Documentaries and the fiction/nonfiction divide

IF 0.5 0 FILM, RADIO, TELEVISION
M. García‐Carpintero
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引用次数: 6

Abstract

ABSTRACT This paper rehearses a debate with Stacie Friend on the nature of the fiction/non-fiction divide. The paper first puts in a sharper focus the dividing issue, arguing that it is ontological in character. It focuses on how the distinction emerges in films, by contrasting fiction films with documentaries; Friend has also discussed films, even though the debate has mostly studied the literary case. The medium does not affect the main issues, but it raises interesting questions. After highlighting two important points of agreement with Friend, in contrast with some other proponents of a similar view on the present debate like Currie, the paper offers a normative account of the distinction, offering reasons to prefer it to Friend’s.
纪录片与小说/非小说的分野
摘要本文排练了一场与斯泰西·弗兰德关于小说与非小说分野本质的辩论。本文首先对分歧问题进行了较为尖锐的论述,认为它具有本体论性质。它通过对比小说电影和纪录片,重点关注电影中的区别是如何出现的;Friend也讨论过电影,尽管这场争论主要是研究文学案例。媒体并不影响主要问题,但它提出了有趣的问题。在强调了与Friend达成一致的两个重要观点后,与Currie等对当前辩论持类似观点的其他一些支持者相比,该论文对这一区别进行了规范性描述,并提供了更喜欢Friend的理由。
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来源期刊
Studies in Documentary Film
Studies in Documentary Film FILM, RADIO, TELEVISION-
CiteScore
1.00
自引率
16.70%
发文量
26
期刊介绍: Studies in Documentary Film is the first refereed scholarly journal devoted to the history, theory, criticism and practice of documentary film. In recent years we have witnessed an increased visibility for documentary film through conferences, the success of general theatrical releases and the re-emergence of scholarship in documentary film studies. Studies in Documentary Film is a peer-reviewed journal.
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