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PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY最新文献

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Authenticity, Complaint, and the Russianness of American Jewish Literature 美国犹太文学的真实性、抱怨性与俄罗斯性
3区 文学
PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY Pub Date : 2018-06-22 DOI: 10.2979/PROOFTEXTS.36.3.02
Gabriella Safran
{"title":"Authenticity, Complaint, and the Russianness of American Jewish Literature","authors":"Gabriella Safran","doi":"10.2979/PROOFTEXTS.36.3.02","DOIUrl":"https://doi.org/10.2979/PROOFTEXTS.36.3.02","url":null,"abstract":"Abstract:Bernard Malamud, Saul Bellow, Philip Roth, and their critics embraced the notion that their work displayed an affinity to Russian and Yiddish literature, especially to the work of Fyodor Dostoevsky, Nikolai Gogol, and Sholem Aleichem. Like these writers, the prominent American Jewish writers of the 1960s were understood as producing writing that emerged from their authentic, often negative emotions, work that voiced complaints. I first describe this generation's playful claiming of a Russian and Jewish genealogy, their definition of the Russian and Yiddish writers as a collective worthy of copying. I then use close readings of six passages to evaluate the American writers' assertions about their influence by the Russian and Yiddish ones. I compare the inset oral and written complaints in Roth and Bellow with those in Gogol, Dostoevsky, and Sholem Aleichem, both acknowledging their striking formal similarities and distinguishing the comic, satirically presented literary complaints of prerevolutionary Russia from the potentially more therapeutically oriented—albeit still satirical—literary complaints of postwar America. Finally, I look outside the literary texts to understand why it was appealing to 1960s American writers to think of themselves as influenced by prerevolutionary Russian and Yiddish verbal art. This article situates the American Jewish writers and their critics in an aural environment where Russian and Yiddish sounds were increasingly available in entertainment and where they were associated with authenticity and political opposition. In spite of the formal parallels among the American Jewish, Russian, and Yiddish literary complaints, and in spite of Roth and Bellow representing themselves compellingly as imitators, I argue that they need to be understood instead in their own national and temporal communicative context.","PeriodicalId":43444,"journal":{"name":"PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75557333","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
The Narrowing of the Creative Vein: Yankev Glatshteyn and the Poetics of Sclerosis 创作静脉的狭窄:洋基·格拉茨廷与硬化的诗学
3区 文学
PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY Pub Date : 2018-06-22 DOI: 10.2979/PROOFTEXTS.36.3.04
Sunny S. Yudkoff
{"title":"The Narrowing of the Creative Vein: Yankev Glatshteyn and the Poetics of Sclerosis","authors":"Sunny S. Yudkoff","doi":"10.2979/PROOFTEXTS.36.3.04","DOIUrl":"https://doi.org/10.2979/PROOFTEXTS.36.3.04","url":null,"abstract":"Abstract:The following paper attends to the metaphorics of sclerosis across the poetry, prose, and criticism of the twentieth-century Yiddish writer Yankev Glatshteyn. I first turn my attention to his 1920 poem, \"Arteriosclerosis,\" which takes as its subject an elderly man whose slow death by vascular constriction perfuses into the form and rhythm of the poem. The text has received scant scholarly attention, yet it stands as a performative intervention into modernist poetics and the development of Yiddish free verse. Furthermore, as my reading shows, this poem is also a hermeneutic key to Glatshteyn's 1940 novel, Ven Yash iz gekumen. Although Glatshteyn is not known as a particularly sanguine writer or as a writer of disease, the following paper demonstrates the centrality of the motif of sclerosis across his oeuvre. Indeed, sclerosis reveals what I call his \"poetics of deformation,\" a modernist aesthetic that is simultaneously generative and incapacitating.","PeriodicalId":43444,"journal":{"name":"PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85117762","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Listening Anew to the Jewish Voice 重新聆听犹太人的声音
3区 文学
PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY Pub Date : 2018-06-22 DOI: 10.2979/PROOFTEXTS.36.3.01
S. Weitzman
