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IRISH UNIVERSITY REVIEW最新文献

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Melania Terrazas Gallego (editor), Trauma and Identity in Contemporary Irish Culture Melania Terrazas Gallego（编辑），当代爱尔兰文化中的创伤与身份
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2021-11-01 DOI: 10.3366/iur.2021.0531
Seán Ó Cinnéide
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引用次数: 0
Kasia Lech, Dramaturgy of Form: Performing Verse in Contemporary Theatre 卡西娅·莱赫，形式戏剧：当代戏剧中的表演诗歌
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2021-11-01 DOI: 10.3366/iur.2021.0527
Lauren Clark
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引用次数: 0
‘All sorts of wonderful impossibilities’: Tracing the Genesis of John McGahern’s ‘Doorways’ “各种奇妙的不可能”:追寻约翰·麦格亨的《门口》的起源
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2021-11-01 DOI: 10.3366/iur.2021.0523
Brian Fox
{"title":"‘All sorts of wonderful impossibilities’: Tracing the Genesis of John McGahern’s ‘Doorways’","authors":"Brian Fox","doi":"10.3366/iur.2021.0523","DOIUrl":"https://doi.org/10.3366/iur.2021.0523","url":null,"abstract":"It is well known by now that John McGahern was a scrupulous reviser of his own work, even if this insight into his compositional methods has not been accompanied by a substantial body of research on the archive and the revisions themselves. This essay aims to address this anomaly by focusing on the genetic evolution of McGahern's short story ‘Doorways’. Specifically, it will concentrate on the earliest handwritten drafts when the work is at its most provisional. The consensus view of McGahern's writing practices is of an artist committed to ideals of Flaubertian perfectionism, but implicit in this view is a bias towards the more granular work of late-stage refinement. The approach this essay takes shows McGahern at his most distant from the Flaubertian perfectionist that he is best known as, thus opening up new ways to reconsider how those works achieve their distinctive appearance of refined delicacy and simplicity.","PeriodicalId":43277,"journal":{"name":"IRISH UNIVERSITY REVIEW","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45760573","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
IASIL Bibliography for 2020 2020年IASIL参考书目
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2021-11-01 DOI: 10.3366/iur.2021.0532
{"title":"IASIL Bibliography for 2020","authors":"","doi":"10.3366/iur.2021.0532","DOIUrl":"https://doi.org/10.3366/iur.2021.0532","url":null,"abstract":"","PeriodicalId":43277,"journal":{"name":"IRISH UNIVERSITY REVIEW","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44475084","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Maurice Scully, Things That Happen Kenneth Keating (editor), A Line of Tiny Zeros in the Fabric: Essays on the Poetry of Maurice Scully 莫里斯·斯库利，《发生的事》肯尼斯·基廷（编辑），《织物中的一行微小零：莫里斯·斯库利诗歌随笔》
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2021-11-01 DOI: 10.3366/iur.2021.0530
Leo Dunsker
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引用次数: 0
‘All of Ireland had been wiped out’: Irish Nuclear Anxiety and Éilís Ní Dhuibhne’s The Bray House “整个爱尔兰都被消灭了”：爱尔兰核焦虑和Éilís NíDhuibhne的《布雷之家》
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2021-11-01 DOI: 10.3366/iur.2021.0517
V. Nolan
{"title":"‘All of Ireland had been wiped out’: Irish Nuclear Anxiety and Éilís Ní Dhuibhne’s The Bray House","authors":"V. Nolan","doi":"10.3366/iur.2021.0517","DOIUrl":"https://doi.org/10.3366/iur.2021.0517","url":null,"abstract":"The Bray House (1990) is Éilís Ní Dhuibhne's curious and contested first novel, the story of a near-future archaeological expedition to an Ireland devastated by a British nuclear disaster. It is a book which has offered much analytical fodder to readers and critics alike, with the question of the novel's genre continually in flux since its publication. This article argues that, in The Bray House, Ní Dhuibhne consciously inverts Old Irish narrative forms to create a work of speculative writing which yokes together the seemingly contradictory concerns of the Gaelic literary tradition and contemporary Irish anxiety about vulnerabilities to the British nuclear energy industry. It examines how the author combines unease over international energy politics with native narrative structures to create a work which sits comfortably within the genre of science fiction. It considers how The Bray House brings to light what Darko Suvin calls the ‘congeneric elements in the cognitive and marvellous bias of the voyage extraordinaire’, in this case the Old Irish Echtra form. Particular attention is paid throughout to how science fiction (specifically the techno-Robinsonade model) allows Ní Dhuibhne to vividly express Irish national concerns over the presence of the Sellafield nuclear power plant in the late 1980s.","PeriodicalId":43277,"journal":{"name":"IRISH UNIVERSITY REVIEW","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46715566","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Theatre Still Has the Power to be Provocative’: An Interview with Jim Culleton, Artistic Director, Fishamble: The New Play Company “剧院仍然有挑衅的力量”：访Fishamble:the New Play Company艺术总监Jim Culleton
