Bulletin of Spanish Studies最新文献

{"title":"Los <i>juvenilia</i> teatrales de Lorca: ortodoxia, trascendencia y burla en clave simbolista","authors":"Emilio Peral Vega","doi":"10.1080/14753820.2023.2254140","DOIUrl":"https://doi.org/10.1080/14753820.2023.2254140","url":null,"abstract":"","PeriodicalId":43461,"journal":{"name":"Bulletin of Spanish Studies","volume":"4 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134909318","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Flower Power: Cultivating Creativity in Spanish Women’s Press Writings, 1845–1866","authors":"Christine Arkinstall","doi":"10.1080/14753820.2023.2248766","DOIUrl":"https://doi.org/10.1080/14753820.2023.2248766","url":null,"abstract":"AbstractIn keeping with a long tradition, nineteenth-century poems and poetic anthologies across Anglo-American and European cultures privileged flower tropes. Within Spain a plethora of periodicals and anthologies from 1845 onward bore titles allusive to flowers and gardens, while a number of Spanish women published under floral pseudonyms or represented themselves and each other as flowers. Floral symbolism, however, not only gave female authors license to write within sanctioned codes that identified femininity with nature rather than culture. Importantly, their reworking of floristic imagery allowed them to refashion conventional, socio-cultural parameters, express their subjectivity, affirm creative agency and denounce socio-political ills. Notes1 María Verdejo y Durán, ‘Al señor Don Joaquín de Monistrol’, La Mujer, 7, Año 2, 12 September 1852, p. 5. When quoting from original works, I have modernized spellings throughout.2 Philip Knight, Flower Poetics in Nineteenth-Century France (Oxford: Clarendon Press, 1986), 5–6.3 Beverly Seaton, The Language of Flowers: A History (Charlottesville/London: Univ. of Virginia Press, 1995), 42–44.4 Knight, Flower Poetics in Nineteenth-Century France, 7.5 Seaton, The Language of Flowers, 44–75.6 See Knight, Flower Poetics in Nineteenth-Century France, 18–23, 51–54 & 88–89.7 Knight, Flower Poetics in Nineteenth-Century France, 61 & 246.8 See Susan Kirkpatrick, ‘Flor del agua: la autorrepresentación lírica de Carolina Coronado’, in her Las Románticas: escritoras y subjetividad en España, 1835–1850 (Madrid: Cátedra, 1991), 195–225; and Noël Valis, ‘Autobiography As Insult’, in Culture and Gender in Nineteenth-Century Spain, ed. Lou Charnon-Deutsch & Jo Labanyi (Oxford: Oxford U. P., 1996), 27–52.9 Valis, ‘Autobiography As Insult’, 31.10 This ‘sisterhood’ was a virtual community of female Romantic poets who, during the 1840s, mutually sustained their literary ambitions through publications and epistolary expressions of solidarity in the contemporary press. Regarding the ‘Hermandad Lírica’, see Susan Kirkpatrick, ‘La “hermandad lírica” de la década de 1840’, in Escritoras románticas españolas, ed. Marina Mayoral (Madrid: Fundación Banco Exterior, 1990), 25–41; Antonio Manzano Garías, ‘De una década extremeña y romántica (1845–55)’, Revista de Estudios Extremeños, 25:2 (1969), 281–332 (p. 283); and Marina Mayoral, ‘Las amistades románticas: Confusión de fórmulas y sentimientos’, in Escritoras románticas españolas, ed. Mayoral, 43–71.11 On the Isabelline canon and its writers, see Íñigo Sánchez Llama, Galería de escritoras isabelinas: la prensa periódica entre 1833 y 1895 (Madrid: Cátedra, 2000). On female writers who adopted a moderate liberal respectability, see Mónica Burguera, Las damas del liberalismo respetable: los imaginarios sociales del feminismo liberal en España (1834–1850) (Madrid: Cátedra, 2012).12 Knight, Flower Poetics in Nineteenth-Century France, 241.13 See Pensil del Bello Sexo. Colección de poe","PeriodicalId":43461,"journal":{"name":"Bulletin of Spanish Studies","volume":"55 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136381101","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"‘A un poeta muerto (F. G. L.)’ de Luis Cernuda: Lorca como héroe trágico","authors":"Gabriel Insausti","doi":"10.1080/14753820.2023.2253058","DOIUrl":"https://doi.org/10.1080/14753820.2023.2253058","url":null,"abstract":"","PeriodicalId":43461,"journal":{"name":"Bulletin of Spanish Studies","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134908410","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Comunión <i>vs</i> distanciamiento: un elemento discernidor en los poetas del medio siglo","authors":"Ángel L. Prieto de