{"title":"Listening Anew to the Jewish Voice","authors":"S. Weitzman","doi":"10.2979/PROOFTEXTS.36.3.01","DOIUrl":"https://doi.org/10.2979/PROOFTEXTS.36.3.01","url":null,"abstract":"Abstract:Launched from an essay published by Robert Alter in 1995, this essay introduces a forum that aims to bring new perspectives to bear on the \"Jewish voice\" as represented by American Jewish writers. Alter defines the Jewish voice as a cluster of characteristic speech habits that could be traced back to the culture of Yiddishkeit. Is the use of this voice by American writers, transmuted into English, evidence that an essential quality of Eastern European Jewish culture has persisted as a part of American Jewish life even in the face of all the social, cultural, and linguistic changes of the last century: the end of immigration as a formative experience for most Jews, the decline of Yiddish as a living language, and the integration of Jews into mainstream linguistic culture? The essays featured here suggest new ways to think about this question, as they focus in different ways on how the Jewish voices imagined by American Jewish authors are heard by the listeners to whom they address themselves.","PeriodicalId":43444,"journal":{"name":"PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77500915","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Scriptural Intertextuality in the Poetry of a Late Andalusi Convert 晚期安达卢西亚皈依者诗歌中的经文互文性
3区 文学
PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY Pub Date : 2018-06-22 DOI: 10.2979/PROOFTEXTS.36.3.05
R. Friedman
{"title":"Scriptural Intertextuality in the Poetry of a Late Andalusi Convert","authors":"R. Friedman","doi":"10.2979/PROOFTEXTS.36.3.05","DOIUrl":"https://doi.org/10.2979/PROOFTEXTS.36.3.05","url":null,"abstract":"Abstract:This article provides a translation and analysis of the only extant Hebrew poem attributed to the Andalusi poet Ibrāhīm ibn Sahl al-Isrāʾīlī. This poem, a baqqashah (Jewish liturgical appeal), oscillates between despair and hope for the redemption of the Jewish people. A careful reading of the poem reveals it to be a rich expression of optative return from exile, especially in light of intertextuality with a passage on redemption drawn from Isaiah 62 as well as significant patterns of soundplay. Ibn Sahl was also a well-known Arabic-language poet whose collection of verse in that language is dominated by lachrymose poems of longing for a distant beloved, many of which yearn for an object of desire called Mūsā, the Arabic name for Moses. Reading the baqqashah together with Ibn Sahl's Arabic poetry invites a wider discussion of the poet's bilingual oeuvre.","PeriodicalId":43444,"journal":{"name":"PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73151378","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
"His Ancestors Were Calling Him Back to His Origins": Zionism and the Poetics of Space in the Early Work of S. Yizhar “他的祖先在召唤他回归本源”:伊兹哈尔早期作品中的犹太复国主义与空间诗学
3区 文学
PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY Pub Date : 2018-06-22 DOI: 10.2979/PROOFTEXTS.36.3.07
Amit Assis
{"title":"\"His Ancestors Were Calling Him Back to His Origins\": Zionism and the Poetics of Space in the Early Work of S. Yizhar","authors":"Amit Assis","doi":"10.2979/PROOFTEXTS.36.3.07","DOIUrl":"https://doi.org/10.2979/PROOFTEXTS.36.3.07","url":null,"abstract":"Abstract:S. Yizhar's literary persona is known to be central in the making of the Sabra identity. This article offers an interpretation of the role played by his poetics of space in shaping both the spatial and social boundaries of this new elitist identity. These boundaries are read as driven by poetic interests in a Zionist literary context. For Zionist literature, representing the land of Israel as real is the literary equivalent of the theopolitical shift from myth to history. The Sabra generation is expected to overcome Jewish strangeness and to capture the land both politically and literarily. But Yizhar's poetics refuses to grasp the land; it follows modern philosophy and sees the full representation of reality as impossible, hence he creates boundaries for the poetic self. This refusal to fully represent is portrayed here as creating the political sense of boundaries out of poetics. Yizhar's poetics of space is demonstrated in the short stories included in Sipurei mishor and the story \"The Prisoner\" as well as in his spatial stance both in Jewish-Arab conflict and in questions of nature preservation. His point of view appears as kernel that can explain sociopolitical trends in modern Israel and its quasireligious motivation.","PeriodicalId":43444,"journal":{"name":"PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89093299","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Subjects in Question: Jewish Storytelling as Counterethnography 问题的主题:作为反民族志的犹太人故事
