IRISH UNIVERSITY REVIEW最新文献

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List of Books Reviewed 书评书目
3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2023-05-01 DOI: 10.3366/iur.2023.0597
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引用次数: 0
Life Writing as Cultural Narrative: Rosaleen McDonagh’s Unsettled 作为文化叙事的生活写作:罗莎琳·麦克唐纳的《不安定》
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2022-11-01 DOI: 10.3366/iur.2022.0561
Elizabeth Grubgeld
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引用次数: 0
IASIL Bibliography for 2021 IASIL 2021年书目
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2022-11-01 DOI: 10.3366/iur.2022.0574
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引用次数: 0
Middlebrow Culture and Mary Lavin’s Short Stories in The New Yorker 中庸文化与玛丽·拉文在《纽约客》上的短篇小说
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2022-11-01 DOI: 10.3366/iur.2022.0564
Yen-Chi Wu
{"title":"Middlebrow Culture and Mary Lavin’s Short Stories in The New Yorker","authors":"Yen-Chi Wu","doi":"10.3366/iur.2022.0564","DOIUrl":"https://doi.org/10.3366/iur.2022.0564","url":null,"abstract":"This essay, informed by scholarship on middlebrow culture, places Mary Lavin’s stories in the textual space of The New Yorker, reassessing the supposed ‘conservatism’ of her short fiction. Lavin’s literary fame has often been marred by her perceived conservative streaks – in terms of her literary sensibility and her gender politics. Lavin’s literary style is inclined to the realist mode, which appears to be old-fashioned in comparison with the experimentalist work of her modernist predecessors; moreover, her ideas of family and marriage largely adhere to established social mores, disconnecting her from the progressive feminist movement in the post-war years. This essay argues that both aspects of Lavin’s ‘conservatism’ should be radically reassessed by placing her stories in the context of The New Yorker and the magazine’s affiliation with middlebrow culture. Her seemingly conservative literary and gender views in fact register a critical attitude toward urban modernity and domestic ideals, which resonated with The New Yorker’s liberal, albeit complacent, middle-class readers. In particular, the essay reads Lavin’s island story ‘The Bridal Sheets’ as a critique of materialism; it also considers the symbolic currency of the widow figure in ‘In a Café’ vis-à-vis The New Yorker’s tepid gender politics in the mid-twentieth century.","PeriodicalId":43277,"journal":{"name":"IRISH UNIVERSITY REVIEW","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42412594","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Thomas MacGreevy’s Combatant Modernism 托马斯·麦克格里维的战斗现代主义
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2022-11-01 DOI: 10.3366/iur.2022.0568
William Davies
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引用次数: 0
Unsettled by Rosaleen McDonagh – Reading with Heart and Mind 罗萨琳·麦克唐纳的《不安》——用心阅读
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2022-11-01 DOI: 10.3366/iur.2022.0560
David Friel
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引用次数: 0
Female Development and Fairy Tale Transformations in Frances Browne’s Granny’s Wonderful Chair, and its Tales of Fairy Times (1856) 弗朗西丝·布朗的《奶奶的奇妙椅子》及其《童话时代》(1856)中女性的发展与童话的转变
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2022-11-01 DOI: 10.3366/iur.2022.0565
A. Jamison
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引用次数: 0
From Unsettled 从不安
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2022-11-01 DOI: 10.3366/iur.2022.0559
Rosaleen McDonagh
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引用次数: 0
James Stephens and his American Patron 詹姆斯·斯蒂芬斯和他的美国赞助人
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2022-11-01 DOI: 10.3366/iur.2022.0567
Steven J. Gores
{"title":"James Stephens and his American Patron","authors":"Steven J. Gores","doi":"10.3366/iur.2022.0567","DOIUrl":"https://doi.org/10.3366/iur.2022.0567","url":null,"abstract":"James Stephens (1880–1950) had a significant reputation during the interwar years, both as a poet and a writer of short stories. Combining a Revivalist interest in imaginative texts from Ireland’s past, with an instinct for social realism, Stephens created a distinctive and admired body of work and was the subject of significant critical attention in the decades following his death. This essay explores a little-known dimension of Stephens’ life and professional career – his relationship with his American patron, W. T. H. Howe (1868–1939). Howe was a supportive presence in Stephens’ life, hosting him at his home, ‘Freelands’, for extended periods and collaborating with him on a number of publishing projects. Using a range of archival sources, this essay considers the place of this relationship in Stephens’ career and the factors which led to its conclusion.","PeriodicalId":43277,"journal":{"name":"IRISH UNIVERSITY REVIEW","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44085484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Lost Futures: Hauntedness, Memory and Kevin Barry’s City of Bohane 迷失的未来:幽灵、记忆和凯文·巴里的博哈恩城
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2022-11-01 DOI: 10.3366/iur.2022.0572
Ian Hickey
{"title":"Lost Futures: Hauntedness, Memory and Kevin Barry’s City of Bohane","authors":"Ian Hickey","doi":"10.3366/iur.2022.0572","DOIUrl":"https://doi.org/10.3366/iur.2022.0572","url":null,"abstract":"This article examines the haunted nature of Kevin Barry’s City of Bohane. The primary focus of reading is through the theoretical lens of Jacques Derrida’s notion of hauntology which he discusses in Specters of Marx. The novel is given to anachronism and moments of inertia as the past constantly intrudes upon the present moment of the characters lives. The inhabitants of the city are haunted by the past, which in the novel is referred to as the ‘lost time’, and are unable to move towards a future free from the shackles of memory, tradition and violence. Indeed, Mark Fisher’s thinking on the twenty-first century is important to consider in the context of his writing on hauntology and lost futures. While the characters are bound to the ‘lost time’ they are by implication prone to lost futures as they cannot escape the past as it sutures itself within the present moment in new and different forms. The only futures that they can attain are lost futures.","PeriodicalId":43277,"journal":{"name":"IRISH UNIVERSITY REVIEW","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46497873","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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