Paula","doi":"10.1080/14753820.2023.2257056","DOIUrl":"https://doi.org/10.1080/14753820.2023.2257056","url":null,"abstract":"","PeriodicalId":43461,"journal":{"name":"Bulletin of Spanish Studies","volume":"131 1-2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134909287","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Emilia Pardo Bazán, <i>folletinista</i> and ‘noveladora moral’: <i>La dama joven</i> and <i>Mujer</i>","authors":"Gareth Wood","doi":"10.1080/14753820.2023.2246833","DOIUrl":"https://doi.org/10.1080/14753820.2023.2246833","url":null,"abstract":"This article seeks to understand how Emilia Pardo Bazán engaged with and utilized two iterations of creative writing - the folletín and the didactic novel - repudiated by her male peers in Spain's Restoration literary scene. It does so by engaging closely with La dama joven through publication history and close reading of the novella itself. It does likewise with the later novella, Mujer, while situating the discussion with a broad field of recent criticism on both the period and Pardo Bazán herself.","PeriodicalId":43461,"journal":{"name":"Bulletin of Spanish Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136381767","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La creación audiovisual como composición etnográfica: Archivo Cordero*","authors":"Gabriela Zamorano Villarreal","doi":"10.1080/14753820.2023.2258661","DOIUrl":"https://doi.org/10.1080/14753820.2023.2258661","url":null,"abstract":"ABSTRACTEl proceso de producción del documental Archivo Cordero, del cual soy directora, involucró reflexión y diálogo sobre cómo aproximarse a los archivos fotográficos a partir de una combinación de métodos etnográficos, curatoriales y colaborativos. El documental es una exploración de las dimensiones sociales, afectivas e históricas de uno de los archivos visuales más relevantes de Bolivia. Al reivindicar el carácter ‘errante’ y transdisciplinario de esta obra, yo argumento que la producción audiovisual es un espacio fértil para extender las posibilidades del análisis etnográfico mediante prácticas de ‘arqueología de los medios’. Notes1 Italo Calvino, Colección de Arena, trad. Aurora Bernárdez (Madrid: Ediciones Siruela, 1984 [1ª ed. en italiano 1984]), 17.2 De acuerdo con Ximena Soruco, la categoría racial y cultural de ‘cholo o chola’ en Bolivia surge entre los los siglos XIX y XX como una cultura ‘intermedia’, ‘ilegible’ que ‘nunca se estabiliza’ y que por tanto constituye ‘un nosotros colectivo’ pasajero, fluido, móvil, que ‘emplea la propia ambigüedad del término cholo para mantener sus conexiones con ambos mundos [el indígena y el mestizo]’. Ver Ximena Soruco Sologuren, La ciudad de los cholos: mestizaje y colonialidad en Bolivia, siglos XIX y XX (La Paz: Programa de Investigación Estratégica en Bolivia/Lima: Instituto Francés de Estudios Andinos, 2011), 29. Para Soruco, por sus ‘patrones alternativos de ascenso social’, desde inicios del siglo XX la cultura chola ha desafiado al poder y economía criolla y sus propias visiones de ‘progreso y nación’ (29).3 Las fotografías consultadas fueron utilizadas para la investigación del libro: María Lagos & Emilse Escobar, Nos hemos forjado así: al rojo vivo y a puro golpe. Historias del Comité de Amas de Casa de Siglo XX (La Paz: Plural Editores, 2006). Esta investigación también dio lugar al documental Contar para no Olvidar: Comité Amas de Casa de Siglo XX (dir. María Lagos, 2015); disponible en &lt;https://www.youtube.com/watch?v=zmnqaZg4MLI&gt; (último acceso 24 de abril de 2023).4 Ver Media Archaeology: Approaches, Applications, and Implications, ed. Erkki Huhtamo & Jussi Parikka (Berkeley: Univ. of California Press, 2011).5 Aunque se desconoce el número total de piezas que componen el archivo familiar, se puede calcular que son alrededor de 50.000 imágenes entre negativos e impresiones, de las cuales 17.000 imágenes producidas por el fotógrafo pionero entre 1900 y 1920 fueron vendidas a la Alcaldía de La Paz en octubre de 2013. Ver ‘Alcaldía paga Bs 1,4MM por el archivo fotográfico Cordero’, La Razón-La Revista, 16 de octubre de 2013, &lt;https://www.la-razon.com/lr-article/alcaldia-paga-bs-14-mm-por-el-archivo-fotografico-cordero/&gt; (último acceso, 28 de abril de 2023).6 Hugo José Suárez, ‘Archivo Julio Cordero (1900–1961): fotografía del progreso en Bolivia’, Relaciones. Estudios de Historia y Sociedad, 26:104 (2005), 106–33.7 Real Academia Española, Diccionario de la lengua española, edición onlin","PeriodicalId":43461,"journal":{"name":"Bulletin of Spanish