Studies in Documentary Film最新文献_第6页

Radical documentary and global crises: militant evidence in the digital age 激进的纪录片和全球危机:数字时代的激进证据

IF 0.6

Studies in Documentary Film Pub Date : 2022-03-06 DOI: 10.1080/17503280.2022.2046738

Madison E Brown

引用次数: 2

Interactive documentary: theory and debate 互动纪录片：理论与辩论

IF 0.6

Studies in Documentary Film Pub Date : 2022-02-17 DOI: 10.1080/17503280.2022.2039429

K. Munro

引用次数: 4

Kashmir: a long winding road to freedom 克什米尔:通往自由的漫长曲折之路

IF 0.6

Studies in Documentary Film Pub Date : 2021-11-22 DOI: 10.1080/17503280.2021.2005456

S. Venkatesan, R. James

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引用次数: 0

Documentary’s ethics of fremdschämen: neurodiversity, vicarious embarrassment and a subject’s right to agency 纪录片中fremdschämen的伦理：神经多样性、替代尴尬和主体的代理权

IF 0.6

Studies in Documentary Film Pub Date : 2021-10-19 DOI: 10.1080/17503280.2021.1981758

Linnéa J. Hussein

{"title":"Documentary’s ethics of fremdschämen: neurodiversity, vicarious embarrassment and a subject’s right to agency","authors":"Linnéa J. Hussein","doi":"10.1080/17503280.2021.1981758","DOIUrl":"https://doi.org/10.1080/17503280.2021.1981758","url":null,"abstract":"ABSTRACT This article uses the German idiom fremdschämen to discuss some of the ethical dilemmas posed by the representation of sexuality and mental disability in documentary. Fremdschämen roughly translates as vicarious embarrassment. It suggests that one can feel embarrassed on behalf of somebody else who seems oblivious to the cause of embarrassment. Does the representation of sexual desire in neurologically diverse people evoke such feelings? And if so, can fremdschämen reveal our own complicity with normative assumptions about neurologically diverse subjects? The article uses Sickles and Santini’s 2017 documentary Dina as a case study to examine these questions. Dina’s protagonist is a neurologically diverse woman who speaks openly about her sexuality and her desires, thus evoking and at the same time challenging normative cultural expectations. The article turns to the film to discuss the relationship between these expectations and the ethics of representing subjects like Dina. It revisits commonly held beliefs about responsibility in documentary filmmaking and reveals a potential conflict between protecting vulnerable subjects and acknowledging and respecting their agency. By introducing the concept of fremdschämen to the discussion of documentary ethics, it asks us to consider not the documentary subject’s ability to conform but our difficulty in accepting non-conformity.","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"17 1","pages":"66 - 81"},"PeriodicalIF":0.6,"publicationDate":"2021-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49215178","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Documentary in Wales: cultures and practices 威尔士纪录片：文化与实践

IF 0.6

Studies in Documentary Film Pub Date : 2021-09-02 DOI: 10.1080/17503280.2021.1971465

J. Medhurst

引用次数: 0

The face of the environment: environmental human rights on screen 环境的面貌:银幕上的环境人权

IF 0.6

Studies in Documentary Film Pub Date : 2021-06-15 DOI: 10.1080/17503280.2021.1940433

Djoymi Baker

引用次数: 1

Falsehoods in film: documentary vs fiction 电影中的谎言:纪实与虚构

IF 0.6

Studies in Documentary Film Pub Date : 2021-05-04 DOI: 10.1080/17503280.2021.1923145

Stacie Friend

引用次数: 5

Documentaries and the fiction/nonfiction divide 纪录片与小说/非小说的分野

IF 0.6

Studies in Documentary Film Pub Date : 2021-05-04 DOI: 10.1080/17503280.2021.1923146

M. García‐Carpintero

引用次数: 6

How documentaries mark themselves out from fiction: a genre-based approach 纪录片如何从小说中脱颖而出：一种基于类型的方法

IF 0.6

Studies in Documentary Film Pub Date : 2021-05-04 DOI: 10.1080/17503280.2021.1923144

John Ellis

{"title":"How documentaries mark themselves out from fiction: a genre-based approach","authors":"John Ellis","doi":"10.1080/17503280.2021.1923144","DOIUrl":"https://doi.org/10.1080/17503280.2021.1923144","url":null,"abstract":"ABSTRACT Assessments of the truthfulness or otherwise of documentaries are best understood as genre conventions which vary historically. Genre conventions are shared between audiences, filmmakers and institutions. Beliefs about the acceptable use of fictional techniques in documentary storytelling, particularly in television, are subject to occasional public controversies. The move from photographic to digital processes underlay one such controversy at the end of the last century. This was particularly the case around the so-called ‘docu-soaps’ on television, but public doubts about the truthfulness of documentary filming meant that many filmmakers developed new approaches. The result is that both public and professional documentary beliefs and practices have changed. Where once observational filming was seen as the bedrock of authenticity, newer approaches have developed a growing emphasis on the assessment of the ‘documentation’ of past events. They frequently gather and interrogate footage and other visual information from very diverse sources. They are seen as evidence in explicit attempts to reconstruct those events.","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"15 1","pages":"140 - 150"},"PeriodicalIF":0.6,"publicationDate":"2021-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17503280.2021.1923144","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47480202","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 6

Virtual reality documentaries and the illusion of presence 虚拟现实纪录片和临场感的幻觉

IF 0.6

Studies in Documentary Film Pub Date : 2021-05-04 DOI: 10.1080/17503280.2021.1923147

Eric Studt

引用次数: 3