Nineteenth-Century Contexts-An Interdisciplinary Journal最新文献_第8页

Sea changes: reimagining the coast in EBB from “A Sea-Side Meditation” to “The Runaway Slave at Pilgrim’s Point” 海的变化:从《海边的沉思》到《朝圣者角的逃亡奴隶》，重新想象EBB中的海岸

IF 0.2 4区社会学

Nineteenth-Century Contexts-An Interdisciplinary Journal Pub Date : 2022-05-27 DOI: 10.1080/08905495.2022.2084960

Christopher M. Keirstead

引用次数: 0

Medieval artwork contra Renaissance artwork in nineteenth-century Britain: Ruskin, Morris, James 19世纪英国的中世纪艺术品与文艺复兴艺术品的对比:罗斯金，莫里斯，詹姆斯

IF 0.2 4区社会学

Nineteenth-Century Contexts-An Interdisciplinary Journal Pub Date : 2022-05-27 DOI: 10.1080/08905495.2022.2086025

Sezen Ünlüönen

引用次数: 1

Jane Austen, early and late 简·奥斯汀，早期和晚期

IF 0.2 4区社会学

Nineteenth-Century Contexts-An Interdisciplinary Journal Pub Date : 2022-05-27 DOI: 10.1080/08905495.2022.2084675

Alex Woloch

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Wilkie Collins’s sentimental secretions: the physiology and feeling of Victorian tears 威尔基·柯林斯的情感分泌物：维多利亚时代眼泪的生理和感觉

IF 0.2 4区社会学

Nineteenth-Century Contexts-An Interdisciplinary Journal Pub Date : 2022-05-27 DOI: 10.1080/08905495.2022.2084961

Megan Nash

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America’s original: white supremacy, John Wilkes Booth, and the Lincoln assassination 美国原创：白人至上主义、约翰·威尔克斯·布斯和林肯遇刺

IF 0.2 4区社会学

Nineteenth-Century Contexts-An Interdisciplinary Journal Pub Date : 2022-05-27 DOI: 10.1080/08905495.2022.2084676

Erin Austin Dwyer

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“But most brothers when in misfortune”: a transnational approach to natural disasters “但大多数兄弟在不幸中”：应对自然灾害的跨国方法

IF 0.2 4区社会学

Nineteenth-Century Contexts-An Interdisciplinary Journal Pub Date : 2022-05-27 DOI: 10.1080/08905495.2022.2084959

Marguérite Corporaal, L. Jensen

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All that glittered: Britain’s most precious metal from Adam Smith to the Gold Rush 所有闪光的东西：从亚当·斯密到淘金热的英国最贵金属

IF 0.2 4区社会学

Nineteenth-Century Contexts-An Interdisciplinary Journal Pub Date : 2022-05-27 DOI: 10.1080/08905495.2022.2084679

Angela Redish

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“One should never write in albums”: analyzing nineteenth-century albums as social networks “一个人永远不应该在专辑中写作”:分析19世纪的专辑作为社交网络

IF 0.2 4区社会学

Nineteenth-Century Contexts-An Interdisciplinary Journal Pub Date : 2022-05-27 DOI: 10.1080/08905495.2022.2084958

