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The Place of Irish Archives 爱尔兰档案馆
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2022-05-01 DOI: 10.3366/iur.2022.0538
G. Higgins
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引用次数: 0
The Changeling Legend and Queer Kinship in Caitriona Lally’s Eggshells 《蛋壳》中的换生灵传说与酷儿亲属关系
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2021-11-01 DOI: 10.3366/iur.2021.0520
M. Ferguson
{"title":"The Changeling Legend and Queer Kinship in Caitriona Lally’s Eggshells","authors":"M. Ferguson","doi":"10.3366/iur.2021.0520","DOIUrl":"https://doi.org/10.3366/iur.2021.0520","url":null,"abstract":"In Caitriona Lally's debut novel Eggshells (2015), the narrator Vivian Lawlor is an adult woman with a quirky personality living in North Dublin, who believes herself to be a changeling. Throughout the novel, Vivian travels various paths in Dublin looking for specific ‘thin places,’ creating ‘an alternative map of Dublin’, as Claire Kilroy's review puts it. Folklore is often used as a code for hiding aspects of Irish life that are unspeakable, and in Eggshells the changeling story is a coded testimony of family violence in which the changeling figure is labelled as nonhuman. Rejected by family, she looks to queer models of kinship as outlined by Judith Butler, through transformative portals and a companion who is a fellow trauma survivor. This essay argues that, while her experience of traumatic family violence is silently coded within the changeling story, Vivian strategically deploys changeling legend to embody a nonconforming gender presentation.","PeriodicalId":43277,"journal":{"name":"IRISH UNIVERSITY REVIEW","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46909309","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘For “feather” read “father”’: Death and Possibility in Paul Muldoon’s Paternal Elegies “为了“羽毛”而读“父亲”：保罗·马尔顿的父亲挽歌中的死亡与可能性
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2021-11-01 DOI: 10.3366/iur.2021.0521
Wit Píetrzak
{"title":"‘For “feather” read “father”’: Death and Possibility in Paul Muldoon’s Paternal Elegies","authors":"Wit Píetrzak","doi":"10.3366/iur.2021.0521","DOIUrl":"https://doi.org/10.3366/iur.2021.0521","url":null,"abstract":"Focused on Muldoon's father elegies written between his debut collection New Weather and Hay, the present essay argues that these poems evoke paternal death as the founding moment of poetic expression. Only when the father figure has passed away is the space for poetic expression implicitly made available to the son, so that the elegies from ‘The Waking Father’ all the way to ‘The Bangle (Slight Return)’ seek to reimagine the father figure as a poetic construct open to reinterpretation beyond the confines of his factual existence. In effect, the poem, as a locus of unconstrained revision of the self, becomes a consoling act that works only insofar as the poem manages to elude closure.","PeriodicalId":43277,"journal":{"name":"IRISH UNIVERSITY REVIEW","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44895674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Human Rights, Posthuman Ethics, and the Material Aesthetics of Flight in Contemporary Irish Poetry 人权、后人类伦理与当代爱尔兰诗歌逃亡的物质美学
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2021-11-01 DOI: 10.3366/iur.2021.0516
Anne Karhio
{"title":"Human Rights, Posthuman Ethics, and the Material Aesthetics of Flight in Contemporary Irish Poetry","authors":"Anne Karhio","doi":"10.3366/iur.2021.0516","DOIUrl":"https://doi.org/10.3366/iur.2021.0516","url":null,"abstract":"This article examines a series of poems by Irish authors, and focuses on their engagement with human rights violations and conflicts through the metaphors and imagery of flight and the aerial view. It argues that these poems address the need for a shift away from the perspective of a defined, distinct human subject, and towards a posthumanist framework which emphasizes relational, situated, and embodied ethics and aesthetics in an interconnected world. Since the introduction of modern aviation, Irish poets have frequently employed the imagery of flying to consider poetry's role in relation to conflict and crisis. Here, the adoption of visual and material metaphors of flight and aerial travel in human rights contexts is discussed, particularly in poems by Seamus Heaney, Peter Sirr and Justin Quinn. Through a reimagined poetics of flight, these poets question established dichotomies between proximity and distance, and material embodiment and disembodied abstraction.","PeriodicalId":43277,"journal":{"name":"IRISH UNIVERSITY REVIEW","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44935975","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
‘More Than Just a Place to Visit…’: An Interview with Simon O'Connor, Director, Museum of Literature Ireland “不仅仅是一个参观的地方…”：爱尔兰文学博物馆馆长西蒙·奥康纳访谈录
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2021-11-01 DOI: 10.3366/iur.2021.0513
Simon O’Connor, Lucy Collins
{"title":"‘More Than Just a Place to Visit…’: An Interview with Simon O'Connor, Director, Museum of Literature Ireland","authors":"Simon O’Connor, Lucy Collins","doi":"10.3366/iur.2021.0513","DOIUrl":"https://doi.org/10.3366/iur.2021.0513","url":null,"abstract":"","PeriodicalId":43277,"journal":{"name":"IRISH UNIVERSITY REVIEW","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44080090","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Michael McAteer, Excess in Modern Irish Writing: Spirit and Surplus 迈克尔·麦卡蒂尔:《现代爱尔兰写作中的过剩:精神与过剩》
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2021-11-01 DOI: 10.3366/iur.2021.0528
M. Fogarty
{"title":"Michael McAteer, Excess in Modern Irish Writing: Spirit and Surplus","authors":"M. Fogarty","doi":"10.3366/iur.2021.0528","DOIUrl":"https://doi.org/10.3366/iur.2021.0528","url":null,"abstract":"","PeriodicalId":43277,"journal":{"name":"IRISH UNIVERSITY REVIEW","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44832872","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Investing in Fictions: Faith, Abstraction and Materiality in Paul Murray’s The Mark and the Void 小说投资：保罗·默里《标记与虚空》中的信仰、抽象与物质