Studies","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135569403","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"<i>El somni d’una nit d’estiu</i> en la traducció de Josep Carner: la versificació*","authors":"Marcel Ortín","doi":"10.1080/14753820.2023.2245293","DOIUrl":"https://doi.org/10.1080/14753820.2023.2245293","url":null,"abstract":"Josep Carner’s translation of A Midsummer’s Night Dream (El somni d’una nit d’estiu, 1908) is but an indirect version, based on François-Victor Hugo’s prose translation into French. However, its solutions are not fully dependent on those of the French text: they are often determined by a sophisticated new versification which put strict requirements of metre and rhyme. This article first shows that Carner’s decisions regarding word choice and order, verse forms, and transfer of literal sense, are mutually conditioned; then it gives reasons for his aim at language innovation and virtuosity in versification at this initial stage of his career.","PeriodicalId":43461,"journal":{"name":"Bulletin of Spanish Studies","volume":"80 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135778470","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Rethinking Tenderness in the Early Poetry of Juan Gelman","authors":"Ben Bollig","doi":"10.1080/14753820.2023.2249343","DOIUrl":"https://doi.org/10.1080/14753820.2023.2249343","url":null,"abstract":"The poetry of Juan Gelman (1930–2014) is eminently suited to an edition of BSS that simultaneously celebrates a centenary of Hispanist research in the UK and attempts to survey the current state of the field. Gelman—poet, journalist and political activist—with an oeuvre that emerges from the socially engaged verse of the 1950s, engaging with Anglophone poetry, pseudonymous translations mysticism, and culminating in the Premio Cervantes 2007. An assessment of his early work, particularly the presence of ternura therein, draws on influential work in affect theory and speaks to signal moments in the history of UK Hispanism.","PeriodicalId":43461,"journal":{"name":"Bulletin of Spanish Studies","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135854544","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"On the Matter of Imitation: Spanish Petrarchism, Boscán and Garcilaso","authors":"Anne J. Cruz","doi":"10.1080/14753820.2023.2246799","DOIUrl":"https://doi.org/10.1080/14753820.2023.2246799","url":null,"abstract":"AbstractThis essay revisits and reassesses the first major renewal of Spain’s lyric tradition led by Juan Boscán and Garcilaso de la Vega. While not pretending to discover or disclose new revelations, it regards anew the historiography of the reception by both these poets of Petrarchism, a cultural project that has by now entered the mythology of Spanish poetry. I reflect on earlier Spanish literary histories, rereading their texts alongside late twentieth-century theories of imitation and recent critical and theoretical studies of early modern poetic production to sketch a brief trajectory of the shifting contours of Spanish Renaissance poetry and poetics. Notes1 Louise Glück, ‘Formaggio’, in The New Bread Loaf Anthology of Contemporary American Poetry, ed. Michael Collier & Stanley Plumly (Hanover/London: Univ. Press of New England, 1999), 92.2 The move toward historical reckoning, as posited by ‘New Historicism’, has been compared to the cultural materialism in vogue in Britain. See Steven Greenblatt, Renaissance Self-Fashioning: From More to Shakespeare (Chicago/London: Univ. of Chicago Press, 1980). For a perspective of the two, see John Brannigan, New Historicism and Cultural Materialism (London: Bloomsbury Academic, 2016).3 The binarism of these critical methods had its critics. Writing in 1981, Jerome McGann praised intrinsic studies as ‘the most influential work in literary criticism during the past fifty years’ (‘The Text, the Poem, and the Problem of Historical Method’, in Interpretation and Literary History, New Literary History, 12:2 [1981], 269–88 [p. 269]). See also Robert Foulke, ‘Intrinsic vs Extrinsic Criticism: A Valid Distinction?’, Modern Language Studies, 7:2 (1977), 3–10.4 George W. Pigman, III, ‘Versions of Imitation in the Renaissance’, Renaissance Quarterly, 33:1 (1980), 1–32; Thomas M. Greene, ‘Petrarch and the Humanist Hermeneutics’, in Italian Literature: Roots and Branches: Essays in Honor of Thomas Goddard, ed. Giose Rimanelli & Kenneth John Atchity (New Haven, CT: Yale U. P., 1976), 201–24.5 There are almost 2,000 entries of books, articles