Jeannette Acevedo Rivera

{"title":"“One should never write in albums”: analyzing nineteenth-century albums as social networks","authors":"Jeannette Acevedo Rivera","doi":"10.1080/08905495.2022.2084958","DOIUrl":"https://doi.org/10.1080/08905495.2022.2084958","url":null,"abstract":"“The price of the album is 5,000 euros”, stated the shop clerk at the specialized antiquarian bookstore in Madrid, “but if you pay cash, we can give you a discount”. That magnificent album with contributions from prominent writers such as José Zorrilla (1817– 1893) and Ramón de Campoamor (1817–1901) was certainly out of my financial reach, thus, I returned it reassuring her that I would think about it. After years doing research on the phenomenon of the nineteenth-century album in France and Spain, I know that antiquarian stores and auctions do not grant access to these objects of study beyond the quick glance permitted in the expectation of a pecuniary transaction. Fortunately, there are other somewhat more democratic spaces where one can perform an academic exploration of albums: the archives of national libraries and museums. The monetary value of the album at that Madrilenian antiquarian bookstore responds to a capitalist dynamic that is not necessarily linked to an acknowledgement of its significance as a vessel of history and stories. Someone will eventually purchase it to add to their collection, perhaps vaguely aware of its symbolic cultural meaning, but without the defined goal of analyzing its contents. Meanwhile, I will keep returning to the archives, those liminal spaces that, as Jacques Derrida declared, mark the “institutional passage from the private to the public, which does not always mean from the secret to the nonsecret” (1995, 10). It is precisely in that threshold of multiple realities where I can study albums as historical artifacts that offer a complex understanding of nineteenth-century ideas of the self, artistic exchanges, and gender dynamics in France and Spain.","PeriodicalId":43278,"journal":{"name":"Nineteenth-Century Contexts-An Interdisciplinary Journal","volume":"44 1","pages":"241 - 263"},"PeriodicalIF":0.2,"publicationDate":"2022-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43730214","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Dream-child: a life of Charles Lamb 梦想中的孩子：查尔斯·兰姆的一生

IF 0.2 4区社会学

Nineteenth-Century Contexts-An Interdisciplinary Journal Pub Date : 2022-05-27 DOI: 10.1080/08905495.2022.2084678

Karen Fang

引用次数: 0

Sentiment and symbol, temper and typology: the double-function of reserve in Charlotte Yonge’s The Heir of Redclyffe 情感与符号、脾气与类型学——论夏洛·永革《雷德克里夫的继承人》中保留的双重功能

IF 0.2 4区社会学

Nineteenth-Century Contexts-An Interdisciplinary Journal Pub Date : 2022-05-27 DOI: 10.1080/08905495.2022.2084963

C. Dickinson

{"title":"Sentiment and symbol, temper and typology: the double-function of reserve in Charlotte Yonge’s The Heir of Redclyffe","authors":"C. Dickinson","doi":"10.1080/08905495.2022.2084963","DOIUrl":"https://doi.org/10.1080/08905495.2022.2084963","url":null,"abstract":"Eight chapters before Charlotte M. Yonge ’ s novel The Heir of Redcly ﬀ e ends, the hero, Guy Morville, suddenly dies. The rest of the action focuses on Guy ’ s cousin and rival, Philip Edmonstone. As strange as this choice is, it is only the last in a series of strange choices which Yonge makes. The oddity of these choices is striking, since, in the ﬁ rst several chapters, Redcly ﬀ e reads like most novels from the era. Published in 1853, Redcly ﬀ e contains many features common to Victorian realist ﬁ ction: there is a conten-tious inheritance question, two unmarried sisters, and two gentlemen suitors who are distant cousins – one, poor but virtuous; the other, wealthy but proud. Given the expectations of the Victorian novel genre, the reader would anticipate that the proud lover be reformed, and then accepted into the family with the female cousins. He would then reconcile with his rival, and each would marry the appropriate sister. Finally, the wealthy suitor would hire the poor cousin as his clergyman, and all would live happily ever after. However, not only are these expectations ignored; they are completely subverted. It is the poor cousin, Philip Edmonstone, who proves to be proud and intractable, while the wealthy cousin, Guy Morville, becomes humble, courageous, and genuinely loving. More surprising, eight chapters before the novel closes, Sir Guy, the novel ’ s central hero, con-tracts a fever and dies. The ﬁ nal chapters end with Philip as the inheritor of the Redcly ﬀ e estate, reformed but broken; his newly acquired wealth and wife bitter reminders of his past behavior, coming as they do with the knowledge that he is responsible for Guy ’ s death.","PeriodicalId":43278,"journal":{"name":"Nineteenth-Century Contexts-An Interdisciplinary Journal","volume":"44 1","pages":"341 - 366"},"PeriodicalIF":0.2,"publicationDate":"2022-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41324900","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0