Female Development and Fairy Tale Transformations in Frances Browne’s Granny’s Wonderful Chair, and its Tales of Fairy Times (1856)

IF 0.1 3区 文学 0 LITERARY REVIEWS
A. Jamison
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引用次数: 0

Abstract

Focusing on the changing publishing trends in children’s Irish and British fiction in the mid-nineteenth century, this essay examines Frances Browne’s popular fairy-tale collection, Granny’s Wonderful Chair, and its Tales of Fairy Times (1856), as part of a wider turn towards fantasy and fairy tale in the period. For Browne and others, the appeal of the genre lies in its ability to both entertain children, as well as instruct them in moral and social principles. As this essay aims to demonstrate, however, Browne’s text forges a significant challenge to conventional gendered patterns of social behaviour for women and imagines alternative life pathways for its young female readership as part of its didactic function. By focusing on the girl protagonist of the collection’s frame story, and her journey of maturation and acculturation, this essay finally reads Browne’s text not only for its transgressive subtext on gender conventions, but also for its implied critique of the power hierarchies that uphold the patriarchal order at the heart of these gendered social principles.
弗朗西丝·布朗的《奶奶的奇妙椅子》及其《童话时代》(1856)中女性的发展与童话的转变
着眼于19世纪中期爱尔兰和英国儿童小说出版趋势的变化,本文考察了弗朗西丝·布朗的流行童话合集《奶奶的奇妙椅子》及其《童话时代的故事》(1856),作为这一时期幻想和童话的更广泛转向的一部分。对于布朗和其他人来说,这种类型的吸引力在于它既能娱乐孩子,又能教导他们道德和社会原则。然而,正如本文旨在证明的那样,布朗的文本对女性社会行为的传统性别模式提出了重大挑战,并为年轻女性读者想象了另一种生活道路,作为其说教功能的一部分。通过关注文集框架故事中的女孩主人公,以及她的成熟和文化适应之旅,本文最终解读了布朗的文本,不仅因为它对性别习俗的越轨潜台词,还因为它对权力等级制度的隐含批判,这种权力等级制度在这些性别社会原则的核心地位上维护着父权秩序。
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来源期刊
IRISH UNIVERSITY REVIEW
IRISH UNIVERSITY REVIEW LITERARY REVIEWS-
CiteScore
0.50
自引率
25.00%
发文量
22
期刊介绍: Since its launch in 1970, the Irish University Review has sought to foster and publish the best scholarly research and critical debate in Irish literary and cultural studies. The first issue contained contributions by Austin Clarke, John Montague, Sean O"Faolain, and Conor Cruise O"Brien, among others. Today, the journal publishes the best literary and cultural criticism by established and emerging scholars in Irish Studies. It is published twice annually, in the Spring and Autumn of each year. The journal is based in University College Dublin, where it was founded in 1970 by Professor Maurice Harmon, who edited the journal from 1970 to 1987. It has subsequently been edited by Professor Christopher Murray (1987-1997).
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