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Ric Knowles. International Theatre Festivals and 21st-Century Interculturalism 里克-诺尔斯国际戏剧节与 21 世纪跨文化主义
IF 0.3 2区 艺术学
MODERN DRAMA Pub Date : 2023-12-01 DOI: 10.3138/md-66-4-rev5
Emine Fişek
{"title":"Ric Knowles. International Theatre Festivals and 21st-Century Interculturalism","authors":"Emine Fişek","doi":"10.3138/md-66-4-rev5","DOIUrl":"https://doi.org/10.3138/md-66-4-rev5","url":null,"abstract":"Knowles presents a rich overview of how twenty-first-century theatre and performance festivals contribute to fostering intercultural collaboration, exchange, and community-building. Drawing on a mixed methodology and featuring global case studies, the book sits at the intersection of scholarship on festivalization, urban entrepreneurialism, and the new interculturalism studies.","PeriodicalId":43301,"journal":{"name":"MODERN DRAMA","volume":"48 3","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139191996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jesse Gardiner. Soviet Theatre during the Thaw: Aesthetics, Politics and Performance 杰西-加德纳解冻时期的苏联戏剧：美学、政治与表演
IF 0.3 2区 艺术学
MODERN DRAMA Pub Date : 2023-12-01 DOI: 10.3138/md-66-4-rev4
Laurence Senelick
{"title":"Jesse Gardiner. Soviet Theatre during the Thaw: Aesthetics, Politics and Performance","authors":"Laurence Senelick","doi":"10.3138/md-66-4-rev4","DOIUrl":"https://doi.org/10.3138/md-66-4-rev4","url":null,"abstract":"This is a study of the effects on the Soviet theatre of the political “Thaw” following Stalin’s death in 1953. It concentrates on a number of case studies to show how previously repressed artistic movements were revived and how a new freedom of expression, both in staging and playwriting, navigated through censorship and inconsistent state policy.","PeriodicalId":43301,"journal":{"name":"MODERN DRAMA","volume":"27 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139193832","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Shepard’s Political Economy: Curse of the Starving Class in Neoliberal Capitalism 谢泼德的政治经济学新自由资本主义中饥饿阶级的诅咒
IF 0.3 2区 艺术学
MODERN DRAMA Pub Date : 2023-12-01 DOI: 10.3138/md-66-4-1267
Guy Zimmerman
{"title":"Shepard’s Political Economy: Curse of the Starving Class in Neoliberal Capitalism","authors":"Guy Zimmerman","doi":"10.3138/md-66-4-1267","DOIUrl":"https://doi.org/10.3138/md-66-4-1267","url":null,"abstract":"Through a close reading of Sam Shepard’ Curse of the Starving Class (1977), this article examines how the playwright’ work responded to the neoliberal economy as it began to deform and reorganize the lives of working Americans in the 1960s and 1970s by figuring neoliberalism as a nihilistic form of capitalism that cannot be adequately depicted via dramatic realism. Drawing inspiration from the work of Samuel Beckett, Curse engages neoliberalism through three formal devices: ceremonial monologues, objects that appear to magically proliferate, and elements of sacrifice – a lamb, fattened for slaughter. These three motifs are shown to subvert the causal logic of normative dramatic narrative to depict instead the new mode of neoliberal capitalism in which competition destroys familial bonds, creating only isolated individuals. It is precisely by integrating such Beckettian techniques within a realist envelope that Shepard made his family plays into a formidable demonstration of what it means to live within late industrial capitalism.","PeriodicalId":43301,"journal":{"name":"MODERN DRAMA","volume":"54 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139195916","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The “Nature of Theatre”: Herder’s Pursuit of a Human Theatre 戏剧的本质"：赫尔德对人类戏剧的追求
IF 0.3 2区 艺术学
MODERN DRAMA Pub Date : 2023-12-01 DOI: 10.3138/md-66-4-1258
Catherine Girardin
{"title":"The “Nature of Theatre”: Herder’s Pursuit of a Human Theatre","authors":"Catherine Girardin","doi":"10.3138/md-66-4-1258","DOIUrl":"https://doi.org/10.3138/md-66-4-1258","url":null,"abstract":"Johann Gottfried Herder is primarily known for his writings on the philosophy of history, linguistics, and theology; his ideas about theatre have been largely overlooked. His interest in the history of various human cultures and his significant influence on the birth of anthropology shaped his unique approach to aesthetics and theatre. This article asks how he understood nature in theatre – more precisely, the possibility of producing a natural theatre during the Enlightenment, an age dominated by the celebration of reason. By examining Herder’s use of terms related to nature in multiple sources that have almost never been investigated – including some of Herder’s manuscripts, fragments, and short texts on theatre – this article shows that there is a link between Herder’s reflections on drama and theatre, nourished by his engagement with various disciplines, especially history, and the theatrical issues that would preoccupy his successors in the centuries to come. Herder’s conception of a natural theatre resonates in particular with Bertolt Brecht’s desire for the stage to represent the human condition as a historical process.","PeriodicalId":43301,"journal":{"name":"MODERN DRAMA","volume":"75 3","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139188151","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Shannon Jackson. Back Stages: Essays across Art, Performance, and Public Life 香农杰克逊。后台:横跨艺术、表演和公共生活的散文