3区 文学
PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY Pub Date : 2018-06-22 DOI: 10.2979/PROOFTEXTS.36.3.03
J. Levinson
{"title":"Subjects in Question: Jewish Storytelling as Counterethnography","authors":"J. Levinson","doi":"10.2979/PROOFTEXTS.36.3.03","DOIUrl":"https://doi.org/10.2979/PROOFTEXTS.36.3.03","url":null,"abstract":"Abstract:This article proposes a view of Jewish storytelling according to which the meaning of a given Jewish story should be sought in its implicit representation of the fantasies, desires, psychic conflicts, and self-idealizations of a specific set of readers or listeners. The unique role of Jewish storytellers, according to this theory, is to identify and re-present the quandaries, anxieties, and fantasies their audience have as Jews. That is, these are quandaries, anxieties, and fantasies bound up with an individual Jew's sense of himself or herself as a Jew. In order to make this argument, I draw a distinction between two models of Jewish storytelling: an ethnographic model, which conceives of stories as reflection of some underlying, largely coherent cultural ethos, and a counterethnographic model, according to which stories expose prevailing self-conceptions and fantasies of specific Jewish audiences. The first model is elaborated through a reading of a widely disseminated Hasidic story about a rebbe who saves the community by telling a story about a lost ritual in the forest. The second model is elaborated through a reading of Nathan's parable to King David in 2 Samuel about the rich man and the ewe lamb. Examples of this audience-based, counterethnographic mode of reading are adduced from stories by Isaac Babel, Grace Paley, and Isaac Bashevis Singer. In these stories, three modern Jewish types—the heedless gangster, the woman whose life force bursts all decorum, the resolute returnee to Orthodoxy—are read as wish fulfillments of modern Jewish readers.","PeriodicalId":43444,"journal":{"name":"PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91003139","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Sting of Satire: The Jesus Figure in Immanuel of Rome's Hell 讽刺的刺:罗马地狱以马内利中的耶稣形象
3区 文学
PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY Pub Date : 2018-06-22 DOI: 10.2979/PROOFTEXTS.36.3.06
Dana W. Fishkin
{"title":"The Sting of Satire: The Jesus Figure in Immanuel of Rome's Hell","authors":"Dana W. Fishkin","doi":"10.2979/PROOFTEXTS.36.3.06","DOIUrl":"https://doi.org/10.2979/PROOFTEXTS.36.3.06","url":null,"abstract":"Abstract:This article explores Jewish-Christian relations in Italy from a new vantage point: the poetic Hebrew literature composed by Immanuel of Rome in the fourteenth century. By focusing on a particular sinner in Immanuel's hell, the Jesus figure, the article illuminates the ways in which Immanuel marshaled polemical imagery from Ashkenazic and Sephardic sources as well as the Talmud and biblical exegesis. It also explores the ways in which Immanuel subverted his model text, Dante's Comedy, to insult Christianity and its holiest figure. This examination sheds light on Immanuel's textual and glossatorial practices, as well as his engagement with anti-Christian invective that was developing throughout thirteenth- and fourteenth-century Europe.","PeriodicalId":43444,"journal":{"name":"PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73855389","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Measuring Distances: Hebrew Essayists Reading World Literature 测量距离:希伯来散文家阅读世界文学
3区 文学
PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY Pub Date : 2018-01-10 DOI: 10.2979/PROOFTEXTS.36.1-2.02
D. Berdichevsky
{"title":"Measuring Distances: Hebrew Essayists Reading World Literature","authors":"D. Berdichevsky","doi":"10.2979/PROOFTEXTS.36.1-2.02","DOIUrl":"https://doi.org/10.2979/PROOFTEXTS.36.1-2.02","url":null,"abstract":"Abstract:In this article I discuss the late essayistic prose of two Hebrew writers, essayists, and readers of world literature—Leah Goldberg and Shlomo Grodzensky. Both of these writers belonged to a distinct generation of intellectuals in Hebrew literature. Grodzensky named this generation \"the children of World War I.\" This article focuses on their essays written during the 1960s, as they became the last representatives of world literature in the Israeli-Hebrew literary republic. Their work as unique writers and as members of their literary generation represented a critical moment in the history of Hebrew modern literature, a moment of renegotiation of the boundaries of national literature in a multilingual world. Goldberg's and Grodzensky's essayistic prose showed a new and empathic relation of the Hebrew text toward foreign words. Furthermore, a central claim in this article is that these writers' self-estranged mode of mediation modestly posed a question mark over the very notion of a Jewish national unified native language.","PeriodicalId":43444,"journal":{"name":"PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82347088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Literary Fortresses: Translation and "World Literature" in Y. Ḥ Brenner's Beyond the Borders and "From the World of Our Literature" 文学堡垒:Y.的翻译与“世界文学”Ḥ布伦纳的《超越国界》与《来自我们的文学世界》