and reviews on imitation in Renaissance Quarterly alone. Important twentieth-century studies before Greene include the above-mentioned John Edwin Sandys, Harvard Lectures on the Revival of Learning (Cambridge: Cambridge U. P., 1905); Richard McKeon, ‘Literary Criticism and the Concept of Imitation in Antiquity’, Modern Philology, 34:1 (1936), 1–35; Nancy S. Struever, The Language of History in the Renaissance: Rhetoric and Historical Consciousness in Florentine Humanism (Princeton: Princeton U. P., 1970); John M. Steadman, The Lamb and the Elephant: Ideal Imitation and the Context of Renaissance Allegory (San Marino: Huntington Library, 1974); Elaine Fantham, ‘Imitation and Evolution: The Discussion of Rhetorical Imitation in Cicero De oratore 2.87–97 and Some Related Problems of Ciceronian Theory’, Classical Philology, 73:1 (1978), 1–16; Elaine Fantham, ‘Imitation and Decline: ","PeriodicalId":43461,"journal":{"name":"Bulletin of Spanish Studies","volume":"126 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134975533","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Black Festive Practices in the Early Modern Iberian World: Sources and Challenges","authors":"Miguel A. Valerio","doi":"10.1080/14753820.2023.2246796","DOIUrl":"https://doi.org/10.1080/14753820.2023.2246796","url":null,"abstract":"AbstractIn the early-modern Iberian world, people of African descent engaged in festive practices both in isolation and as part of wider religious and civic communities. Based on contemporary chronicles, festival accounts and visual sources, our knowledge of these practices remains partial, both because contemporary writers and artists were largely non-Black and because these authors and artists inscribed these traditions within the Eurocentric exotic genre. In this article, I turn to festival accounts, government reports and visual sources, discuss the challenges and opportunities they present and develop diasporic, transgeographic and transtemporal methodologies allowing us to identify continuities across the Afro-Iberian diaspora. Notes1 Bernal Díaz del Castillo, Historia verdadera de la conquista de la Nueva España (manuscrito ‘Guatemala’) (1632), ed. José Antonio Barbón Rodríguez (México D.F.: Colegio de México/UNAM, 2005), Chapter 201, 755. The original manuscript had ‘más de çiento y çinquenta’ (Historia verdadera, ed. Barbón Rodríguez, 755, note 5; emphasis added). Díaz del Castillo, writing some fifty years after the events he describes, later crosses out ‘çiento y’. On the Indigenous elements of these festivities, see Patricia Lopes Don, ‘Carnivals, Triumphs, and Rain Gods in the New World: A Civic Festival in the City of México-Tenochtitlán in 1539’, Colonial Latin American Review, 6:1 (1997), 17–40.2 This armistice ended the second of the three Italian Wars (1521–1526, 1536–1538 and 1542–1546) sparked by Charles V’s election as Holy Roman Emperor. This ceasefire was significant for New Spain (as colonial Mexico was then known) because the Emperor’s war with France had caused instability in the viceroyalty. See David Porter, Renaissance France at War: Armies, Culture and Society, c.1480–1560 (Woodbridge: Boydell Press, 2008), 30–37.3 The most famous example is Estebanico in Álvar Nuñez Cabeza de Vaca’s Naufragios (1542).4 Andrés Pérez de Rivas, Corronica y historia religiosa de la provincia de la Compañia de Jesús de Mexico en Nueva España, 2 vols (Ciudad de México: Sagrado Corazón, 1896), I, 250–51.5 Peter Mason, Infelicities: Representations of the Exotic (Baltimore: Johns Hopkins U. P., 1998), 40.6 On autoethnography in this performative tradition, see Miguel A. Valerio, Sovereign Joy: Afro-Mexican Kings and Queens, 1539–1540 (Cambridge: Cambridge U. P., 2022), Chapter 3.7 On early modern Black Christian identity, see, for example, Chloe Ireton, ‘ “They Are Blacks of the Caste of Black Christians”: Old Christian Black Blood in the Sixteenth and Early Seventeenth-Century Iberian Atlantic’, Hispanic American Historical Review, 97:4 (2017), 579–612. On Afropolitanism, see Achille Mbembe, ‘Afropolitanism’, Nka, 46 (2020), 56–61.8 ‘Requerimento dos Pretos devotos da S[enhora] do Rosario da Bahia’, Bahia, 1786, Arquivo Histórico Ultramarino, Bahia, cx. 71, doc. 12235 (cota antiga), s.f.; English translation available, in Patricia A. Mulve","PeriodicalId":43461,"journal":{"name":"Bulletin of Spanish Studies","volume":"95 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134975535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}