2区 艺术学
MODERN DRAMA Pub Date : 2023-09-01 DOI: 10.3138/md-66-3-rev04
Joseph Cermatori
{"title":"Shannon Jackson. <i>Back Stages: Essays across Art, Performance, and Public Life</i>","authors":"Joseph Cermatori","doi":"10.3138/md-66-3-rev04","DOIUrl":"https://doi.org/10.3138/md-66-3-rev04","url":null,"abstract":"This review surveys Shannon Jackson’s Back Stages: Essays across Art, Performance, and Public Life, which collects eighteen of Jackson’s previously un-anthologized essays, together with a new introduction and epilogue, and provides a rich overview of her recent views of performance, contemporary art, and radical politics.","PeriodicalId":43301,"journal":{"name":"MODERN DRAMA","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135638645","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Corey Wakeling. Beckett’s Laboratory: Experiments in the Theatre Enclosure 科里Wakeling。贝克特的实验室:剧院围墙内的实验
2区 艺术学
MODERN DRAMA Pub Date : 2023-09-01 DOI: 10.3138/md-66-3-rev08
Nicholas Johnson
{"title":"Corey Wakeling. <i>Beckett’s Laboratory: Experiments in the Theatre Enclosure</i>","authors":"Nicholas Johnson","doi":"10.3138/md-66-3-rev08","DOIUrl":"https://doi.org/10.3138/md-66-3-rev08","url":null,"abstract":"Beckett’s Laboratory argues that Beckett’s dramaturgy, rehearsal practices, collaborators, and legacy constitute a laboratory for experiments in human behaviour as well as developing new forms and uses for the theatre itself. Despite inconsistencies in structure and some rhetorical excesses, the book advances the cause of a more “open” Beckettian futurity.","PeriodicalId":43301,"journal":{"name":"MODERN DRAMA","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135638650","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Exhibiting the Nation: Identity and (Post)colonial Aesthetics in Hannah Khalil’s A Museum in Baghdad 展示国家:汉娜·哈利勒的巴格达A博物馆的身份和(后)殖民美学
2区 艺术学
MODERN DRAMA Pub Date : 2023-09-01 DOI: 10.3138/md-66-3-1238
Carmen Levick
{"title":"Exhibiting the Nation: Identity and (Post)colonial Aesthetics in Hannah Khalil’s <i>A Museum in Baghdad</i>","authors":"Carmen Levick","doi":"10.3138/md-66-3-1238","DOIUrl":"https://doi.org/10.3138/md-66-3-1238","url":null,"abstract":"Hannah Khalil’s play A Museum in Baghdad and its 2019 staging by the Royal Shakespeare Company focus on the complex relationship between museum and theatre as memory institutions. This relationship was enhanced by metatheatrical connections between the performance of the museum on stage, the accompanying displays in the Royal Shakespeare Theatre lobby and gift shop, and the spectators who entered the Swan Theatre auditorium. The exploration of the intricate exchange between performance, space, and audience reveals the paramount importance of two specific issues: the politics of display and the performative aspect of nation-making within national institutions. Using postcolonial and decolonial frameworks, my analysis probes the ways in which theatre may offer a better understanding of dramaturgies of display in museums through the exposure and critique of the complex cultural and social challenges that emerge from the interdependence between national cultural institutions and official narratives of belonging (such as the lack of representation of marginalized communities, homogenized views of cultural development, or targeted financial support for institutions that adhere to state narratives). Khalil’s theatrical depiction of the political intricacies of curatorial decision-making allows for a sobering examination of both the role of museums in the creation of national narratives of identity and the responsibility of the theatre to uncover the cultural mechanisms used to enforce such narratives.","PeriodicalId":43301,"journal":{"name":"MODERN DRAMA","volume":"73 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135637565","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Touching Back while Black: Self-Defence and the Politics of Black US Citizenship in Paul Green’s In Abraham’s Bosom 在保罗·格林的《在亚伯拉罕的怀抱》中，黑人的自卫和美国黑人公民身份的政治