3区 文学
PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY Pub Date : 2018-01-10 DOI: 10.2979/PROOFTEXTS.36.1-2.08
Danielle Drori
{"title":"Literary Fortresses: Translation and \"World Literature\" in Y. Ḥ Brenner's Beyond the Borders and \"From the World of Our Literature\"","authors":"Danielle Drori","doi":"10.2979/PROOFTEXTS.36.1-2.08","DOIUrl":"https://doi.org/10.2979/PROOFTEXTS.36.1-2.08","url":null,"abstract":"Abstract:In the study of comparative literature today, World Literature has come to function as a subdiscipline that probes the circulation of literary texts, seeking to overcome or minimize cultural hierarchies. While proponents of World Literature view translation as the ultimate vehicle for achieving these goals, critics emphasize the limits of translation and the need to acknowledge cultural asymmetries rather than assume they might be abolished. In the work of the Hebrew writer Y. H. Brenner (1881–1921), one finds similar discussions around translation and linguistic and cultural hierarchies. Brenner's 1907 play Beyond the Borders (Me'ever lagvulin) tackles explicitly the issue of literary marginality, anticipating contemporary discussions around World Literature. Brenner's 1908 review-essay \"From the World of Our Literature\" (Me'olam sifruteinu) complements the play, grappling with the question of what makes a literary work worthy of translation. In both works, Brenner refers to the Norwegian playwright Henrik Ibsen as a problematic example of global or European literary fame. In discussing Ibsen, Brenner converses implicitly with the Danish literary critic Georg Brandes, whose work and success drew the attention of Hebrew intellectuals at the beginning of the twentieth century. Offering an analysis of the representation of translation in Brenner's play and review essay, this article compares Brenner's ideas to the ideas that Brandes articulated in his 1899 essay \"World Literature\" (Weltliteratur). The article argues that at a time in which nationalist and internationalist views clashed in Europe, both Brandes and Brenner offered a nuanced, ambivalent understanding of translation and marginality, which challenges the assumptions shared by proponents of World Literature today.","PeriodicalId":43444,"journal":{"name":"PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85959151","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Questioning Weltliteratur: Heinrich Heine, Leah Goldberg, and the Department of Comparative Literature at the Hebrew University of Jerusalem 质疑世界文学:海因里希·海涅、利亚·戈德堡和耶路撒冷希伯来大学比较文学系
3区 文学
PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY Pub Date : 2018-01-10 DOI: 10.2979/PROOFTEXTS.36.1-2.09
Na’ama Rokem
{"title":"Questioning Weltliteratur: Heinrich Heine, Leah Goldberg, and the Department of Comparative Literature at the Hebrew University of Jerusalem","authors":"Na’ama Rokem","doi":"10.2979/PROOFTEXTS.36.1-2.09","DOIUrl":"https://doi.org/10.2979/PROOFTEXTS.36.1-2.09","url":null,"abstract":"Abstract:This article examines Jewish responses to the discourse of Weltliteratur and its universalist, humanistic underpinnings in the nineteenth and twentieth centuries. It compares Heinrich Heine's polemical rejoinder to Goethe's use of the term in his long narrative poem \"Atta Troll\" (1843) with Leah Goldberg's comments on Goethe in a lecture on comparative literature in the 1960s, to make the point that Jewish authors repeatedly used Weltliteratur as a foil through which to think their ambivalent position within European literature. The article also presents a brief history of comparative literary studies at the Hebrew University of Jerusalem, to make the point that this field is a fascinating lens through which to consider the formation of the University and its role in the Zionist movement.","PeriodicalId":43444,"journal":{"name":"PROOFTEXTS-A JOURNAL OF JEWISH LITERARY HISTORY","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81685125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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