakers developed new approaches. The result is that both public and professional documentary beliefs and practices have changed. Where once observational filming was seen as the bedrock of authenticity, newer approaches have developed a growing emphasis on the assessment of the ‘documentation’ of past events. They frequently gather and interrogate footage and other visual information from very diverse sources. They are seen as evidence in explicit attempts to reconstruct those events.","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"15 1","pages":"140 - 150"},"PeriodicalIF":0.6,"publicationDate":"2021-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17503280.2021.1923144","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47480202","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信
小红书