ACTA MUSICOLOGICA最新文献

筛选
英文 中文
"Onde havrà ‘l mond’esempio et vera historia”: musical echoes of Henri III’s progress through Italy “Onde havr<s:1> ' l mond ' esempio et vera historia”:亨利三世在意大利的音乐回响
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 2000-01-01 DOI: 10.2307/932837
Laurie Stras
{"title":"\"Onde havrà ‘l mond’esempio et vera historia”: musical echoes of Henri III’s progress through Italy","authors":"Laurie Stras","doi":"10.2307/932837","DOIUrl":"https://doi.org/10.2307/932837","url":null,"abstract":"Le voyage de Henri III, roi de France, en Italie du Nord en 1574 fut marque par un contexte politique moins favorable que le laisse entendre certaines chroniques de l'epoque. Apres avoir delimite les contours du climat politique entourant ce voyage en Italie, l'A. propose quelques echos musicaux de la progression du Roi depuis Venise jusqu'a Turin. Si les traces des compositions et representations musicales en l'honneur du Roi furent dispersees par la suite dans des editions et publications diverses, il semble que le raffinement et l'elegance des divertissements musicaux offerts au Roi diminuerent a mesure de sa progression vers les regions occidentales. Les oeuvres chorales polyphoniques executees par les forces musicales de Venise mobiliserent plus puissamment l'attention musicale du Roi que les madrigaux de Marc'Antonio Ingegneri a Cremone. Par ailleurs les textes des oeuvres ou divertissements musicaux ne manquerent pas de rappeler au Roi son role personnel dans la realite politique du moment.","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"72 1","pages":"7-41"},"PeriodicalIF":0.2,"publicationDate":"2000-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932837","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69170974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
Johannes Brahms and Johannes Kreisler. Creativity and Aesthetics of the Young Brahms Illustrated by the "Piano Trio in B-Major" Opus 8 约翰内斯·勃拉姆斯和约翰内斯·克莱斯勒。从《b大调钢琴三重奏》第8号作品看年轻勃拉姆斯的创作与美学
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 2000-01-01 DOI: 10.2307/932782
A. Baldassarre
{"title":"Johannes Brahms and Johannes Kreisler. Creativity and Aesthetics of the Young Brahms Illustrated by the \"Piano Trio in B-Major\" Opus 8","authors":"A. Baldassarre","doi":"10.2307/932782","DOIUrl":"https://doi.org/10.2307/932782","url":null,"abstract":"","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"72 1","pages":"145"},"PeriodicalIF":0.2,"publicationDate":"2000-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932782","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69170808","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Die Macht der Musik. Musiktheorie im Machtgefüge der Karolingerzeit 音乐的力量方济各帝国的音乐理论
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 1999-07-01 DOI: 10.2307/932670
I. Jungmann
{"title":"Die Macht der Musik. Musiktheorie im Machtgefüge der Karolingerzeit","authors":"I. Jungmann","doi":"10.2307/932670","DOIUrl":"https://doi.org/10.2307/932670","url":null,"abstract":"","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"25 1","pages":"83"},"PeriodicalIF":0.2,"publicationDate":"1999-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932670","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69170457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Symbolic Innovation: The Notation of Jacob de Senleches 符号创新:雅各布·德·塞勒赫的符号
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 1999-07-01 DOI: 10.2307/932672
J. Stoessel
{"title":"Symbolic Innovation: The Notation of Jacob de Senleches","authors":"J. Stoessel","doi":"10.2307/932672","DOIUrl":"https://doi.org/10.2307/932672","url":null,"abstract":"With this statement, the late fourteenth century anonymous author of the Tractatus Figurarum concludes his prologue.2 The subsequent chapters in this treatise detail a rich vocabulary of novel signs used to achieve a new, subtle rhythmic freedom. From the grammatical tense of the previous passage, it is clear that this treatise is concerned with innovations that have already occurred. While very few of the actual signs in the treatise are found in the surviving sources containing this repertoire, the concerns expressed by the author of the Tractatus clearly reflect the notational situation apparent in surviving works in the ars subtilior style. Prior to the twentieth century, no greater diversity of notational signs (figure)3 are found in a mensural context than in the surviving versions of works by Jacob de Senleches, his contemporaries and his immediate successors. The use of special figures in his La harpe de melodie and En attendant esperance is","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"71 1","pages":"136-164"},"PeriodicalIF":0.2,"publicationDate":"1999-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932672","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69170541","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 7