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2021-11-01 DOI: 10.3366/iur.2021.0518
Eóin Flannery
{"title":"Investing in Fictions: Faith, Abstraction and Materiality in Paul Murray’s The Mark and the Void","authors":"Eóin Flannery","doi":"10.3366/iur.2021.0518","DOIUrl":"https://doi.org/10.3366/iur.2021.0518","url":null,"abstract":"One of the central contentions of this essay is that Paul Murray's novel, The Mark and the Void, addresses questions of faith, fictionality, literary form and the relationship between abstract finance and material sociality. The novel engages with and exposes the arcane vernaculars of finance capitalism, while at the same time registering the inalienable materiality of their effects in terms of impoverishment, displacement and terminal indebtedness. As we shall detail, for Murray, the purpose of ‘finance fiction’ is neither to confirm nor further mythologize the transcendental fictionality of high finance. In crafting such a literary critique of Celtic Tiger Ireland, Murray invokes an increasingly common trope – the zombie. In doing so, The Mark and The Void partakes of a figuration that acknowledges ‘the deadliness of financialized debt and credit crisis’. In a sense, enlisting the metonymic figure of the zombie speaks to the undead nature of indebtedness, and it is an apt figuration of the past that continues to haunt in the present and into the future. As the narrative suggests, debt is the financial burden that refuses to die, and the literary zombie represents communities of Celtic Tiger debtors metonymically.","PeriodicalId":43277,"journal":{"name":"IRISH UNIVERSITY REVIEW","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45707667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Paige Reynolds (editor), The New Irish Studies Paige Reynolds（编辑），《新爱尔兰研究》
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2021-11-01 DOI: 10.3366/iur.2021.0529
Eamon Maher
{"title":"Paige Reynolds (editor), The New Irish Studies","authors":"Eamon Maher","doi":"10.3366/iur.2021.0529","DOIUrl":"https://doi.org/10.3366/iur.2021.0529","url":null,"abstract":"","PeriodicalId":43277,"journal":{"name":"IRISH UNIVERSITY REVIEW","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46939341","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘I was listening … but did not succeed in hearing you’: Flann O’Brien, Ralph Cusack, and the Absurdities of Silent Musical Experience “我在听……但没能听到你的声音”:弗兰·奥布莱恩，拉尔夫·库萨克，《无声音乐体验的荒谬
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2021-11-01 DOI: 10.3366/iur.2021.0524
Stan Erraught
{"title":"‘I was listening … but did not succeed in hearing you’: Flann O’Brien, Ralph Cusack, and the Absurdities of Silent Musical Experience","authors":"Stan Erraught","doi":"10.3366/iur.2021.0524","DOIUrl":"https://doi.org/10.3366/iur.2021.0524","url":null,"abstract":"The notion of soundless music seems contradictory, even absurd: the concept of soundless musical experience less so. In this article, I explore two quite different descriptions of this kind of experience as set out in two mid-twentieth-century Irish novels. In one, Flann O'Brien's The Third Policeman, the narrator watches one of the titular sergeants enjoy music that he – the narrator – cannot hear. In the second, Ralph Cusack's Cadenza, the narrator watches as a village priest mimes playing the piano on a café table, a performance he ‘hears’ and appreciates. Speculatively combining and extending these episodes, and using the figures of the philistine and the aesthete in Adorno's Aesthetic Theory as a key, I suggest that an anxiety about music and musical expression characterized the newly independent Ireland, an anxiety linked to wider concerns often read as ‘postcolonial’.","PeriodicalId":43277,"journal":{"name":"IRISH UNIVERSITY REVIEW","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44095527","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Muslim Integration and the Hijabi Monologues Ireland 穆斯林融合与希贾比独白爱尔兰
IF 0.4 3区 文学
IRISH UNIVERSITY REVIEW Pub Date : 2021-11-01 DOI: 10.3366/iur.2021.0515
Sarah L. Townsend
{"title":"Muslim Integration and the Hijabi Monologues Ireland","authors":"Sarah L. Townsend","doi":"10.3366/iur.2021.0515","DOIUrl":"https://doi.org/10.3366/iur.2021.0515","url":null,"abstract":"In 2012 and 2013, two productions of the Hijabi Monologues, an American theatre project featuring the stories of Muslim women, were staged in Ireland. This essay considers their relationship to state-sponsored and community-led interculturalism during the Celtic Tiger and post-Tiger years. Both productions centred on the act of storytelling and tended to downplay xenophobia, instead enacting the type of feel-good intercultural exchange that has dominated Irish and European integration efforts since the late 1990s. At the same time, the 2013 production, on which the essay focuses, employed coalition-building strategies borrowed from the field of migrant activism, thereby ensuring Muslim involvement throughout the production process. The Hijabi Monologues Ireland furnishes a snapshot of a transitional moment in Irish intercultural programming when the state-funded projects of the Celtic Tiger era were giving way to migrant-led initiatives. By examining the production's artistic process, community participation, and funding streams, the essay assesses its successes and shortcomings in addressing the complex challenges of Muslim integration.","PeriodicalId":43277,"journal":{"name":"IRISH UNIVERSITY REVIEW","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43545492","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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