2区 艺术学
MODERN DRAMA Pub Date : 2023-09-01 DOI: 10.3138/md-66-3-1086
Angela M. Farr Schiller
{"title":"Touching Back while Black: Self-Defence and the Politics of Black US Citizenship in Paul Green’s <i>In Abraham’s Bosom</i>","authors":"Angela M. Farr Schiller","doi":"10.3138/md-66-3-1086","DOIUrl":"https://doi.org/10.3138/md-66-3-1086","url":null,"abstract":"Considering the critical methods of performance studies, critical race studies, and sensorial studies, this article analyses the creation of social identities through the rubric of touch – a tactile sensibility that provides a cultural foundation for the mis perception of bodies as racialized subjects. Touch has been an under-researched and under-utilized methodology for understanding how race works. Specifically attending to the historical period of Jim Crow in the early twentieth century because of its deeply held investments in the politics of separateness, this article examines Paul Green’s 1926 Pulitzer Prize–winning play In Abraham’s Bosom as one of the rare dramas during this period that actually showed Black acts of touching back on the stage. Green challenges his audience to contend with an oppressive Jim Crow racial regime that forced African Americans to establish alternative modes of freedom outside of more traditional expressions of autonomy and citizenship. Reading Green’s work in this way allows for a consideration of the differing strategies at play in the fight toward equality for Black Americans. Taking up tactility, in the context of the United States, as a cultural system used to mark bodies as raced and weaponized to uphold white supremacy, this essay approaches touch as a performative act that is meaningful, effective, and consequential, thereby grappling with the present ways that American society underestimates the social, political, and cultural power that touch wields in our understanding of social identities.","PeriodicalId":43301,"journal":{"name":"MODERN DRAMA","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135637569","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gustavo Martín Rodríguez, ed. Bernard Shaw and the Spanish-Speaking World 古斯塔沃Martín Rodríguez编:《萧伯纳与西班牙语世界》
2区 艺术学
MODERN DRAMA Pub Date : 2023-09-01 DOI: 10.3138/md-66-3-rev06
Ellen Ecker Dolgin
{"title":"Gustavo Martín Rodríguez, ed. <i>Bernard Shaw and the Spanish-Speaking World</i>","authors":"Ellen Ecker Dolgin","doi":"10.3138/md-66-3-rev06","DOIUrl":"https://doi.org/10.3138/md-66-3-rev06","url":null,"abstract":"Essays in Bernard Shaw and the Spanish-Speaking World, edited by Gustavo Rodríguez Martín, utilize a range of scholarly lenses to unfold insightful and provocative reasons why Shaw’s plays, prefaces, and speeches circa 1890–1950 had international appeal and have retained their impact in the present moment.","PeriodicalId":43301,"journal":{"name":"MODERN DRAMA","volume":"73 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135638647","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Politics and Ethics of Collective Memory and Forgetting in Christina Reid’s My Name, Shall I Tell You My Name? 克里斯蒂娜·里德《我的名字，我能告诉你我的名字吗?》中集体记忆与遗忘的政治与伦理
2区 艺术学
MODERN DRAMA Pub Date : 2023-09-01 DOI: 10.3138/md-66-3-1231
Chen-Wei Han
{"title":"The Politics and Ethics of Collective Memory and Forgetting in Christina Reid’s <i>My Name, Shall I Tell You My Name?</i>","authors":"Chen-Wei Han","doi":"10.3138/md-66-3-1231","DOIUrl":"https://doi.org/10.3138/md-66-3-1231","url":null,"abstract":"This article explores the relationships between personal and collective memory, especially transgenerational memory, within a Protestant, loyalist family in Northern Ireland in Christina Reid’s My Name, Shall I Tell You My Name?. Forgetting plays a vital role in the communal memory of loyalism and unionism within the world of the play. The female protagonist, Andrea, actively unsettles that forgetting by challenging the mainstream loyalist commemoration exemplified by her grandfather Andy via alternative narratives and commemoration. The ongoing contestation over the collective memory of the Battle of the Somme, one of the pivotal historical events in loyalist remembrance culture, reveals the peculiar temporality of loyalist memory and uncovers problems inherent to the eternal cycle of loyalist memory and its oblivion. Through its treatment of these themes, I suggest that My Name conveys an ethical imperative to remember for the future instead of the past.","PeriodicalId":43301,"journal":{"name":"MODERN DRAMA","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135637775","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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