"Glaube an den Süden". Anmerkungen zur Musikästhetik Friedrich Nietzsches "相信南方"他对作曲家尼采的评论
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 1999-07-01 DOI: 10.2307/932671
V. Otto
{"title":"\"Glaube an den Süden\". Anmerkungen zur Musikästhetik Friedrich Nietzsches","authors":"V. Otto","doi":"10.2307/932671","DOIUrl":"https://doi.org/10.2307/932671","url":null,"abstract":"","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"71 1","pages":"126"},"PeriodicalIF":0.2,"publicationDate":"1999-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932671","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69170467","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
ON MODALITY IN TROUVERE MELODIES 论诗歌旋律的调式
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 1999-01-01 DOI: 10.2307/932905
H. Tischler
{"title":"ON MODALITY IN TROUVERE MELODIES","authors":"H. Tischler","doi":"10.2307/932905","DOIUrl":"https://doi.org/10.2307/932905","url":null,"abstract":"","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"71 1","pages":"76-81"},"PeriodicalIF":0.2,"publicationDate":"1999-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932905","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69171480","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Baltic music history writing : Problems and perspectives 波罗的海音乐史写作:问题与观点
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 1999-01-01 DOI: 10.2307/932903
Urve Lippus
{"title":"Baltic music history writing : Problems and perspectives","authors":"Urve Lippus","doi":"10.2307/932903","DOIUrl":"https://doi.org/10.2307/932903","url":null,"abstract":"Aujourd'hui, les pays baltiques (Estonie, Lituanie, Lettonie) semblent former un ensemble homogene alors que l'histoire des relations avec la Russie a eu des impacts differents pour chacun de ces pays. Les cinquante annees de l'occupation sovietique ont ete cependant un facteur d'unification. L'A. discute certaines idees communes sur l'histoire de la musique des pays baltiques a partir des publications en musicologie qui ont fait suite au congres de musicologie initie en 1967 : il s'agissait d'une volonte de retourner aux sources anterieures a l'occupation sovietique. L'A. rappelle les principales caracteristiques de la musique de ces pays et la mise en place des etudes en musicologie, du fonds d'archives et d'etudes, puis s'interesse aux musiques nationales en etudiant leurs rapports avec l'ideologie sovietique.","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"71 1","pages":"50-60"},"PeriodicalIF":0.2,"publicationDate":"1999-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932903","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69171421","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 7
EIN BEITRAG ZUR ASTHETIK NEUER MUSIK DES 20. JAHRHUNDERTS 20世纪音乐的新作世纪
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 1998-07-01 DOI: 10.2307/932706
H. Federhofer
{"title":"EIN BEITRAG ZUR ASTHETIK NEUER MUSIK DES 20. JAHRHUNDERTS","authors":"H. Federhofer","doi":"10.2307/932706","DOIUrl":"https://doi.org/10.2307/932706","url":null,"abstract":"","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"70 1","pages":"116-132"},"PeriodicalIF":0.2,"publicationDate":"1998-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932706","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69170768","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
ANTIKE UBERLIEFERUNGEN IN DER BYZANTINISCHEN MUSIKTHEORIE 古代拜占庭音乐理论
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 1998-07-01 DOI: 10.2307/932707
L. Richter
{"title":"ANTIKE UBERLIEFERUNGEN IN DER BYZANTINISCHEN MUSIKTHEORIE","authors":"L. Richter","doi":"10.2307/932707","DOIUrl":"https://doi.org/10.2307/932707","url":null,"abstract":"","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"70 1","pages":"133-208"},"PeriodicalIF":0.2,"publicationDate":"1998-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932707","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69170776","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 16
CANON FORMATION : SOME MORE REFLECTIONS ON LYDIA GOEHR'S IMAGINARY MUSEUM OF MUSICAL WORKS 佳能的形成:对莉迪亚·高尔想象中的音乐作品博物馆的再思考
IF 0.2 3区 艺术学
ACTA MUSICOLOGICA Pub Date : 1998-07-01 DOI: 10.2307/932705
W. Erauw
{"title":"CANON FORMATION : SOME MORE REFLECTIONS ON LYDIA GOEHR'S IMAGINARY MUSEUM OF MUSICAL WORKS","authors":"W. Erauw","doi":"10.2307/932705","DOIUrl":"https://doi.org/10.2307/932705","url":null,"abstract":"","PeriodicalId":43273,"journal":{"name":"ACTA MUSICOLOGICA","volume":"70 1","pages":"109-115"},"PeriodicalIF":0.2,"publicationDate":"1998-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/932705","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69170756","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 10
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信