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2021-11-01 DOI: 10.3366/iur.2021.0514
Jim Culleton, E. Radley
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引用次数: 0
Elizabeth Grubgeld, Disability and Life Writing in Post-Independence Ireland 伊丽莎白·格鲁格菲尔德，独立后爱尔兰的残疾与生活写作
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2021-11-01 DOI: 10.3366/iur.2021.0526
M. Pierse
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引用次数: 0
The Chinese Translation of Samuel Beckett: A Critical History 塞缪尔·贝克特的中译本：一部批判史
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2021-11-01 DOI: 10.3366/iur.2021.0519
Bo Cao
{"title":"The Chinese Translation of Samuel Beckett: A Critical History","authors":"Bo Cao","doi":"10.3366/iur.2021.0519","DOIUrl":"https://doi.org/10.3366/iur.2021.0519","url":null,"abstract":"In light of the relevant merits and defects of translation practice over sixty years, this article presents a critical history of the Chinese translation of the work of Samuel Beckett. The article argues that the history may be divided into two periods: the pre-1980 period and the post-1980 period, with China's reopening to the outside world in the late 1970s as the watershed. The first period is dominated by the politically propelled translation of Waiting for Godot and harsh criticism of Beckett as a ‘decadent’ author. The second period, characterized by a more complex aesthetic response, may be further divided into three stages: the first stage is marked by the pioneering Proust as a booklet on irrationalism and the debatable Collection of Samuel Beckett translated from French; the second stage by the annotated Complete Works of Samuel Beckett; the third stage by the scholastically motivated Letters of Samuel Beckett. In retrospect, the transition between the two periods is a dramatic one from political misreading to aesthetic appreciation. Or, rather, the progress of the Chinese translation since the turn of the twentieth century mirrors both the re-evaluation of Beckett as an innovative artist and the ‘inward turn’ of Chinese intellectual circles.","PeriodicalId":43277,"journal":{"name":"IRISH UNIVERSITY REVIEW","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46560863","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
(Post)Dramatic Strategies: Performing Difference in Pat Kinevane’s Solo Theatre (Post)戏剧策略:帕特·基内瓦恩独角戏的表演差异
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2021-11-01 DOI: 10.3366/iur.2021.0522
Clara Mallon
{"title":"(Post)Dramatic Strategies: Performing Difference in Pat Kinevane’s Solo Theatre","authors":"Clara Mallon","doi":"10.3366/iur.2021.0522","DOIUrl":"https://doi.org/10.3366/iur.2021.0522","url":null,"abstract":"Pat Kinevane's solo performances focus on identities constituted on the margins of contemporary Irish society. Fusing the comic with the tragic, improvisation with carefully planned execution, and entertainment with serious cultural critique, these performative works range freely through diverse theatrical styles to represent Irish characters marginalized by their communities. Utilizing Hans-Thies Lehmann's ideas in Postdramatic Theatre (2006), this essay demonstrates how Kinevane's theatre inscribes but also contests some of the modalities of postdramatic discourse, creating a platform through which hegemonic political frameworks are challenged and identities are presented outside the established social norm. Through a performative analysis of the constructional, formal, and stylistic techniques, I argue that Kinevane's combined use of dramatic and postdramatic strategies can be seen as an essential part of his attempts to create consciousness raising and promote critical thinking among audiences.","PeriodicalId":43277,"journal":{"name":"IRISH UNIVERSITY REVIEW","volume":"1 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69555803","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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